Teaching Photography

Teaching Photography

Author: Glenn Rand

Publisher: Taylor & Francis

Published: 2006

Total Pages: 374

ISBN-13: 0240807677

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The photo educator's new best friend!


Contemporary Photography in France

Contemporary Photography in France

Author: Olga Smith

Publisher: Leuven University Press

Published: 2022-10-19

Total Pages: 233

ISBN-13: 9462703442

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This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière – to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown.


The Camera as Actor

The Camera as Actor

Author: Amy Cox Hall

Publisher: Routledge

Published: 2020-11-29

Total Pages: 158

ISBN-13: 1000185702

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Looking beyond the impact photographs have on the perpetuation and expression of social norms and stereotypes, and the influence of the act of taking a photograph, this new collection brings together international scholars to examine the camera itself as an actor. Bringing the camera back into view, this volume furthers our understanding of how, and in what ways, imaging technology shapes us, our lives, and the representations out of which we fashion knowledge, base our judgments and ultimately act. Through a broad range of case studies, the authors in this collection make the convincing claim that the camera is much more than a mechanical device brought to life by the photographer. This book will be of interest to scholars in photography, visual culture, anthropology and the history of photography.


Artists Anonymous: A Riflemaker Exhibition - Lucifer Over London

Artists Anonymous: A Riflemaker Exhibition - Lucifer Over London

Author: Artists Anonymous

Publisher: Artists Anonymous / Riflemaker

Published: 2009-09-21

Total Pages: 27

ISBN-13: 0956357113

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Artists Anonymous Catalogue for the exhibition 'Lucifer over London' at Riflemaker Gallery in 2009 Essay by J.J Charlesworth Reproductions and Installation views photographed by Gunter Lepkowski


Train Your Gaze

Train Your Gaze

Author: Roswell Angier

Publisher: AVA Publishing

Published: 2007-05-31

Total Pages: 227

ISBN-13: 294037337X

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What is common to all portrait photographs is a situational element. In portrait photography, the presence of the photographers gaze also becomes an integral part of what the picture is about- the activity of one person looking, manifested in a moment that can feel like the blink of an eye or a small eternity. This book offers for the first time a complete text that combines the theoretical with the practical.


Between Stillness and Motion

Between Stillness and Motion

Author: Eivind Røssaak

Publisher: Amsterdam University Press

Published: 2011

Total Pages: 245

ISBN-13: 9089642137

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Summary: Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging een 'ideologische invloed van het filmische apparaat'. Stilstaand beeld gold als de verborgen, zelfs verdrongen, basis voor de industriële illusie van filmische beweging. De auteurs stellen voor om af te stappen van dit verstokte 'still/moving'-debat binnen de filmstudies en zich te richten op een positievere kritiek en een meer affectieve vorm van mediaarcheologie.


War Culture and the Contest of Images

War Culture and the Contest of Images

Author: Dora Apel

Publisher: Rutgers University Press

Published: 2012-10-19

Total Pages: 289

ISBN-13: 0813553962

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War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images. As a result of the global visual culture in which anyone may produce as well as consume public imagery, the wide variety of visual and documentary practices present realities that would otherwise be invisible or officially off-limits. In our digital era, the prohibition and control of images has become nearly impossible to maintain. Using carefully chosen case studies—such as Krzysztof Wodiczko’s video projections and public works in response to 9/11 and the wars in Iraq and Afghanistan, the performance works of Coco Fusco and Regina Galindo, and the practices of Israeli and Palestinian artists—Apel posits that contemporary war images serve as mediating agents in social relations and as a source of protection or refuge for those robbed of formal or state-sanctioned citizenship. While never suggesting that documentary practices are objective translations of reality, Apel shows that they are powerful polemical tools both for legitimizing war and for making its devastating effects visible. In modern warfare and in the accompanying culture of war that capitalism produces as a permanent feature of modern society, she asserts that the contest of images is as critical as the war on the ground.


Feeling Photography

Feeling Photography

Author: Elspeth H. Brown

Publisher: Duke University Press

Published: 2014-09-09

Total Pages: 464

ISBN-13: 0822377314

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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present. Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor


Cities and Photography

Cities and Photography

Author: Jane Tormey

Publisher: Routledge

Published: 2013-01-17

Total Pages: 290

ISBN-13: 1135190348

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Photographs display attitudes, agency and vision in the way cities are documented and imagined. Cities and Photography explores the relationship between people and the city, visualized in photographs. It provides a visually focused examination of the city and urbanism for a range of different disciplines: across the social sciences and humanities, photography and fine art. This text offers different perspectives from which to view social, political and cultural ideas about the city and urbanism, through both verbal discussion and photographic representation. It provides introductions to theoretical conceptions of the city that are useful to photographers addressing urban issues, as well as discussing themes that have preoccupied photographers and informed cultural issues central to a discussion of city. This text interprets the city as a spatial network that we inhabit on different conceptual, psychological and physical levels, and gives emphasis to how people operate within, relate to, and activate the city via construction, habitation and disruption. Cities and Photography aims to demonstrate the potential of photography as a contributor to commentary and analytical frameworks: what does photography as a medium provide for a vision of ‘city’ and what can photographs tell us about cities, histories, attitudes and ideas? This introductory text is richly illustrated with case studies and over 50 photographs, summarizing complex theory and analysis with application to specific examples. Emphasis is given to international, contemporary photographic projects to provide provide focus for the discussion of theoretical conceptions of the city through the analysis of photographic interpretation and commentary. This text will be of great appeal to those interested in Photography, Urban Studies and Human Geography.


FotoFest 2008

FotoFest 2008

Author: Steven Evans

Publisher:

Published: 2008

Total Pages: 270

ISBN-13:

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Velvet Generation surveys the work of Czech photographers Gabriela Kolcavová, Roman Franc, Igor Malijevský and Vojtech V. Sláma. Accompanying a lauded exhibition at FotoFest, Houston, it is lavishly illustrated with over 90 striking images, and includes texts by exhibition organizer Steven Evans, art historian Miroslav Ambroz, and preeminent photography scholar Anne Wilkes Tucker. This ambitious book offers an investigation of the relationships between these artists and explores their shared visual vocabulary.