Piano concertos nos. 20, 21, and 22

Piano concertos nos. 20, 21, and 22

Author: Wolfgang Amadeus Mozart

Publisher: Courier Corporation

Published: 1995-01-01

Total Pages: 210

ISBN-13: 0486284352

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The three piano concertos contained in this volume were all composed in 1785, when Mozart was 29. High points of one of the most amazingly productive and creatively brilliant periods in the composer's life, yet they are masterworks of very different character: No. 20 (K466 in D Minor), a work of intensity, passion, and spiritual conflict; No. 21 (K467 in C Major), with its luminous, world-famous "Andante, " a work of calm and majesty; and No. 22 (K482 in E-flat Major), music of grace and maturity, said to have "realized the century's ideal whilst yet casting aside the shackles of fashion." These three works are presented here in authoritative two-piano playing editions edited by Franz Kullak and Hans Bischoff, two of the nineteenth century's leading piano editors and teachers of pianists. Their classic format for two keyboards is the universal standard, for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality Dover adds the convenience and economy of compiling three major concertos within a single volume.


Piano Concertos Nos. 17-22 in Full Score

Piano Concertos Nos. 17-22 in Full Score

Author: Wolfgang Amadeus Mozart

Publisher: Courier Corporation

Published: 1978-05-01

Total Pages: 383

ISBN-13: 0486235998

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This volume contains six complete piano concertos in full score: No. 17 in G Major, K.453; No. 18 in B-flat Major, K.456; No. 19 in F Major, K.459; No. 20 in D Minor, K.466; No. 21 in C Major, K. 467; No. 22 in E-flat Major, K. 482. Also included are Mozart's own cadenzas for Nos. 17, 18, and 19. All six concertos are photographically reprinted from the Breitkopf & Hartel printed text, still considered the standard, authoritative edition for the Mozart concertos. Noteheads in this edition are large enough to be read easily, and margins and spaces between staves permit written notes, harmonic analysis, fingerings, and running measure numbers. Since Mozart's piano concertos are frequently performed in concert and there are several recordings currently available for each of these pieces, this edition is extremely useful for study, reference, and enjoyment."


La jota aragonesa and other favorites for piano four hands

La jota aragonesa and other favorites for piano four hands

Author: Louis Moreau Gottschalk

Publisher: Courier Corporation

Published: 2003-01-01

Total Pages: 212

ISBN-13: 9780486427362

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Gottschalk's Creole heritage and extensive visits to Cuba, the West Indies, and South America are reflected in this great-sounding, glittering, and wonderfully melodious music for piano duet. Contents include La jota aragonesa, Op. 14; Ojos criollos, Op. 37; Réponds-moi (Cuban dance), Op. 50; La gallina, Op. 53; Ses yeux (polka), Op. 66; Grande tarentelle, Op. posth. 67; Radieuse (concert waltz), Op. 72; and — as an encore — Gottschalk's legendary four-hand arrangement of Rossini's ever-popular William Tell Overture.


A Companion to Mozart's Piano Concertos

A Companion to Mozart's Piano Concertos

Author: Arthur Hutchings

Publisher: London : Oxford University Press

Published: 1950

Total Pages: 224

ISBN-13:

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Now regarded by many in the music world as a classic, Hutchings' study of Mozart's piano concertos provides a clear approach, supported by numerous musical illustrations and biographical notes, to each work.


The Complete Original Cadenzas to the Piano Concertos

The Complete Original Cadenzas to the Piano Concertos

Author: Wolfgang Amadeus Mozart

Publisher: Alfred Music

Published: 1996-08-01

Total Pages: 156

ISBN-13: 9781457454356

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Many of Mozart's own cadenzas are preserved, but many more that he improvised in performance were never written down. In that spirit, famed pianist Lili Kraus sensed an obligation and a challenge to follow the tradition of using her own cadenzas where no original was available. This collection, then contains Mozart's original cadenzas as well as editorial versions by Ms. Kraus for Concertos 1-27.