The joining of words and pictures in advertising art is nowhere more intimate than in mortised cuts. This printer's term refers to designs, usually pictorial, engraved on wood, or stereotyped in metal from wood blocks, with one or more hole sawn into the plates so type could be inserted. Less strictly, it applies to the images printed from such cuts. In some 19th-century specimen books, the word "pierced" is used as a synonym for "mortised." These cuts, perhaps more than any other genre of advertising art, conveys a period feeling so distinctive that they are among the most-sought-after graphic elements from 19th-century sources. For all their popularity, both then and now, these cuts are widely scattered through files of old periodicals and typefounders' and engravers' catalogues. The present collection represent an extensive search through rare printed materials too numerous to list here. The collection features 551 of the most interesting and versatile images, arranged in categories. Anyone who has tried to find a vaguely remembered cut in one of the old specimen books, in which cuts were usually arranged haphazardly, will appreciate this organization, especially considering the sheer number of designs contained in the book. It is probably the largest and most varied compendium exclusively devoted to this genre of wood-engraving available today.
Superbly engraved floral wreaths, bouquets and nosegays composed of roses, daisies, lilies, violets, more; space for messages, names. Add authentic 19th-century note to gifts, cards, packages, more.
Combining practical advice with humorous anecdotes from the author's own experience, this book aims to show how to be an effective educator and maintain a positive outlook. It offers solutions to a range of classroom problems, with emphasis on crisis prevention and interpersonal communication.
This sumptuous edition offers all 100 full-color plates from Owen Jones's definitive presentation of Chinese ornamentation and design, one of the most beautiful books on the decorative arts ever published. Now, over a centruy after its first publication, this remarkable work continues to provide an excellent, copyright-free source of authentic Chinese design and motifs. During the vast political tumult in China in the 19th century, many of the most exquisite examples of native art from the Ming, Ch'ing and earlier dynasties were spirited out of the country and sold into Western collections. One of the most spectacular of these assemblages was housed at London's South Kensington Museum (today The Victoria and Albert Museum). In the 1860s, the noted English designer and architect Owen Jones studed this collection in depth, particularly the wealth of superb examples of porcelain and cloisonné. He then meticulously rendered many of the most intriguing and beautiful designs in full color. These were published in his celebrated book, Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and Other Collections (1867). This volume offers painstaking reproductions of all one hundred original color plates from that work, which delighted the art world of the time and exerted a profound influence on the subsequent history of Western design. Now that visual inspiration is once again available to artists, illustrators, designers, and craftspeople in this inexpensive high-quality edition. Moreover, any lover of fine art can enjoy the book as a splendid tribute to the glories of Chinese design—at a price far less than those commanded by extremely rare surviving copies of Jones's original work.
Enliven your messages for any occasion — from 4th of July festivities to winter revels and other holiday or everyday events — with these eye-catching fonts. More than 100 typefaces include letters shaped like logs, bones, chopsticks, and adorned with other imaginative embellishments. All appear in uppercase; many include lowercase and numerals.
Nearly six hundred photographs record the designs of one hundred seventy-five artists of Europe and America and provide a representative survey of the art nouveau style
57 rare, royalty-free cuts—most full page—include young lovers in 18th-, 19th-century dress, galleons in full sail, wood nymphs, tranquil Venetian scenes, more.
Dragons, tigers, cranes, peacocks, and peonies abound in this collection of 130 authentic Japanese motifs. So do flowers, plants, and animals. Geometric, abstract, and allover patterns are also included.