Have you ever wanted to create a quilt from a favorite photograph but didn't know how to begin? Capturing realistic details in fabric seems an elusive art, but Charlotte shows how to portray images in quilts using a layering technique that is easy to understand and easy to use. Now you can create images in fabric through the appliqué techniques and exercises discussed in this exciting new book. A photo sequence for each project guides the quilter through the process. The projects include landscapes and portraits, with step-by-step techniques to capture realistic detail.
This book is the first ever concordance to the rhymes of Spenser’s epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser’s rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.
Focused on the recently hotly debated topic at the crossroads of various human and social sciences, this book investigates the emergence of the cosmopolitan idea of literature and its impact on the reconfiguration of the European and non-European political spaces. The birthplace of this idea is its designers’ traumatic experience as induced by the disconcerting condition of their abode.The thesis is that the eighteenth and nineteenth century’s cosmopolitan projects that grow out of such deep frustrations trace the twentieth century’s global democracy. This hidden origin of cosmopolitan projects dismantles the usual European representation of modernization as universal progress as myopic. Rather than being a generous action of prominent subjects such as Voltaire, Kant, and Goethe, or Bakhtin, Derrida and Deleuze, cosmopolitanism is an enforced reaction of the instances dispossessed by injury that search for the ways of healing it. Yet as soon as their remedy establishes itself as the ground for universal reconciliation, it risks suppressing other’s trauma, i.e. turns from politics into a police. Articulating the author’s position in the recent debates on the structure of democracy, the epilogue suggests an alternative strategy.
Continuing Patrick Wolfe’s work on settler colonialism This edited collection celebrates Patrick Wolfe’s contribution to the study and critique of settler colonialism as a distinct mode of domination. The chapters collected here focus on the settler-colonial assimilation of land and people, and on what Wolfe insightfully defined as “preaccumulation”: the ability of settlers to mobilise technologies and resources unavailable to resisting Indigenous communities. Wolfe’s militant and interdisciplinary scholarship is thus emphasised, together with his determination to acknowledge Indigenous perspectives and the efficacy of Indigenous resistances. In case studies of Australia, French Algeria, and the United States, contributors illustrate how seminal his contribution was and is. There are three core reasons why it is especially important to develop the field of thinking inaugurated by Wolfe: first, because the demand for Indigenous sovereignty has been crucial to recent struggles against neoliberal attacks in the settler societies; second, because a critique of settler colonialism and its logic of elimination has supported important struggles against environmental devastation; and third, because the ability to think race in ways that are not disconnected from other struggles is now more needed than ever. Racial capitalism and settler colonialism are as imbricated now as they always have been, and keeping both in mind at the same time highlights the need to establish and nurture solidarities that reach across established divides.
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.
The papers in this volume were presented at the Sixth Workshop on Algorithms and Data Structures (WADS '99). The workshop took place August 11 - 14, 1999, in Vancouver, Canada. The workshop alternates with the Scandinavian Workshop on Algorithms Theory (SWAT), continuing the tradition of SWAT and WADS starting with SWAT'88 and WADS'89. In response to the program committee's call for papers, 71 papers were submitted. From these submissions, the program committee selected 32 papers for presentation at the workshop. In addition to these submitted papers, the program committee invited the following researchers to give plenary lectures at the workshop: C. Leiserson, N. Magnenat-Thalmann, M. Snir, U. Vazarani, and 1. Vitter. On behalf of the program committee, we would like to express our appreciation to the six plenary lecturers who accepted our invitation to speak, to all the authors who submitted papers to W ADS'99, and to the Pacific Institute for Mathematical Sciences for their sponsorship. Finally, we would like to express our gratitude to all the people who reviewed papers at the request of the program committee. August 1999 F. Dehne A. Gupta J.-R. Sack R. Tamassia VI Conference Chair: A. Gupta Program Committee Chairs: F. Dehne, A. Gupta, J.-R. Sack, R. Tamassia Program Committee: A. Andersson, A. Apostolico, G. Ausiello, G. Bilardi, K. Clarkson, R. Cleve, M. Cosnard, L. Devroye, P. Dymond, M. Farach-Colton, P. Fraigniaud, M. Goodrich, A.
This book is about life, love, hurt, pain, life, and death, all of the many phases that affect us as human beings. Through poetic artistry, Through the Eyes of a Poet speaks from the heart several glimpses of who we are and how to overcome. Over the course of several years, writing poetry and this collection have captured the voice of God through the heart of a woman, a sister, a daughter, a friend. Because of her ability to hear the Spirits voice, she survived and was made even stronger. I want to share with you what helped me. Poetry is what poetry gives.
Exposure -- Indexicality: a trauma of signification -- Analogue: on Zoe Leonard and Tacita Dean -- Rubbing, casting, making strange -- Index, diagram, graphic trace -- The "unrepresentable"--Invisible traces: postscript on Thomas Demand
Mobility is a basic principle of modernity besides others like individuality, rationality, equality and globality. Taking its cue from this concept, this book presents a movement that begins with the macro-social transformations linked to mobility and ends with empirical discussions on the new forms of mobility and their implications for everyday life. The book opens with a study of the social changes unique to the second age of modernity, with contributions from Ulrich Beck, John Urry, Wolfgang Bonss and Sven Kesselring. It continues with a discussion of the implications of these changes for sociological research. Authors such as Vincent Kaufmann, Weert Canzler, Norbert Schneider, Beate Collet, Ruth Limmer and Gerlinde Vogl focus on a series of field examinations, both qualitative and quantitative, of emerging mobilities. The book is a foray into the exciting new field of interdisciplinary mobility research informed by theoretical reflection and empirical investigation.
