The first narrative biography of the Civil War's pioneering visual historian, Mathew Brady, known as the “father of American photography.” Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history. The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.
This volume - investigating the work of a particular photographer, in this case, Mathew Brady - comprises a 4000-word essay by an expert in the field, 55 photographs presented chronologically, each with a commentary, and a biography of the featured photographer.
Photography was still in its infancy when the Civil War broke out in 1861, yet one young man, Mathew B. Brady, had the vision to create a detailed photographic record of the conflict, which nobody imagined would last for more than a few months. Brady and his associate photographers made literally thousands of images, for the most part now in the care of the Library of Congress. This book is intended as a tribute to the talented, hardy, and ardent photographers, reproducing a selection of their works--blemishes and all--which are now recognized as the first in depth photo documentation of warfare.
Photography was still in its infancy when the Civil War broke out in 1861, yet one young man, Mathew B. Brady, had the vision to create a detailed photographic record of the conflict, which nobody imagined would last for more than a few months. Brady and his associate photographers made literally thousands of images, for the most part now in the care of the Library of Congress. This book is intended as a tribute to these talented, hardy, and ardent photographers, reproducing a selection of their works -- blemishes and all -- which are now recognized as the first in depth photo documentation of warfare. Mathew Brady devoted himself utterly to his objective, sinking all of his personal funds and heavy loans into the effort to equip his photographers with horse drawn mobile darkrooms with which they could follow the Union forces and capture their exploits throughout the four year conflict. When the war was over, however, his customers shied away from death and destruction, preferring lighter, more agreeable fare, and Brady's business went bust owing money to scores of creditors. As with many artists before him and since, the true value of his work was not fully appreciated until after his death, broke and alone, in 1896.