The mountains of the American West are the setting for healing and personal development in this collection of lyrical essays. From forest fires to mountain lions, an Ohio farm to a Colorado cabin, and from violation to silence to reclamation, Kathryn Winograd draws keen attention to the details that braid her own history with that of the land on which she dwells with her husband and daughters, and with that of anyone who has experienced loss and fought for renewal. The essays become a ring of concentric circles, where one builds upon the next to achieve deeper meaning and truth, revealing mercy at its center. Finalist, Foreword INDIES Award.
Phantom Ranch is nestled in the Grand Canyon basin on the Colorado River--a location hardly visible from the rim and only accessible after a journey through scores of geologic layers. The only way there is by river rafting, hiking, or mule, and with each foot of the journey, the traveler descends 30,000 years in geologic time. While at Phantom Ranch, the view looking above is of 1.7 billion years of geology, all swirling together in an alphabet of colors. Grand Canyon's Phantom Ranch is the story of the rustic buildings designed by architect Mary Jane Colter in 1921, of the park's first peoples, river rafters, the early trail and bridge builders, and dramatic flash floods. When travelers leave Phantom Ranch, they are never the same. For some of them, departing is as if they have just said good-bye to an old friend.
Backpacker brings the outdoors straight to the reader's doorstep, inspiring and enabling them to go more places and enjoy nature more often. The authority on active adventure, Backpacker is the world's first GPS-enabled magazine, and the only magazine whose editors personally test the hiking trails, camping gear, and survival tips they publish. Backpacker's Editors' Choice Awards, an industry honor recognizing design, feature and product innovation, has become the gold standard against which all other outdoor-industry awards are measured.
There are thousands of museums in the USA, almost all of interest and almost all a source of learning but, after a while, they tend to blur together. How many stuffed buffalo are enough? How many re-created country stores? How many gun collections? This book lists and describes seventy-seven American museums (including a few non-museum attractions) that definitely stand out due to their uniqueness and the depth to which they document their subject. Many are small and only lightly promoted, some are in out-of-the-way places, some are quirky or even odd, but all are memorable and well worth a visit.
This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
