Pictorialism in Cinema

Pictorialism in Cinema

Author: Jarmo Valkola

Publisher: Cambridge Scholars Publishing

Published: 2016-09-23

Total Pages: 430

ISBN-13: 1443814377

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This book explores the unique phenomenon of pictorialism and its connection with other arts in film and media studies. Pictorialism is motivated by the commitment to develop and increase the function and effectiveness of images, sounds, and performances that aesthetically formulate, translate, and change the effects of contemporary cinema to higher dimensions and qualities of art. The book’s main focus is when pictorialism as such is the major aesthetic convention used in filmmaking practice, and when pictorialism itself forms the key element of the narrative, considering a number of theoretical and practical issues of filmic narration, including: What are the main challenges of pictorial communication? How is pictorialism used in films? How far is the “pictorial image” a combination of the bodily performance of the characters, the surrounding landscape, and the evocative use of the soundscape? More generally, what is the state of image studies today? The first part of this book deals with the conventions of pictorialist connections in architecture, painting and photography, and their influences on cinematic representations and on film studies and film theory. The films analysed here combine various styles, but the focus is tracking down pictorialism’s influences through a large spectre of matters. The next section explores pictorialism’s development in Hollywood cinema, in European Cinema, in avant-garde film, and in documentary. Finally, the book concludes with three large sections devoted to the developers of modern pictorialist cinema, namely Theo Angelopoulos, Aki Kaurismäki and Béla Tarr. As such, this study offers a way to understand the main ideas, subjects and stylisation of pictorialism in cinema, to explore the main ingredients of this phenomenon, and to focus on narratives that are in the service of pictorial matters.


Theatre to Cinema

Theatre to Cinema

Author: Ben Brewster

Publisher: Oxford University Press, USA

Published: 1997

Total Pages: 256

ISBN-13: 9780198182672

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On the relationship between early cinema and 19th century theatre.


European Film Theory and Cinema

European Film Theory and Cinema

Author: Ian Aitken

Publisher: Indiana University Press

Published: 2001

Total Pages: 278

ISBN-13: 9780253340436

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European Film Theory and Cinema explores the major film theories and movements within European cinema since the early 1900s. An original and critically astute study, it considers film theory within the context of the intellectual climate of the last two centuries. Ian Aitkin focuses particularly on the two major traditions that dominate European film theory and cinema: the "intuitionist modernist and realist" tradition and the "post-Saussurian" tradition. The first originates in a philosophical lineage that encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism, and post-structuralism.


The Classical Hollywood Cinema

The Classical Hollywood Cinema

Author: David Bordwell

Publisher: Routledge

Published: 2003-09-02

Total Pages: 1338

ISBN-13: 1134988087

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'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.


The Image in Early Cinema

The Image in Early Cinema

Author: Scott Curtis

Publisher: Indiana University Press

Published: 2018-03-22

Total Pages: 406

ISBN-13: 0253034426

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In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.


A History of Experimental Film and Video

A History of Experimental Film and Video

Author: A.L. Rees

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 210

ISBN-13: 1838714197

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Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.


Critical Dictionary of Film and Television Theory

Critical Dictionary of Film and Television Theory

Author: Roberta Pearson

Publisher: Routledge

Published: 2005-12-08

Total Pages: 731

ISBN-13: 1134716982

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This Dictionary lays out the major theoretical approaches deployed in the study of the moving image as well as defining key theoretical terms. Contextual entries range from 500 to 3,000 words.


The Oxford Handbook of Silent Cinema

The Oxford Handbook of Silent Cinema

Author: Charlie Keil

Publisher: Oxford University Press

Published: 2024

Total Pages: 825

ISBN-13: 019049669X

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The Oxford Handbook of Silent Cinema is a collection of new scholarship that investigates the first decades of motion-picture history from diverse perspectives and methodologies. Featuring over thirty essays by leading scholars in the field, the Handbook offers a comprehensive overview of cinema's earliest years while also illuminating how cinema derived strength from competing cultural forms, becoming in the process the most influential mass medium of the early twentieth century.


Representing the Rural

Representing the Rural

Author: Catherine Fowler

Publisher: Wayne State University Press

Published: 2006-09-13

Total Pages: 382

ISBN-13: 0814335624

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Students and film scholars will appreciate this unique volume.


Art History for Filmmakers

Art History for Filmmakers

Author: Gillian McIver

Publisher: Bloomsbury Publishing

Published: 2017-03-23

Total Pages: 647

ISBN-13: 1474246206

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Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.