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Author: E. Zuccato
Publisher: Springer
Published: 2015-12-26
Total Pages: 256
ISBN-13: 0230584438
DOWNLOAD EBOOKThe Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.
Author: Petrarch
Publisher: Farrar, Straus and Giroux
Published: 2014-06-03
Total Pages: 324
ISBN-13: 1466872896
DOWNLOAD EBOOKIneffable sweetness, bold, uncanny sweetness that came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties. --from Sonnet 116 Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language--from the times of Spenser and Shakespeare to our own. David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.
Author: Francesco Petrarca
Publisher:
Published: 1849
Total Pages: 182
ISBN-13:
DOWNLOAD EBOOKAuthor: Gordon Braden
Publisher: Yale University Press
Published: 1999-01-01
Total Pages: 240
ISBN-13: 9780300076219
DOWNLOAD EBOOKThe 366 lyrics of Petrarch's Canzoniere exert a unique influence in literary history. From the mid-fifteenth century to the early seventeenth, the poems are imitated in every major language of western Europe, and for a time they provide Renaissance Europe with an almost exclusive sense of what love poetry should be. In this stimulating look at the international phenomenon of Petrarch's poetry, Gordon Braden focuses on materials in languages other than English--Italian, French, and Spanish, with brief citations from Croatian and Cypriot Greek, among others. Braden closely examines Petrarch's theme of love for an impossible object of desire, a theme that captivated and inspired across centuries, societies, and languages. The book opens with a fresh interpretation of Petrarch's sequence, in which Braden defines the poet's innovations in the context of his predecessors, Dante and the troubadours. The author then examines how Petrarchan predispositions affect various strains of Renaissance literature: prose narrative, verse narrative, and, primarily, lyric poetry. In the final chapter, Braden turns to the poetry of Sor Juana Inés de la Cruz to demonstrate a sophisticated case of Petrarchism taken to one of its extremes within the walls of a convent in seventeenth-century Mexico.
Author: Ramie Targoff
Publisher: University of Chicago Press
Published: 2014-05-02
Total Pages: 258
ISBN-13: 022611046X
DOWNLOAD EBOOKFor Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven—Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love—from Thomas Wyatt’s translations of Petrarch’s love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century. Targoff’s centerpiece is Romeo and Juliet, where she considers how Shakespeare’s reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. Casting new light on these familiar works of poetry and drama, this book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love’s mortal limits.
Author: Francesco Petrarca
Publisher: Troubador Publishing Ltd
Published: 2000-11
Total Pages: 302
ISBN-13: 9781899293124
DOWNLOAD EBOOKFrancesco Petrarca (1304-74) has been described as the 'first modern man of letters' and his influence on the European lyric tradition has been widespread. The poems of his Canzoniere, closely associated as they are with the enigmatic figure of Laura, were soon to become the models for love-poetry in nearly all major European literatures in the Renaissance. The new translations here use the same rhyme schemes and broadly the same metres as those used by Petrarch himself. The facing English texts are thus not intended to be absolutely literal, but to reflect the inner meanings and moods of the originals, with some further literal translations of difficult passages added in the notes. The notes to the poems also cover their likely dates, mythological allusions, certain background settings, and a number of other calendrical and structural features which appear to emerge from the actual sequencing of the collection itself. There is also a section on old Italian syntax. and other linguistic aids. The new translation of Petrarch's Rerum Vulgarian Fragmenta is in two separate volumes.
Author: Maureen McCue
Publisher: Routledge
Published: 2016-05-23
Total Pages: 204
ISBN-13: 1317171497
DOWNLOAD EBOOKAs a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Author: Francesco 1304-1374 Petrarca
Publisher: Hassell Street Press
Published: 2021-09-10
Total Pages: 364
ISBN-13: 9781015297951
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Francesco Petrarca
Publisher: Harvard University Press
Published: 2009-06-30
Total Pages: 561
ISBN-13: 0674042093
DOWNLOAD EBOOKFrancesco Petrarca (1304-1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive ancient Roman language and literature. Just as Petrarch's Latin epic Africa imitated Virgil and his compendium On Illustrious Men was inspired by Livy, so Petrarch's four Invectives were intended to revive the eloquence of the great Roman orator Cicero. The Invectives are directed against the cultural idols of the Middle Ages--against scholastic philosophy and medicine and the dominance of French culture in general. They defend the value of literary culture against obscurantism and provide a clear statement of the values of Renaissance humanism. This volume provides a new critical edition of the Latin text based on the two autograph copies, and the first English translation of three of the four invectives. Table of Contents: Introduction Invectives against a Physician Invective against a Man of High Rank with No Knowledge or Virtue On His Own Ignorance and That of Many Others Invective against a Detractor of Italy Note on the Texts and Translations Notes to the Text Notes to the Translation Bibliography Index
Author: Alessandra Petrina
Publisher: MHRA
Published: 2020-08-17
Total Pages: 244
ISBN-13: 1781888825
DOWNLOAD EBOOKThis edition argues that Petrarch's text has been neglected by modern scholarship in favour of the translations of the Canzoniere, while it can be shown that the Triumphi enjoyed a much earlier and much more durable fame in Europe as well as in the British Isles, being translated at least twice in its entirety, with individual books and smaller sections being translated or adapted a number of times. Critical editions of the translations are accompanied by analysis of the reception of Petrarch's work in the British Isles, looking at the circulation of the book in the original Italian and in the various French translations, as well as at the use that is made of the Triumphi motifs not only in literature, but in paintings, music, etc.
