Photography between Poetry and Politics
Photography between Poetry and Politics

Author: Hilde van Gelder

Publisher: Leuven University Press

Published: 2008

Total Pages: 207

ISBN-13: 9058676641

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Lieven Gevaert Series 7Does photography have a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art? Photography as a medium is faced with the challenge of escaping from its too-frequent use as rather noncommittal and "poetic" visual imagery. How best might photographers proceed to maintain the integrity of their art? A distinguished group of art historians, art theorists, and specialists in contemporary photography address these issues in Photography between Poetry and Politics. They suggest that by raising a critical debate on the internal workings of the artistic system itself or on broader social problems, photographers might be able to transcend both political and aesthetic concerns, and so revitalize their art form and regain its autonomy.

Poetry, Politics and Pictures
Poetry, Politics and Pictures

Author: Ingrid Hanson

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

Published: 2013

Total Pages: 0

ISBN-13: 9783034309813

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This collection offers new perspectives on the connections between politics, identity and representation in art and poetry in nineteenth- and early twentieth-century Britain and Europe. A diverse selection of contributions explore the reciprocal influence of political, religious, literary and artistic movements of the time.

Utopia and Dissent
Utopia and Dissent

Author: Richard Candida-Smith

Publisher: Univ of California Press

Published: 1996-12-27

Total Pages: 574

ISBN-13: 9780520206991

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"The most important study of art in California, particularly in terms of avant-garde activity around mid-century, that I am aware of."--Paul Karlstrom, Smithsonian Institution

Infamous Landscapes
Infamous Landscapes

Author: Prageeta Sharma

Publisher:

Published: 2007

Total Pages: 100

ISBN-13:

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An exploration of the compatibility of human desire with personal ethics is at the heart of Infamous Landscapes, whose voices work both with and against a perceived Wordsworthian innocence. In these poems Sharma turns away from Romanticism with a certain disconcerted, feminine shame, one that finds her peering through an enculturated, gendered lens. The landscapes of these poems are urban and, "natural," inasmuch as Sharma's third, runs an emotional gamut from fear to fervor in a landscape both external and internal, cast in hysterics and hermeneutics. "Next, I pull down that lonely flag./Why was it waving at you?"

Psychical Realism
Psychical Realism

Author: Alexander Streitberger

Publisher: Leuven University Press

Published: 2020-10-20

Total Pages: 321

ISBN-13: 9462702462

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Comprehensive overview of a highly influential contemporary artist’s work Victor Burgin counts among the most versatile figures within art and visual culture since the late 1960s. His artwork both connects with and reacts to minimalism, conceptual art, staged photography, appropriation art, video art and, more recently, computer-based imaging. As a scholar his thinking is informed by phenomenology, semiotics, poststructuralism, feminist theory, and psychoanalysis. This monograph provides a comprehensive and unique overview of Victor Burgin’s body of work over the past five decades. Identifying the concept of ‘psychical realism’ as an overarching umbrella term, Alexander Streitberger traces back the artist’s parallel unfolding of practice and theory, while situating this process within various historical contexts and critical debates. Five chapters link insightful case studies to key issues such as conceptual art and situational aesthetics, the relationship between representation and politics, postmodernist concepts of space, and the digital environment of media images. The book is richly illustrated and includes a sequence from the major work Dear Urania (2016) especially designed by the artist for this book.

The Violence of the Image
The Violence of the Image

Author: Liam Kennedy

Publisher: Routledge

Published: 2020-09-13

Total Pages: 305

ISBN-13: 1000211746

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Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

Poetry and Politics in the English Renaissance
Poetry and Politics in the English Renaissance

Author: David Norbrook

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 356

ISBN-13: 9780199247196

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This title establishes the radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. The author shows how Elizabethan poets like Sidney and Spenser, often seen as conservative monarchists, responded powerfully if sometimes ambivalently to radical ideas.

Photography Theory in Historical Perspective
Photography Theory in Historical Perspective

Author: Hilde Van Gelder

Publisher: John Wiley & Sons

Published: 2011-04-25

Total Pages: 283

ISBN-13: 1405191619

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Photography Theory in Historical Perspective: Case Studies from Contemporary Art aims to contribute to the understanding of the multifaceted and complex character of the photographic medium by dealing with various case studies selected from photographic practices in contemporary art, discussed in the context of views and theories of photography from its inception. uses case studies to explain photographic practices in contemporary art and place them in the context of theory presents current debates on theory of photography through comparisons to research of other visual media applicable to vernacular and documentary photography as well as art photography

The Accidental Possibilities of the City
The Accidental Possibilities of the City

Author: Katherine Smith

Publisher: University of California Press

Published: 2021-03-02

Total Pages: 347

ISBN-13: 0520305485

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Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.