Each solo in this book features pianistic freedom within the style and form of the piece. Even when the hands move freely around the keyboard, the goal was to keep the technique required to play each piece within limited boundaries to ensure student success. Titles: * Empty Stage Rag * Face to the Sun * Flames * Grand Waltz * Laid Back Boogie * Midnight Chase * Missing You * Storm Warning * Toccata * A Wish
All students who play the piano want to play music that is impressive to an audience. They are drawn to pieces that challenge them to move their fingers, arms and hands quickly, creating sounds that bring shouts of "Bravo!" from the audience. The solos in Robert Vandalläó»s Celebrated Virtuosic Solos are meant to show off the athleticism and musicality of the performer. The music in this five-volume series will bring out the "virtuoso" in any student and is sure to excite students, teachers and audiences alike. Titles: * Allegretto Scherzando * Allegro in A Minor * Billowing Breakers * Handbell Joy * Mystical Tarantella * Perpetual Motion III * Scale Train * Summer Toccatina * Triad Toccatina
These original piano solos are meant to afford late-intermediate students the opportunity to explore a variety of styles, techniques, textures, and moods. Titles: *Curtains Up *High-Wire Rag *Intergalactic Confluence *The Peacocks of Babylon *Sidewinder Waltz *Toccata Pirata *Twilight Blue "This is the most enjoyable and worthwhile music!" - Celeste-tina Hernandez, Progressions "The Peacocks of Babylon" and "Toccata Pirata" are Federation Festivals 2014-2016 selections.
In Museum Masterpieces, Book 1, composer Catherine Rollin has created musical expressions of some of the great works of art found in museums throughout the world. The paintings that inspired these pieces are beautifully displayed on a four-page color insert at the center of the book, along with historical notes about each painting. Titles: *American Gothic (Grant Wood) *Black Square and Red Square (Kazimir Malevich) *Carmencita (William Merritt Chase) *A Dash for the Timber (Frederic Remington) *L'étoile (The Star) (Edgar Degas) *Le fifre (The Fife Player) (Édouard Manet) *Mona Lisa (Leonardo da Vinci) *The Nut Gatherers (William-Adolphe Bouguereau) *Reeds and Cranes (Suzuki Kiitsu) *Senecio (Paul Klee)
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
First published in 1999, the groundbreaking Exile and Pride is essential to the history and future of disability politics. Eli Clare's revelatory writing about his experiences as a white disabled genderqueer activist/writer established him as one of the leading writers on the intersections of queerness and disability and permanently changed the landscape of disability politics and queer liberation. With a poet's devotion to truth and an activist's demand for justice, Clare deftly unspools the multiple histories from which our ever-evolving sense of self unfolds. His essays weave together memoir, history, and political thinking to explore meanings and experiences of home: home as place, community, bodies, identity, and activism. Here readers will find an intersectional framework for understanding how we actually live with the daily hydraulics of oppression, power, and resistance. At the root of Clare's exploration of environmental destruction and capitalism, sexuality and institutional violence, gender and the body politic, is a call for social justice movements that are truly accessible to everyone. With heart and hammer, Exile and Pride pries open a window onto a world where our whole selves, in all their complexity, can be realized, loved, and embraced.
Melody Bober's The Dakotas visits both North and South Dakota in three movements. In the opening movement, "The Great Plains," majestic chords, sixteenth-note runs and a soaring melody recreate the sweeping vistas of this vast grassland area that is found in both states. In the second movement, "Heirlooms and Lace," a lyrical and expressive melody with lush accompaniment recreates the sense of loss and longing when families moved to the new Dakota Territory created in 1861 and left behind precious belongings. The final movement, "Badlands Rough Rider," brings the suite to an energetic close. The Badlands regions of North and South Dakota are represented by this lively piece that shows the style and flair of a rough and tough horse and rider in this desolate region.
This new series of Christmas solos features arrangements of sacred carols and secular songs that are favorites of piano students at all levels. Short introductions and codas extend the arrangements. In addition, traditional as well as alternate harmonies are used, turning each piece into a satisfying musical experience. Titles: * Away in a Manger * Deck the Halls * Jingle Bells * Jolly Old St. Nicholas * Joy to the World * The Little Drummer Boy * We Three Kings of Orient Are
