PHOTOGRAPHING DORSET is a photography-location guidebook that guides the reader to the best places for photography in this beautiful county. Dorset is home to some of the most beautiful photographic locations in the UK. On its 95-mile long Jurassic Coast, a World Heritage Site, you will find the pinnacles of Old Harry Rocks and the famous arch of Durdle Door. Just inland is the 11th century Corfe Castle, the moored boats at Wareham harbour and the rolling hills and villages of Thomas Hardy's Wessex.
There are many general titles on landscape photography, but few that really tackle the issue of composition in great depth. The Art of Landscape Photography assumes a good working knowledge of the technical basics - such as correct exposure, filtration, and sharpness - and concentrates on the 'heart and soul' of landscape photography: the principles of composition and aesthetic design to convey meaning and emotion. While technique will not be ignored, the emphasis will be on how it impacts on the aesthetics of the image - for example, using filtration to enhance the mood of a scene rather than simply to balance the extremes of contrast. Because of the nature of the subject matter, this is very much a picture-led book, with numerous example pictures to illustrate the compositional points being discussed. At the back of the book there will be thumbnails of all the pictures used, with a summary of the technical details - camera, lens, ISO, shutter speed, aperture, filtration - to ensure that those who crave technical information are not disappointed.
This is a portrait of forty of the best gardens in Dorset, from the intimate to the grand ranging over this timeless rural landscape of rolling hills, meadows, winterbournes and lush, well-wooded corners to the coast with its heathland, steep chines and spectacular cliffs. There are delights and surprises aplenty, including a Roman temple in the suburbs of Bournemouth; a folly nestled within the fern garden of an ancestral manor; a classic cottage garden festooned with roses, honeysuckle and clematis; the spectacular subtropical coastal gardens of Abbotsbury; and the Arcadian landscape at Minterne, where a hillside of Himalayan rhododendrons and azaleas looks out over a chain of lakes, waterfalls and streams. Written in close consultation with the owners of the gardens, Roger Lane's informative text details the history of each garden and its development under the current owners, and then focuses on design, planting and the garden's relationship with the surrounding landscape. Glorious photographs taken through the seasons show the gardens at their finest.
Photographing Papua is a study of photography in the public domain in the late nineteenth and early twentieth centuries. It argues that southeastern New Guinea, known as British New Guinea and then as Papua when it became an Australian colony, was created as a geographical place through visual representation in illustrated magazines and newspapers, lavishly illustrated travelogues and mission hagiography, serial encyclopedia, lantern slides and postcards. Readers :knew" Papua because many thousands of black and white photographs of Papuans, villages and material culture rapidly swamped the reading public once the process of halftone, newsprint reproduction became possible. In an innovative and breakthrough fashion Photographing Papua switches attention from a few well known prints in museums and archives, in some cases repeatedly reproduced, but mostly rarely seen outside of scientific and scholarly circles. It deals instead with thousands of photographs, often used in ways not intended when the photograph was taken, but which editors and publishers (and subsequent photographers) gradually made conform to an iconographic imperative, a sort of abbreviated visual gallery of "natives" and a quick-access pathway to the actual and imagined lives of Papuans in the "last Unknown" as New Guinea was titled. It is a study of representation, colonialism, cross-cultural encounters and the early world of illustrated media and photo-journalism.
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
'Photographing the Lake District' is a comprehensive photographic-location guidebook to the most beautiful places to take photographs in the English Lake District. The book guides the reader to beautiful places and gives advice on how to take the best photographs when there.
