The Printing Ink Manual

The Printing Ink Manual

Author: Robert Leach

Publisher: Springer Science & Business Media

Published: 2007-03-20

Total Pages: 1023

ISBN-13: 1402061870

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The first edition of the Printing Ink Manual was published by the Society of British Printing Ink Manufacturers in 1961 to fill the need for an authorative textbook on printing technology, which would serve both as a training manual and a reliable reference book for everyday use. The book soon became established as a standard source of information on printing inks and reached its fourth edition by 1988. This, the fifth edition, is being published only five years later, so rapid has been the development in technology. The objective of the Printing Ink Manual remains unchanged. It is a practical handbook designed for use by everyone engaged in the printing ink industry and the associated industries. It provides all the information required by the ink technical for the day-to-day formulation of printing inks. It supplies the factory manager with details of the latest equipment and manufacturing methods, including large-scale production, and gives guidance on achieving quality assessment and total quality management specifications. Care has been taken to maintain the value of the Manual for training both technical personnel and others who requiresome kn- ledge of inks. Readers with little scientific knowledge will not find dif- culty in using the Manual, but sufficient chemistry and physics have been included to provide an explanation of the underlying principles and theories governing the behaviour of inks for use by the advanced te- nologist. Suppliers of raw materials, substrate manufacturers, printers and print users will find the book a valuable source of information.


Handbook of Colorants Chemistry

Handbook of Colorants Chemistry

Author: Ingo Klöckl

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2023-04-26

Total Pages: 518

ISBN-13: 3110777118

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Volume 1 of the Handbook of Colorants Chemistry covers the fundamentals of color as well as the scientific principles, via the presentation of molecular compositions of inorganic and organic pigments. The book is supplemented by a comprehensive bibliography with references to standard works, monographs and original papers. The reader is provided with a unique overview of the field of color chemistry.


Paint and Surface Coatings

Paint and Surface Coatings

Author: R Lambourne

Publisher: Elsevier

Published: 1999-08-23

Total Pages: 799

ISBN-13: 1855737000

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This second edition of an established and well received book has been carefully revised, in many instances by the original authors, and enlarged by the addition of two completely new chapters. These deal with the use of computers in the paint industry and with the increasingly important subject of health and safety. The chapter on pigments has also been re-written by an author new to this edition.It was the editor's intention in the first edition to provide science graduates entering the paint industry with a bridge between academia and the applied science and technology of paints. The great strength and appeal of this book remains that it deals with the technology of paints and surface coatings while also providing a basic understanding of the chemistry and physics of coatings. - Extensive revision of first edition - New chapter on computers and modelling - New chapter on health and safety


Make Ink

Make Ink

Author: Jason Logan

Publisher: Abrams

Published: 2018-09-11

Total Pages: 322

ISBN-13: 1683353277

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“The pigments he concocts from these humble beginnings are as fun to make as they are eye-opening to work with . . . the world never quite looks the same.” —MarthaStewart.com A 2018 Best Book of the Year—The Guardian The Toronto Ink Company was founded in 2014 by designer and artist Jason Logan as a citizen science experiment to make eco-friendly, urban ink from street-harvested pigments. In Make Ink, Logan delves into the history of inkmaking and the science of distilling pigment from the natural world. Readers will learn how to forage for materials such as soot, rust, cigarette butts, peach pits, and black walnut, then how to mix, test, and transform these ingredients into rich, vibrant inks that are sensitive to both place and environment. Organized by color, and featuring lovely minimalist photography throughout, Make Ink combines science, art, and craft to instill the basics of ink making and demonstrate the beauty and necessity of engaging with one of mankind’s oldest tools of communication. “Logan demystifies the process, encouraging experimentation and taking a fresh look at urban environments.” —NPR “The book is full of inspiration and takes a lot of the mystery out of ink making, at least at its simplest level. And it also reminds me why I love ink—any ink or liquid color as much as I do.” —The Well-Appointed Desk “Quite a few recipes . . . that use color from the kitchen: carrots, black beans, blueberries, turmeric, and onion skins all make beautiful ink colors.” —Design Observer “Make Ink opens up about methods, providing an open source guide to DIY ink.” —CityLab


Chemistry and Technology of Water Based Inks

Chemistry and Technology of Water Based Inks

Author: P. Laden

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 358

ISBN-13: 9400915470

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This book has been a long time in the making. Since its beginning the concept has been refined many times. This is a first attempt at a technical book for me and fortunately the goals I have set have been achieved. I have been involved in water based ink evaluation since its unclear begin nings in the early 1970s. This book is fashioned much like a loose-leaf binder I had put together for early reference and guidance. The format has worked for me over the years; I trust it will work for you. I would like to thank the many people who made this book possible, particularly Blackie Academic & Professional for their saint-like patience. Thanks again to W.B. Thiele (Thiele-Engdahl), to Lucille, my wife, and to James and Frank, my two boys. A final and special thank you to Richard Bach who taught me there are no limits.