Phenomenologies of Art and Vision

Phenomenologies of Art and Vision

Author: Paul Crowther

Publisher: A&C Black

Published: 2013-03-28

Total Pages: 209

ISBN-13: 1441119736

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An original study of the intrinsic significance of art, drawing on ideas, thinkers and approaches from phenomenology and analytic aesthetics.


Phenomenologies of Art and Vision

Phenomenologies of Art and Vision

Author: Paul Crowther

Publisher: A&C Black

Published: 2013-01-03

Total Pages: 377

ISBN-13: 1441199160

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Contemporary discussions of the image like to emphasize art's societal functions. Few studies come close to answering why pictures and sculptures fascinate and intrigue regardless of any practical functions they might serve. In this original, thought-provoking study, Paul Crowther reveals the intrinsic significance of pictures and sculptures. To address the question of how painting becomes an art, Crowther uses the analytic philosophy of Richard Wollheim as a starting point. But to sufficiently answer the question, he makes an important link to a tradition much more successful in giving voice to the deeper ontology of visual art - existential phenomenology. The result is a work that demonstrates the reciprocal relationship between phenomenology and analytic aesthetics. To expand its ontological scope and solve the problem of expression, analytic aesthetics needs phenomenology; while to develop a sustained, critically balanced, and intellectually available ontology, phenomenology needs the discursive force and lucidity of analytic philosophy. This convincing case for a post-analytic phenomenology of art is an important advancement of contemporary discussions of the philosophy of art.


The Phenomenology of Modern Art

The Phenomenology of Modern Art

Author: Paul Crowther

Publisher: A&C Black

Published: 2012-04-19

Total Pages: 302

ISBN-13: 1441142584

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The first sustained phenomenological approach to modern art, taking a new approach and drawing upon an unsual selection of thinkers.


The Phenomenology of Aesthetic Consciousness and Phantasy

The Phenomenology of Aesthetic Consciousness and Phantasy

Author: Paul Crowther

Publisher: Routledge

Published: 2021-11-25

Total Pages: 202

ISBN-13: 1000482537

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This is the first book dedicated to Husserl’s aesthetics. Paul Crowther pieces together Husserl’s ideas of phantasy and image and presents them as a unified and innovative account of aesthetic consciousness. He also shows how Husserl’s ideas can be developed to solve problems in aesthetics, especially those related to visual art, literature, theatre, and nature. After outlining the major components of Husserl’s phenomenological method, Crowther addresses the scope and structure of Husserl’s notion of aesthetic consciousness. For Husserl, aesthetic consciousness in all its forms involves phantasy—where items or states of affairs are represented as if actually perceived or experienced, even though they are not, in fact, given in the present perceptual field. Husserl also makes some extraordinarily interesting links between aesthetic consciousness and nature, showing how natural things and environments become instigators of such consciousness when apprehended in the appropriate terms. This "unreality" of the object of aesthetic consciousness anticipates contemporary debates about pictorial representation and is also relevant to Husserl’s accounts of literature and theatre. The Phenomenology of Aesthetic Consciousness and Phantasy will appeal to scholars and advanced students interested in aesthetics, philosophy of art, phenomenological aesthetics, and Husserl’s philosophy.


Phenomenology and the Primacy of the Political

Phenomenology and the Primacy of the Political

Author: Véronique M. Fóti

Publisher: Springer

Published: 2017-05-11

Total Pages: 262

ISBN-13: 331956160X

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This volume is a Festschrift in honor of Jacques Taminiaux and examines the primacy of the political within phenomenology. These objectives support each other, in that Taminiaux's own intellectual itinerary brought him increasingly to an affirmation of the importance of the political. Divided into four sections, the essays contained in this volume engage with different aspects of the political dimension of phenomenology: its dialogue with classic texts of political philosophy, the political facets of phenomenological praxis, phenomenology’s contribution to actual political debates, and the impact of Taminiaux’s work in the shaping of phenomenology’s notion of politics. The phrase “the primacy of the political” echoes the “primacy of perception” as it was famously defined by Merleau-Ponty. This book emphasizes, however, the inescapability of the political rather than its “foundational” character, i.e. the fact that various itineraries of thought, explored in different fields of phenomenological research, give rise to politically relevant reflections. It points out and elucidates political connotations that haunt phenomenological concepts, such as ‘world’, ‘self’, ‘nature’, ‘intersubjectivity, or ‘language’, and traces them to a broad range of approaches, concepts, and methods. In its explorations, the book discusses a broad range of thinkers, including, but not limited to, Aristotle and Kant, Bergson, Husserl, Heidegger, Merleau-Ponty, Gadamer, Ricoeur, and Arendt.


The New Yearbook for Phenomenology and Phenomenological Philosophy

The New Yearbook for Phenomenology and Phenomenological Philosophy

Author: Burt C. Hopkins

Publisher: Taylor & Francis

Published: 2023-10-25

Total Pages: 831

ISBN-13: 1000953742

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Volume XXI Special Issue, 2023 Part 1: Phenomenological Perspectives on Aesthetics and Art Part 2: Heidegger and Contemporary French Philosophy Aim and Scope: The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl’s groundbreaking work and the extension of this work by such figures as Reinach, Scheler, Stein, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer. Contributors: Liliana Albertazzi, Dimitris Apostolopoulos, Gabriele Baratelli, Anna Irene Baka, Irene Breuer, John Brough, Peer Bundgaard, Justin Clemens, Richard Colledge, Bryan Cooke, Françoise Dastur, Ivo De Gennaro, Natalie Depraz, Helena De Preester, Daniele De Santis, Madalina Diaconu, Arto Haapala, Robyn Horner, Erik Kuravsky, Donald Landes, Elisa Magri, Michelle Maiese, Regina-Nino Mion, Brian O’Connor, Costas Pagondiotis, Knox Peden, Constantinos Picolas, Hans Reiner Sepp, Jack Reynolds, Jon Roffe, Claude Romano, Maxine Sheets-Johnstone, Michela Summa, Panos Theodorou, Fotini Vassiliou, and Sanem Yazicioglu. Submissions: Manuscripts, prepared for blind review, should be submitted to the Editors ([email protected] and [email protected]) electronically via e-mail attachments.


Visual Phenomenology

Visual Phenomenology

Author: Michael Madary

Publisher: MIT Press

Published: 2016-12-10

Total Pages: 265

ISBN-13: 0262035456

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Phenomenological and empirical methods of investigating visual experience converge to support the thesis that visual perception is an ongoing process of anticipation and fulfillment. In this book, Michael Madary examines visual experience, drawing on both phenomenological and empirical methods of investigation. He finds that these two approaches—careful, philosophical description of experience and the science of vision—independently converge on the same result: Visual perception is an ongoing process of anticipation and fulfillment. Madary first makes the case for the descriptive premise, arguing that the phenomenology of vision is best described as on ongoing process of anticipation and fulfillment. He discusses visual experience as being perspectival, temporal, and indeterminate; considers the possibility of surprise when appearances do not change as we expect; and considers the content of visual anticipation. Madary then makes the case for the empirical premise, showing that there are strong empirical reasons to model vision using the general form of anticipation and fulfillment. He presents a range of evidence from perceptual psychology and neuroscience, and reinterprets evidence for the two-visual-systems hypothesis. Finally, he considers the relationship between visual perception and social cognition. An appendix discusses Husserlian phenomenology as it relates to the argument of the book. Madary argues that the fact that there is a convergence of historically distinct methodologies itself is an argument that supports his findings. With Visual Phenomenology, he creates an exchange between the humanities and the sciences that takes both methods of investigation seriously.


What Drawing and Painting Really Mean

What Drawing and Painting Really Mean

Author: Paul Crowther

Publisher: Routledge

Published: 2017-04-21

Total Pages: 343

ISBN-13: 1315311836

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There are as many meanings to drawing and painting as there are cultural contexts for them to exist in. But this is not the end of the story. Drawings and paintings are made, and in their making embody unique meanings that transform our perception of space-time and sense of finitude. These meanings have not been addressed by art history or visual studies hitherto, and have only been considered indirectly by philosophers (mainly in the phenomenological tradition). If these intrinsic meanings are explained and further developed, then the philosophy of art practice is significantly enhanced. The present work, accordingly, is a phenomenology of how the gestural and digital creation of visual imagery generates self-transformation through aesthetic space.


Cultivating Perception through Artworks

Cultivating Perception through Artworks

Author: Helen A. Fielding

Publisher: Indiana University Press

Published: 2021-11-30

Total Pages: 235

ISBN-13: 0253059321

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What are the ethical, political and cultural consequences of forgetting how to trust our senses? How can artworks help us see, sense, think, and interact in ways that are outside of the systems of convention and order that frame so much of our lives? In Cultivating Perception through Artworks, Helen Fielding challenges us to think alongside and according to artworks, cultivating a perception of what is really there and being expressed by them. Drawing from and expanding on the work of philosophers such as Luce Irigaray and Maurice Merleau-Ponty, Fielding urges us to trust our senses and engage relationally with works of art in the here and now rather than distancing and systematizing them as aesthetic objects. Cultivating Perception through Artworks examines examples as diverse as a Rembrandt painting, M. NourbeSe Philip's poetry, and Louise Bourgeois' public sculpture, to demonstrate how artworks enact ethics, politics, or culture. By engaging with different art forms and discovering the unique way that each opens us to the world in a new and unexpected ways, Fielding reveals the importance of our moral, political, and cultural lives.


The Iconology of Abstraction

The Iconology of Abstraction

Author: Krešimir Purgar

Publisher: Routledge

Published: 2020-06-15

Total Pages: 246

ISBN-13: 0429557574

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This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.