In print since 1982, this classic cookbook is filled with 700 time-honored culinary masterpieces surrounded by the rich history of the Philadelphia Main Line railroad stops and famous landmarks. This delightful cookbook offers not only double-tested recipes and microwaving and food processing tips, but also low-fat recipe alternatives. The first of our great-selling series.
Straight from Philadelphia's Main Line, a unique community of elegant stone mansions, historic churches, and quaint railroad stations, comes the best of America's classic cooking ... Main Line Classics II: Cooking Up A Little History. Cooks and collectors alike will love our flavorful mix of fabulous food, fun facts, and folklore.
Centered around the historic stations along the old Pennsylvania Railroad's main line, this collection includes dietary suggestions, preparation times, and a list of do-ahead hints, as well as favorite recipes from local restaurants.
A blend of archival photos combine with modern color shots to relate the stories behind the design, the architecture, and the use of terminals like Grand Central Station and Pennsylvania Station in New York City, and Washington, D.C.'s Union Station. 150 photos.
The Main Line is the suburban region northwest of Philadelphia synonomous with quiet wealth & exclusivity. This book records the efforts to establish the region as the paradigm of aristocratic country life in America & documents the evolution of the American country dwelling from Victorian gargoyle to domestic ideal.
Richly illustrated with over 200 photos, this book tells the story of railroad streamliners, from their early days as short little articulated speedsters to their halcyon years as 20-car "cities on wheels"--Places that were going somewhere. And it also tells a story of a time of individuality, when streamliners reflected the personality of the regions they served.
A gorgeously illustrated guide to "the classics": the essential clothes, accessories, beauty products, and timeless everyday objects that define your personal style. In Classic Style, fashion expert and illustrator Kate Schelter curates a collection of more than 150 iconic, essential classics-- clothes, accessories, beauty products, objects, and travel items that exemplify great design, simplicity, and timeless style. Balancing the trend toward minimalism with a dose of charm and personality, Kate shows you how to develop (and celebrate!) your own style by following an easy mantra: buy less, buy better, reinvent what you already have, and own your look. Now in her first book, she guides readers through these principles in a mix of stunning watercolor illustrations, stories, memories, quotes, and advice from a collection of friends and mentors in the fashion world. A visual gem, Classic Style will inspire you to pare down those stuffed closets and storage units, find joy in simplicity and usefulness, and rediscover the one thing that is truly essential to personal style--you!
In the latest mystery from New York Times bestselling author Charles Todd, World War I nurse and amateur sleuth Bess Crawford investigates an old murder that occurred during her childhood in India, a search for the truth that will transform her and leave her pondering a troubling question: How can facts lie? Bess Crawford enjoyed a wondrous childhood in India, where her father, a colonel in the British Army, was stationed on the Northwest Frontier. But an unforgettable incident darkened that happy time. In 1908, Colonel Crawford's regiment discovered that it had a murderer in its ranks, an officer who killed five people in India and England yet was never brought to trial. In the eyes of many of these soldiers, men defined by honor and duty, the crime was a stain on the regiment's reputation and on the good name of Bess's father, the Colonel Sahib, who had trained the killer. A decade later, tending to the wounded on the battlefields of France during World War I, Bess learns from a dying Indian sergeant that the supposed murderer, Lieutenant Wade, is alive—and serving at the Front. Bess cannot believe the shocking news. According to reliable reports, Wade's body had been seen deep in the Khyber Pass, where he had died trying to reach Afghanistan. Soon, though, her mind is racing. How had he escaped from India? What had driven a good man to murder in cold blood? Wanting answers, she uses her leave to investigate. In the village where the first three killings took place, she discovers that the locals are certain that the British soldier was innocent. Yet the present owner of the house where the crime was committed believes otherwise, and is convinced that Bess's father helped Wade flee. To settle the matter once and for all, Bess sets out to find Wade and let the courts decide. But when she stumbles on the horrific truth, something that even the famous writer Rudyard Kipling had kept secret all his life, she is shaken to her very core. The facts will damn Wade even as they reveal a brutal reality, a reality that could have been her own fate.
Owen Wister is known to most Americans as the creator of the heroic cowboy in The Virginian (1902). Despite his success as a Western novelist, Wister's failure to write about his native city of Philadelphia has been lamented by many for the loss of a literary "might-have-been." If only, sighed Wister's contemporary Elizabeth Robins Pennell in 1914, the novelist could understand that Philadelphia was as good a subject as the Wild West. Hence the surprise when James Butler uncovered a substantial fragment of a Philadelphia novel, which Wister intended to call Romney. Here, published for the first time, is the complete fragment of Romney together with two of his other unpublished Philadelphia works. Even in its incomplete state—nearly fifty thousand words—Romney is Wister's longest piece of fiction after The Virginian and Lady Baltimore. Writing at the express command of his friend Theodore Roosevelt, Wister set Romney in Philadelphia (called Monopolis in the novel) during the 1880s, when, as he saw it, the city was passing from the old to a new order. The hero of the story, Romney, is a man of "no social position" who nonetheless rises to the top because he has superior ability. It is thus a novel about the possibilities for meaningful social change in a democracy. Although, alas, the story breaks off before the birth of Romney, Wister gives us much to savor in the existing thirteen chapters. We are treated to delightful scenes at the Bryn Mawr train station, the Bellevue Hotel, and Independence Square, which yield brilliant insights into life on the Main Line, the power of the Pennsylvania Railroad, and the insidious effects of political corruption. Wister's acute analysis in Romney of what differentiates Philadelphia and Boston upper classes is remarkably similar to, but anticipates by more than half a century, the classic study by E. Digby Baltzell in Puritan Boston and Quaker Philadelphia (1979). Like Baltzell, Wister analyzes the urban aristocracy of Boston and Philadelphia, finding in Boston a Puritan drive for achievement and civic service but in Philadelphia a Quaker preference for toleration and moderation, all too often leading to acquiescence and stagnation. Romney is undoubtedly the best fictional portrayal of "Gilded Age" Philadelphia, brilliantly capturing Wister's vision of old-money, aristocratic society gasping its last before the onrushing vulgarity of the nouveaux riches. It is a novel of manners that does for Philadelphia what Edith Wharton and John Marquand have done for New York and Boston.
