The Banjo

The Banjo

Author: Laurent Dubois

Publisher: Harvard University Press

Published: 2016-03-14

Total Pages: 224

ISBN-13: 0674968832

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The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.


The Old Plantation

The Old Plantation

Author: Susan P. Shames

Publisher: Colonial Williamsburg

Published: 2010-10-15

Total Pages: 82

ISBN-13: 0879352434

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A centerpiece of Colonial Williamsburg's folk art collection since the 1930's, The Old Plantation has long intrigued art enthusiasts, historians, and the general public. This eighteenth-century watercolor, which has been widely reproduced in textbooks and scholarly publications, has been a valuable tool for those studying slave life, music, dance, and society, as well as those interested in the genesis of folk art in America. Though extensively analyzed and interpreted, The Old Plantation has remained a mystery. Until Now... This fascinating publication unlocks one of the great mysteries of American decorative arts, revealing not only the career of the painter, but the lives of the unnamed slaves in the images as well.


Thomas Eakins and the Cultures of Modernity

Thomas Eakins and the Cultures of Modernity

Author: Alan C. Braddock

Publisher: Univ of California Press

Published: 2009-03-31

Total Pages: 304

ISBN-13: 0520255208

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"Thomas Eakins and the Cultures of Modernity is the first book to situate Philadelphia's greatest realist painter in relation to the historical discourse of cultural difference. In this study Alan C. Braddock reveals that modern anthropological perceptions of "culture," which many art historians attribute to Eakins, did not become current until after the artist's death in 1916. Braddock finds in the work of Thomas Eakins a lifelong engagement with aesthetic and social currents that extended well beyond his native city of Philadelphia, indicating the persistence of a worldly sensibility long after he had concluded his formative studies in Europe during the 1860s. Braddock shows how Eakins developed a localized cosmopolitanism all his own, based in Philadelphia but tapped into a global field of visual production."--Jacket.


Picturing the Banjo

Picturing the Banjo

Author: Leo G. Mazow

Publisher: Penn State Press

Published: 2005

Total Pages: 208

ISBN-13:

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The history of the banjo is as haunting as its music. Made popular in minstrel shows of the nineteenth century, the "banjar" derives from the stringed gourd instrument African slaves brought with them to plantations in the Caribbean and American South. From minstrelsy to the folk music revival of the twentieth century, the banjo has continued to attract audiences and acquire meaning. Picturing the Banjo gives this long history an entirely new dimension by tracing the instrument's representation in American visual culture from the eighteenth century to the present. Published in conjunction with an exhibition of the same name, Picturing the Banjo offers the first examination of the instrument's portrayal in images that range from anonymous photographs of performers to paintings by Thomas Eakins and prints by Dox Thrash. Leo G. Mazow, contributing editor of the volume, and his collaborators demonstrate that the banjo became an American icon that links popular music to fundamental issues of race, class, and gender. Simple and appealing as the instrument may seem in Henry Ossawa Tanner's The Banjo Lesson or Eastman Johnson's Old Kentucky Home, it carries powerful associations with social conflict and change. Through its many color and black-and-white illustrations, this book allows readers to experience the works of visual art and period instruments brought together in the pioneering exhibition organized by the Palmer Museum of Art of The Pennsylvania State University. Picturing the Banjo will be of interest to banjo lovers, scholars in American studies, and all those concerned with the musical and artistic heritage of slavery.


Out of Earshot

Out of Earshot

Author: Asma Naeem

Publisher: University of California Press

Published: 2020-01-07

Total Pages: 248

ISBN-13: 0520298985

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Out of Earshot offers a reconfiguration of three of the nineteenth century’s most prolific painters: Winslow Homer (1836–1910), Thomas Eakins (1844–1916), and Thomas Dewing (1851–1939). Asma Naeem considers how these painters turned, in ways significant for their individual artistic ventures, to themes of sound and listening throughout their careers. She shows how the aural dimension of these artists’ pictures was an ideological product of period class, gender, cultural, racial, and technological discourses. Equally important, by looking at such materials as the artists’ papers, scientific illustrations, and technological brochures, Naeem argues that the work of these painters has complex and previously unconsidered connections to developments in sound and listening during a period when unprecedented innovation in the United States led to such inventions as the telegraph and phonograph and forged a technological narrative that continues to have force in the twenty-first century. Naeem's unusual approach to the work of these three well-known American artists offers a transformative account of artistic response during their own era and beyond.


Washburn Prewar Instrument Styles

Washburn Prewar Instrument Styles

Author: Hubert Pleijsier

Publisher: Hal Leonard Corporation

Published: 2008

Total Pages: 276

ISBN-13: 9781574242270

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(Reference). The vintage guitar collecting market continues to grow. This book is the first of its kind to report on Washburn guitars, mandolins, banjos and ukuleles made before 1940. It contains detailed information about more than 450 instrument styles, serial numbering schemes and estimated production totals. A gorgeous 32-page color photo section of the most collectibles will make this book a "must" for players and collectors alike.


Uncle Tom's Cabin as Visual Culture

Uncle Tom's Cabin as Visual Culture

Author: Jo-Ann Morgan

Publisher: University of Missouri Press

Published: 2007

Total Pages: 242

ISBN-13: 082621715X

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"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.


Picturing the New Negro

Picturing the New Negro

Author: Caroline Goeser

Publisher:

Published: 2007

Total Pages: 384

ISBN-13:

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Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance.


A Head Start on Picturing America

A Head Start on Picturing America

Author:

Publisher:

Published: 2009

Total Pages: 196

ISBN-13:

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Resource guide supports the Picturing America program, which encourages children to learn about art and history by observing and talking about art works.


Picturing the Beast

Picturing the Beast

Author: Steve Baker

Publisher: University of Illinois Press

Published: 2001

Total Pages: 284

ISBN-13: 9780252070303

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Explores how human beings use animals and images of animals to define themselves--and how those depictions interfere with our abilities to understand the true nature of animals.