Photoplay Making
Author: Howard T. Dimick
Publisher:
Published: 1915
Total Pages: 112
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Howard T. Dimick
Publisher:
Published: 1915
Total Pages: 112
ISBN-13:
DOWNLOAD EBOOKAuthor: Victor Oscar Freeburg
Publisher:
Published: 1918
Total Pages: 332
ISBN-13:
DOWNLOAD EBOOKMet ind. - Ook aanwezig als facsimile-herdr.: New York : Arno [etc.], 1970. - 283, [18] p. : ill. ; 22 cm . - (Literature of cinema, The). ISBN 0-405-01612-3. - ISBN 0-404-1600-X (complete set).
Author: Charles Donald Fox
Publisher:
Published: 1922
Total Pages: 270
ISBN-13:
DOWNLOAD EBOOKAuthor: Howard T. Dimick
Publisher:
Published: 1922
Total Pages: 400
ISBN-13:
DOWNLOAD EBOOKAuthor: Denison Clift
Publisher:
Published: 1920
Total Pages: 24
ISBN-13:
DOWNLOAD EBOOKAuthor: Lee Grieveson
Publisher: Duke University Press
Published: 2008-11-24
Total Pages: 481
ISBN-13: 0822388677
DOWNLOAD EBOOKInventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd
Author: Charlie Keil
Publisher: Univ of California Press
Published: 2004-07-12
Total Pages: 392
ISBN-13: 9780520240278
DOWNLOAD EBOOKThis 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form, filmmaking practices & the emergence of the studio system. The pattern which emerged dominated the industry for decades to come.
Author: Thomas Schatz
Publisher: Taylor & Francis
Published: 2004
Total Pages: 434
ISBN-13: 9780415281324
DOWNLOAD EBOOK'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.