Photography after Photography
Photography after Photography

Author: Abigail Solomon-Godeau

Publisher: Duke University Press

Published: 2017-03-23

Total Pages: 308

ISBN-13: 0822373629

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Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.

After Photography
After Photography

Author: Fred Ritchin

Publisher: W. W. Norton & Company

Published: 2009

Total Pages: 208

ISBN-13: 9780393050240

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Ritchin--one of the most influential commentators on photography--offers a fascinating look at the perils and possibilities of photography in a digital age. 50 color illustrations.

Photography After Capitalism
Photography After Capitalism

Author: Ben Burbridge

Publisher: MIT Press

Published: 2020-12-15

Total Pages: 240

ISBN-13: 191268599X

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A polemical analysis of the politics and economics of today's vernacular photographic cultures. In Photography After Capitalism, Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on the hidden work of smartphone assembly teams, digital content moderators, Street View car drivers, Google “Scan-Ops,”low-paid gallery interns, homeless participant photographers, and the photo-sharing masses. Bringing together cultural criticism, social history, and political philosophy, Burbridge examines how representations of our photographic lives—in advertising, journalism, scholarship and, particularly, contemporary art—shape a sense of what photography is and the social relations that comprise it. More precisely, he focuses on how different critical and creative strategies—from the appropriation of social media imagery to performative traversals of the network, from documentaries about secretive manual labor to science fiction fantasies of future sabotage—affect our understanding of photography's interactions with political and economic systems. Drawing insight and inspiration from recent analyses of digital labour, community economies and post-capitalism, Burbridge harnesses the ubiquity of photography to cognitively map contemporary capitalism in search of its weak spots and levers, sites of resistance, and opportunities to build better worlds.

Laszlo Moholy-Nagy
Laszlo Moholy-Nagy

Author: Joyce Tsai

Publisher: Univ of California Press

Published: 2018-04-06

Total Pages: 242

ISBN-13: 0520290674

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"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.

Photography After Frank
Photography After Frank

Author: Philip Gefter

Publisher: Aperture Ideas

Published: 2009

Total Pages: 0

ISBN-13: 9781597110952

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Presents the author's view of contemporary photography in the United States from the 1950s with the work of Robert Frank to the present day. Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet Frank also found novel areas of beauty in simple, overlooked corners of American life. His subject matter--cars, jukeboxes and even "the road" itself-- redefined the icons of America.

After the Photo-secession
After the Photo-secession

Author: Christian A. Peterson

Publisher: W W Norton & Company Incorporated

Published: 1997

Total Pages: 218

ISBN-13: 9780393041118

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The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs

The Digital Photography Book
The Digital Photography Book

Author: Scott Kelby

Publisher: Pearson Education

Published: 2013

Total Pages: 254

ISBN-13: 0321934946

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Furnishes an overview of digital photography, covering such topics as cameras, exposure, lighting, shutter speed, depth of field, and resolution--and tips on how to avoid hours of photo-editing by taking great photographs the first time.

After Art
After Art

Author: Chris Bruce

Publisher: University of Washington Press

Published: 1994

Total Pages: 132

ISBN-13:

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Published in conjunction with an exhibition of the same name drawn from the remarkable collection of Joseph and Elaine Monsen and organized by the Henry Art Gallery, Seattle. A survey of the development of photography over the last 150 years, revealing its evolution as art and drawing attention to some great individual exemplars. Includes essays by Chris Bruce and Andy Grundberg. 11.75x11.75". Distributed by the U. of Washington Press. Annotation copyright by Book News, Inc., Portland, OR

Forget Photography
Forget Photography

Author: Andrew Dewdney

Publisher: MIT Press

Published: 2021-10-19

Total Pages: 276

ISBN-13: 1912685817

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Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.

Complete Guide to High Dynamic Range Digital Photography
Complete Guide to High Dynamic Range Digital Photography

Author: Ferrell McCollough

Publisher: Lark Books

Published: 2008

Total Pages: 180

ISBN-13: 1600591965

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It s the latest and hottest technique, made possible only through digital. High Dynamic Range photography is the process of taking several pictures of a scene at various exposures, then merging them into one file. So the entire photo can look crisp and detailed, from highlights to midtones to shadowsand photographers needn t sacrifice any part of their image. And the best way to master this exciting technology is with this thorough, easy-to-follow, and visually spectacular guide. No other title does justice to these cutting-edge techniques, which actually take the viewer into worlds far beyond normal photographysometimes even beyond normal human perception. Ferrell McCollough, a widely respected photographer, pushes the boundaries and inspires others to pursue their artistic vision, too. The amazing results simply can t be achieved any other way. "