Photography's Orientalism

Photography's Orientalism

Author: Ali Behdad

Publisher: Getty Publications

Published: 2013-10-01

Total Pages: 226

ISBN-13: 1606062670

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The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe’s distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region’s burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography’s Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.


Camera Orientalis

Camera Orientalis

Author: Ali Behdad

Publisher: University of Chicago Press

Published: 2016-08-12

Total Pages: 229

ISBN-13: 022635640X

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From the time of its invention in 1839, photography had a crucial link to the Middle East. When Daguerre s invention was introduced, it was immediately hailed as a boon to Egyptologists and Orientalists wanting to document their archeological findings. The Middle East also beckoned European experimenters in this new medium for a simple technological reason: early photographs were more quickly and easily made in the intense light of the desert than in gloomy Paris or London. In Camera Orientalis, Ali Behdad examines the cultural and political implications of the emergence of photography in the Middle East. He shows that the camera proved useful to Orientalism, but so too was Orientalism useful to photographers, because it gave them a set of conventions by which to frame these exotic cultures in images for Western audiences. Behdad breaks with standard postcolonial approaches by showing that Orientalist photography was the product of contacts between the West and the East. Indeed, local photographers participated enthusiastically in exoticist representations of the region, adapting Orientalism to the taste of the local elite. Orientalist photography, we learn, was not a one-way street but rather the product of ideas and conventions that circulated between the West and the East."


Photography's Orientalism

Photography's Orientalism

Author: Ali Behdad

Publisher: Getty Publications

Published: 2013-10

Total Pages: 226

ISBN-13: 1606061518

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"This volume evolved from "Zoom out: the making and the unmaking of the 'Orient' through photography," held at the Getty Research Institute, Los Angeles, May 6-7, 2010"--ECIP data view.


Orientalism's Interlocutors

Orientalism's Interlocutors

Author: Jill Beaulieu

Publisher: Duke University Press

Published: 2002-12-06

Total Pages: 248

ISBN-13: 9780822328742

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DIVA collection of essays that develop ways of doing postcolonial studies in art history./div


Orientalism

Orientalism

Author: Edward W. Said

Publisher: Vintage

Published: 2014-10-01

Total Pages: 434

ISBN-13: 0804153868

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A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.


Odalisques and Arabesques

Odalisques and Arabesques

Author: Ken Jacobson

Publisher:

Published: 2007

Total Pages: 378

ISBN-13:

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Ken Jacobson shows that the history of Orientalist photography begins weeks after the invention of photography itself. Jacobson is not an academic, but has conducted a great deal of scholarly research on the often obscure careers of photographers and the intertwined histories of the Levantine studios. He demonstrates that many of the past criticisms of Orientalist photography are based on ignorance either of chronology or technology.


Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond

Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond

Author: Tombul, I??l

Publisher: IGI Global

Published: 2021-05-28

Total Pages: 990

ISBN-13: 1799871827

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Orientalism is about much more than just information gathered about the East within its general postcolonial period. In this period, orientalism is a Western discourse that dominated and shaped the view of the East. There is “otherization” in the way the West has historically looked at the East and within the information presented about it. These original stories of travelers in the past and previous telling about the East are facing a reconstruction through modern types of media. Cinema, television, news, newspaper, magazine, internet, social media, photography, literature, and more are transforming the way the East is presented and viewed. Under the headings of post-orientalism, neo-orientalism, or self-orientalism, these new orientalist forms of work in combination with both new and traditional media are redefining orientalism in the media and beyond. The Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond shows how both new media and traditional media deal with orientalism today through the presentation of gender, race, religion, and culture that make up orientalist theory. The chapters focus on how orientalism is presented in the media, cinema, TV, photography, and more. This book is ideal for communications theorists, media analysts, practitioners, researchers, academicians, and students working in fields that include mass media, communications, film studies, ethnic studies, history, sociology, and cultural studies.


Punk Orientalism: the Art of Rebellion

Punk Orientalism: the Art of Rebellion

Author: Sara Raza

Publisher:

Published: 2022-08-30

Total Pages: 176

ISBN-13: 9781912165391

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Punk Orientalism explores the spaces and places associated with the former Soviet Union, focusing on the artists and ideas hailing from Central Asia and the Caucasus, which were long perceived as an extension, or "client" states, of the USSR. The theme of non-conformity and the punk rejection of state authority is a continuous thread throughout the book.


Orientalism

Orientalism

Author: Roger Benjamin

Publisher: Art Media Resources

Published: 1997

Total Pages: 268

ISBN-13:

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Published to accompany the exhibition held at the Art Gallery of New South Wales, Sydney Australia, 6 December 1997 - 22 February 1998, and the Auckland City Art Gallery, 20 March - 7 June 1998.