This 1934 work in archaeology is considered a classic on these "picture rocks." The 1930-32 field survey was precipitated by the impending flooding of a section of the Susquehanna River by several hydroelectric dams. Comprehensive maps, photographs, and drawings of many of the petroglyphs that were found on three small islands in the river.
Ancient rock art is better known in western North America, but it is also an important feature in the historical landscape of eastern North America. This booklet reprints a report first published in 1934 by the Pennsylvania Historical Commission. Donald A. Cadzow, an archaeologist, surveyed the petroglyphs discovered on certain rocks in the lower Susquehanna River, between York County and Lancaster County. In addition, petroglyphs from other parts of the state are noted.
This first volume in the new Stories of the Susquehanna Valley series describes the Native American presence in the Susquehanna River Valley, a key crossroads of the old Eastern Woodlands between the Great Lakes and the Chesapeake Bay in northern Appalachia. Combining archaeology, history, cultural anthropology, and the study of contemporary Native American issues, contributors describe what is known about the Native Americans from their earliest known presence in the valley to the contact era with Europeans. They also explore the subsequent consequences of that contact for Native peoples, including the removal, forced or voluntary, of many from the valley, in what became a chilling prototype for attempted genocide across the continent. Euro-American history asserted that there were no native people left in Pennsylvania (the center of the Susquehanna watershed) after the American Revolution. But with revived Native American cultural consciousness in the late twentieth century, Pennsylvanians of native ancestry began to take pride in and reclaim their heritage. This book also tells their stories, including efforts to revive Native cultures in the watershed, and Native perspectives on its ecological restoration. While focused on the Susquehanna River Valley, this collection also discusses topics of national significance for Native Americans and those interested in their cultures.
Showcases the wealth of new research on sacred imagery found in twelve states and four Canadian provinces In archaeology, rock-art—any long-lasting marking made on a natural surface—is similar to material culture (pottery and tools) because it provides a record of human activity and ideology at that site. Petroglyphs, pictographs, and dendroglyphs (tree carvings) have been discovered and recorded throughout the eastern woodlands of North America on boulders, bluffs, and trees, in caves and in rock shelters. These cultural remnants scattered on the landscape can tell us much about the belief systems of the inhabitants that left them behind. The Rock-Art of Eastern North America brings together 20 papers from recent research at sites in eastern North America, where humidity and the actions of weather, including acid rain, can be very damaging over time. Contributors to this volume range from professional archaeologists and art historians to avocational archaeologists, including a surgeon, a lawyer, two photographers, and an aerospace engineer. They present information, drawings, and photographs of sites ranging from the Seven Sacred Stones in Iowa to the Bald Friar Petroglyphs of Maryland and from the Lincoln Rise Site in Tennessee to the Nisula Site in Quebec. Discussions of the significance of artist gender, the relationship of rock-art to mortuary caves, and the suggestive link to the peopling of the continent are particularly notable contributions. Discussions include the history, ethnography, recording methods, dating, and analysis of the subject sites and integrate these with the known archaeological data.
A full range of rock art appearances, including dendroglyphs, pictographs, and a selection of portable rock objects The Indians of northeastern North America are known to us primarily through reports and descriptions written by European explorers, clergy, and settlers, and through archaeological evidence. An additional invaluable source of information is the interpretation of rock art images and their relationship to native peoples for recording practical matters or information, as expressions of their legends and spiritual traditions, or as simple doodling or graffiti. The images in this book connect us directly to the Indian peoples of the Northeast, mainly Algonkian tribes inhabiting eastern Pennsylvania, Maryland and the lower Potomac River Valley, New York, New Jersey, the six New EnglandStates, and Atlantic Canada. Lenik provides a full range of rock art appearances in the study area, including some dendroglyphs, pictographs, and a selection of portable rock objects. By providing a full analysis and synthesis of the data, including the types and distribution of the glyphs, and interpretations of their meaning to the native peoples, Lenik reveals a wealth of new information on the culture and lifeways of the Indians of the Northeast.
Located along rivers, at the edges of lakes, on mountain boulders, in rock shelters, on rock ledges where the continent meets the ocean, and tucked into parks and public places, American Indian rock art offers tantilizing glimpses of the signs and symbols of a Native American culture. Picture Rocks documents all known permanent petroglyph and pictograph sites from the Canadian provinces of Nova Scotia and New Brunswick, the six New England states, New York, and New Jersey. Some sites are subject to disputes over their origins—Indian or Portuguese? Some are ancient, and others, such as the work of the Mi’kmaq, were executed in the past 200 years. Many of these sites are little known; others, like those at Bellows Falls, Vermont, are sources of great local pride and appear on city walking tours. Interspersing his own interpretations with comments from scholars and Native American storytellers, Edward J. Lenik provides a definitive look at an extraordinary art form. Two hundred illustrations include historic sketches by early Euro-American colonists, nineteenth-century photographs, and recent photographs and drawings of the current conditions of many sites.
