This book provides a fresh and comprehensive account of this outstanding work, which remains among the most frequently read works of Greek philosophy, indeed of Classical antiquity in general.
The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them, and give names to these shadows. The shadows are the prisoners' reality.
Many scholars regard Plato as the greatest philosopher of all time. Yet he was much more than a man with his head in the clouds. Plato grew up in a turbulent era. A violent civil war divided the Greeks. The turbulence carried over into his personal life. His beloved teacher, Socrates, was executed by the city of Athens. From the teachings of Socrates and his own experiences, Plato developed important theories about government, ethics, love, beauty—even reality. He founded what is probably the first university in the Western world. Plato risked imprisonment and death when he tried to put his political ideas into action. At one point he was almost sold into slavery. He left much for the world to contemplate.
This book is an exploration of Plato's Republic that bypasses arcane scholarly debates. Plato's Fable provides refreshing insight into what, in Plato's view, is the central problem of life: the mortal propensity to adopt defective ways of answering the question of how to live well. How, in light of these tendencies, can humankind be saved? Joshua Mitchell discusses the question in unprecedented depth by examining one of the great books of Western civilization. He draws us beyond the ancients/moderns debate, and beyond the notion that Plato's Republic is best understood as shedding light on the promise of discursive democracy. Instead, Mitchell argues, the question that ought to preoccupy us today is neither "reason" nor "discourse," but rather "imitation." To what extent is man first and foremost an "imitative" being? This, Mitchell asserts, is the subtext of the great political and foreign policy debates of our times. Plato's Fable is not simply a work of textual exegesis. It is an attempt to move debates within political theory beyond their current location. Mitchell recovers insights about the depth of the problem of mortal imitation from Plato's magnificent work, and seeks to explicate the meaning of Plato's central claim--that "only philosophy can save us."
We've all heard the adage: When life hands you lemons, make lemonade. But no one ever says how. Finally, with the inspiration of Plato and the help other great philosophers, Tom Morris has figured it out and here gives us a recipe we all can use. Along the way, he shows us how to move with wisdom from difficulty to delight in everything we do.
Plato, Aristophanes, and the creators of the "Orphic" gold tablets employ the traditional tale of a journey to the realm of the dead to redefine, within the mythic narrative, the boundaries of their societies. Rather than being the relics of a faded ritual tradition or the products of Orphic influence, these myths can only reveal their meanings through this detailed analysis of the specific ways in which each author makes use of the tradition.
From acclaimed, award-winning author Jo Walton: Philosopher Kings, a tale of gods and humans, and the surprising things they have to learn from one another. Twenty years have elapsed since the events of The Just City. The City, founded by the time-traveling goddess Pallas Athene, organized on the principles espoused in Plato's Republic and populated by people from all eras of human history, has now split into five cities, and low-level armed conflict between them is not unheard-of. The god Apollo, living (by his own choice) a human life as "Pythias" in the City, his true identity known only to a few, is now married and the father of several children. But a tragic loss causes him to become consumed with the desire for revenge. Being Apollo, he goes handling it in a seemingly rational and systematic way, but it's evident, particularly to his precocious daughter Arete, that he is unhinged with grief. Along with Arete and several of his sons, plus a boatload of other volunteers--including the now fantastically aged Marsilio Ficino, the great humanist of Renaissance Florence--Pythias/Apollo goes sailing into the mysterious Eastern Mediterranean of pre-antiquity to see what they can find—possibly the man who may have caused his great grief, possibly communities of the earliest people to call themselves "Greek." What Apollo, his daughter, and the rest of the expedition will discover...will change everything. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book is a detailed study of how Plato constructs his seminal philosophical dialogue, the Phaedo, as a unique tragedy, a poetic masterpiece whose structure is organic and symmetrical. Plato's mental Odyssey leads to the internal drama of the Phaedo plot. The analysis examines how Plato's literary art overcomes the philosophical problem of the separation of Ideas from sensible things. And it traces literary and philosophical offspring of the mental Odyssey, including Joyce and Proust.