V. 1. Brown University excavations, 1993-1997 -- v. 2. Archaeological contexts of the remains and excavations : Brown University excavations in Jordan at the Petra Great Temple, 1993-2007 -- v. 3. Brown University excavations in Jordan at the Petra Great Temple, 1993-2008 / edited by Martha Sharp Joukowsky ; with contributions by Marshall C. Agnew [and twenty others]
The Nabataean Arabs, one of the most gifted peoples of the ancient world, are today known only for their hauntingly beautiful rock-carved capital - Petra, a magnificent city carved out of the mountains, and one of the most breath-taking achievements of the ancient world. Yet they were famous in their day - Herod the Great and his sons, and a kaleidoscope of Roman emperors and generals were keenly aware of this powerful and wealthy trading kingdom. The Nabateans became inspired patrons of the arts, creating some of the most sublime and perfectly individual architecture of the time, not only at Petra, but over much of the Middle East. This richly illustrated book recounts the story of a remarkable but lost civilization. It tells of their nomadic origins, the development of their rich culture in Jordan, Syria, Arabia, Sinai and the Negev, their relations with their more famous neighbours and the demise of their kingdom at the hands of the Romans.
This lavishly illustrated volume presents a comprehensive architectural study of 87 individual temples and sanctuaries built in the Roman East between the end of the 1st century BCE and the end of the 3rd century CE, within a broad region encompassing the modern states of Syria, Lebanon, Israel and Jordan. Religious architecture gave faithful expression to the complexity of the Roman East and to its multiplicity of traditions pertaining to ethnic and religious aspects as well as to the powerful influence of Imperial Rome. The source of this power lay in the uniformity of the architectural language, the inventory of forms, the choice of styles and the spatial layout of the buildings. Thus, while temples have an eclectic character, there is an underlying unity of form comprising the podium, the stairway between the terminating walls (antae) and the columns along the entrance front - in other words, the axiality, frontality and symmetry of the temple as viewed from outside. The temples and sanctuaries studied in this volume demonstrate individual nuances of plan, spatial design, location in the sanctuary and interrelations with the immediate vicinity but can be divided into two main categories: Vitruvian temples (derived from Hellenistic-Roman architecture) and Non-Vitruvian temples (those with plans and spatial designs that cannot be analysed according to architectural criteria such as those defined by Vitruvius). The individual descriptions presented focus solely upon the analysis of the external and internal space of the temples of all types and do not involve any cultural or ethnic discussion.
The Adventure of the Illustrious Scholar: Papers Presented to Oscar White Muscarella, edited by Elizabeth Simpson, is a Festschrift celebrating the career of one of the foremost archaeologists of the ancient Near East. Oscar Muscarella is a former curator at the Metropolitan Museum of Art and a formidable scholar who has excavated at sites in Turkey, Iran, and the United States. He has published eight books and nearly 200 articles, excavation reports, and reviews on topics ranging from the arts of antiquity and the importance of connoisseurship, to the difficulties of dating and the problems of forgeries, the looting of ancient sites, and the antiquities trade. The forty-seven contributors are experts in the areas of Muscarella’s interests and are major scholars in their fields. This volume constitutes an unusual, important, and timely addition to the archaeological and art historical literature.
The Oxford English Dictionary defines koine as 'a set of cultural or other attributes common to various groups' . This volume merges an academic career over a half century in breadth and scope with an editorial vision that brings together a chorus of scholarly contributions echoing the core principles of R. Ross Holloways own unique perspective on ancient Mediterranean studies. Through broadly conceived themes, the four individual sections of this volume (I. A View of Classical Art: Iconography in Context; II. Crossroads of the Mediterranean: Cultural Entanglements Across the Connecting Sea; III. Coins as Culture: Art and Coinage from Sicily; and IV. Discovery and Discourse, Archaeology and Interpretation) are an attempt to capture the many and varied trajectories of thought that have marked his career and serve as testimony to the significance of his research. The twenty-four papers (plus four introductory essays to the individual sections, biographical sketch and main introduction) contain recent research on subjects ranging from the Kleophrades Painter to the Black Sea, Sicilian Coinage and archaeology in modern Rome.
This report from the Omrit temple excavations presents artifacts (e.g., ceramics, frescoes, coins, etc.) recovered in the excavations of the Roman period sanctuary in northern Israel, and discusses the stratigraphy, building phases, and dating of the complex.
From 1981 until 1986, the archaeologist Judith McKenzie, then a graduate student at the University of Sydney, traveled to the ancient site of Petra in Jordan, living in a cave there for extended periods, in order to survey and measure architectural moldings on the rock-cut monuments. It was a critical time in the history of Petra, where, for centuries, its local inhabitants, known as the Bdoul, had lived and worked. But that tradition was coming to a close. In 1985, the Bdoul began a move to the nearby village of Umm Sayhoun, as directed by the Jordanian government. This first-hand account of life in a cave at Petra, based on diaries Judith kept at the time she lived among the Bdoul, is therefore important as a record of a lifestyle now largely vanished. As she writes in her introduction: "I spent so much time socializing with the Bdoul, I came to observe many aspects of Bdoul life in a series of visits over three main field seasons. As women we had access to the world of young girls and women, which men from outside did not, while we were also sometimes treated as honorary men." This memoir thus stands as a reminder of life at Petra before the arrival of modern-day tourism at the site. But this book is not only a memoir. Observations are made on the ways in which the Bdoul have adapted to their new environment. Changes at the site that have taken place since 1981 because of weathering and erosion are recorded through comparisons between photographs taken forty years ago and more recent images. Ramifications of the expansion of the tourist-industry at Petra in the 21st century are also considered. Life in a Cave in Petra with the Bdoul: 1981-1986 is therefore an important and essential volume on the archaeology and history of one of the best-known ancient sites in the world.
While Petra’s fame might often come second to things like the Egyptian pyramids at Giza, ancient Greece, or the Great Wall of China, you can now see that the Rose City certainly deserves its place under the Sun as one of the most precious jewels of our collective, human heritage. Petra surely has a surplus of beauty and other kinds of visual appeal, but you can now see that this is only half of the picture. Our world is filled to the brim with such wonders, bestowed upon us by countless different cultures from every corner of the planet. Some are older or more renowned than others, but all remnants of civilizations of the past have one thing in common: they tell us invaluable stories. These are stories of lives led by people who seem infinitely distant from our perspective but might have as well lived yesterday as far as the grand scheme of time is concerned. They might have had a different outlook and daily life, but the essence of humanity remains fundamentally unchanged.
Until now, no study has been made of the construction techniques of the Nabataean freestanding buildings and the rock-cut monuments of Petra, Jordan (built from the 1st cent. BC to the 2nd cent. AD). Their technical features were documented by fieldwork,and this evidence was then analysed to determine precisely when and why these features appeared or evolved. This leads to explaining how the Nabataeans developed their architecture, and what types of construction techniques they used to bring Petra's architecture to its peak. The historical and geographical context for the architecture of Petra is presented, with a summary of previous scholarship on the site. The focus moves to the building materials used by the Nabataeans which are found toinfluence the construction techniques they developed. This is followed by a detailed discussion of quarrying and the rock-cut techniques. The procedures for dressing ashlar blocks and the facades of the rock-cut monuments are analysed to determine the tools used by the builders, as well as the lifting devices necessary for construction of the freestanding buildings. The technical aspects of the construction of walls, columns, floors, the anti-seismic and stabilising techniques developed by theNabataeans are considered. Finally, the construction of roofs is examined in detail. The results of the study reveal the sources of the building techniques used at Petra and why they were further developed there.THREE REVIEWS OF HOW PETRA WAS BUILT:J. J. Coulton, Formerly Reader in Classical Archaeology, University of Oxford. "Using his practical experience as an architect as well as extensive and detailed fieldwork, Dr Rababeh has provided an illuminating analysis of Nabataean buildings, showing how they drew on, and modified, previous Levantine and Hellenistic methods to suit local materials and local requirements." Judith McKenzie, author of The Architecture of Petra: "Other books cover the architectural styles of the monuments of Petra. Shaher er-Rababeh's is the first to focus on the subject of how they were built, both the rock-cut tombs and the freestanding buildings. He methodically presents the results of months of first-hand examination of the evidence. Each aspect of building construction is analysed making wide-ranging use of recent scholarship on ancient building techniques. Just as the Nabataeans made their desert environment habitable with complex water-collection systems, they refined local, Egyptian, Greek and Roman construction techniques to suit the city's rose red sandstone and other available building materials. Rababeh shows the Nabataean construction techniques were just as distinctive in their details as the style of their architecture - which they created from classical Alexandrian andNear Eastern elements. He makes interesting discoveries. The stone cut awaywhen the tombs were carved was used to erect the city's freestanding buildings.Rababeh shows how Petra has the earliest extensive examples of timber used tostrengthen stone masonry buildings, as later seen on the Ka'ba at Mekka."Ehud Netzer, author of Nabataeische Architektur: "This comprehensive study of the building systems in the Nabataean world is a pioneering work. It deals with all aspects from wall foundations to roof tiles; simple constructions and monumental ones; freestanding buildings and monuments cut into the rock. Shaher's new book widens our knowledge of the enchanted world of Nabataean architecture."
The Greco-Roman world is identified in the modern mind by its cities. This includes both specific places such as Athens and Rome, but also an instantly recognizable style of urbanism wrought in marble and lived in by teeming tunic-clad crowds. Selective and misleading this vision may be, but it speaks to the continuing importance these ancient cities have had in the centuries that followed and the extent to which they define the period in subsequent memory. Although there is much that is mysterious about them, the cities of the Roman Mediterranean are, for the most part, historically known. That the names and pasts of these cities remain known to us is the product of an extraordinary process of remembering and forgetting stretching back to antiquity that took place throughout the former Roman world. This volume tackles this subject of the survival and transformation of the ancient city through memory, drawing upon the methodological and theoretical lenses of memory studies and resilience theory to view the way the Greco-Roman city lived and vanished for the generations that separate the present from antiquity.This book analyzes the different ways in which urban communities of the post-Antique world have tried to understand and relate to the ancient city on their own terms, examining it as a process of forgetting as well as remembering. Many aspects of the ancient city were let go as time passed, but those elements that survived, that were actively remembered, have shaped the many understandings of what it was. In order to do so, this volume assembles specialists in multiple fields to bring their perspectives to bear on the subject through eleven case studies that range from late Antiquity to the mid-twentieth century, and from the Iberian Peninsula to Iran. Through the examination of archaeological remains, changing urban layouts and chronicles, travel guides and pamphlets, they track how the ancient city was made useful or consigned to oblivion.
