This book presents outstanding pictograms and icons by designers around the world, categorised by industry for easy reference, shown isolated and in application.
An illustrated sourcebook of pictogram design, presenting a multitude of examples from around the world, this title outlines the history of the pictogram, showing how it has been applied in commercial and creative fields over the past century.
A catalog of 1,000 symbol and icon designs in an affordable format . Pictorial symbols are, in some respects, superior to words as a form of communication. If well-designed, they can be understood by people of all different races and cultures and can be recognized by children literally years before they learn to read. Symbols can be identified more quickly than words, making them especially useful in situations where fast reactions are required (e.g., control panels in airplanes.) As a result, symbols are of the utmost importance to graphic designers and their ever-present challenge to create effective visual communication for their clients. Like Rockport's other '1,000' series books, this collection of designs provides a virtual catalog of ideas for designers to look to for creative inspiration. No matter what type of job or client presents itself, designers can view the work of 1,000 other talented designers to find unique and distinctive elements and influences. Like Rockport's other books in the '1,000' series, this collection of designs provides a virtual catalog of ideas for designers to look to for creative inspiration. No matter what type of job or client presents itself designers will be able to look to the work of 1000 other talented designers to find unique and distinctive elements and influences to inspire their own work. The content is organized by subject matter allowing readers to find symbols which relate to the specific job they are working on.
Icons, pictograms, and symbols are an important part of how we communicate in our every day lives. Whether they're used for branding, interactive applications, or wayfinding signs, the designs must be informative and aesthetic. Iconism highlights the ingenuity of these symbols. The text is divided into four sections: Icon & Pictogram Collections, Visual Identity, Wayfinding, and Interaction Design.
A catalog of 1,000 symbol and icon designs in an affordable format . Pictorial symbols are, in some respects, superior to words as a form of communication. If well-designed, they can be understood by people of all different races and cultures and can be recognized by children literally years before they learn to read. Symbols can be identified more quickly than words, making them especially useful in situations where fast reactions are required (e.g., control panels in airplanes.) As a result, symbols are of the utmost importance to graphic designers and their ever-present challenge to create effective visual communication for their clients. Like Rockport's other '1,000' series books, this collection of designs provides a virtual catalog of ideas for designers to look to for creative inspiration. No matter what type of job or client presents itself, designers can view the work of 1,000 other talented designers to find unique and distinctive elements and influences. Like Rockport's other books in the '1,000' series, this collection of designs provides a virtual catalog of ideas for designers to look to for creative inspiration. No matter what type of job or client presents itself designers will be able to look to the work of 1000 other talented designers to find unique and distinctive elements and influences to inspire their own work. The content is organized by subject matter allowing readers to find symbols which relate to the specific job they are working on.
A copiously illustrated and practical guide to informational graphics. Pictograms and icons are a keystone of nonverbal and multicultural communication. But what precisely are pictograms, and when is it appropriate to use them? What are their advantages? What rules must be followed, and what are the pitfalls that designers of pictograms and icons must take care to avoid? Drawing on a multitude of examples from around the world, the authors outline the history of the pictogram and show how it has been used in commercial and creative fields over the past century, as well as offering invaluable hints and advice to designers. The book features: over 2,000 illustrations organized by theme, including pictograms from all the Olympic Games from 1964 to 2004; tips from successful pictogram designers, with real- life examples to instruct and inspire; a detailed discussion of icons, the "silent servants" of online communities; a chapter by designer Jochen Gros on his quest to create a visual language that crosses all grammatical, semantic, and semiotic boundaries—in effect, to create a "language without words," and more.
Pictoperanto proceeds with more than 1000 pictograms, icons and graphic metaphors beyond existing pictogram systems and icon collections. Visual grammar allows an initial image vocabulary that is designed in three different typefaces and assembled in icon-fonts like Arial or Helvetica.
This book presents a complete human-centered design process (ISO 9241:210) that had two goals: to design universal, intuitive, and permanent pictograms and to develop a process for designing suitable pictograms. The book analyzes characteristics of visual representations, grounded in semiotics. It develops requirements for pictogram contents, relying on embodied cognition, and it derives content candidates in empirical studies on four continents. The book suggests that visual perception is universal, intuitive, and permanent. Consequently, it derives guidelines for content design from visual perception. Subsequently, pictogram prototypes are produced in a research through design process, using the guidelines and the content candidates. Evaluation studies suggest that the prototypes are a success. They are more suitable than established pictograms and they should be considered universal, intuitive, and permanent. In conclusion, a technical design process is proposed.