Renaissance? Perceptions of Continuity and Discontinuity in Europe, c.1300- c.1550

Renaissance? Perceptions of Continuity and Discontinuity in Europe, c.1300- c.1550

Author:

Publisher: BRILL

Published: 2010-09-24

Total Pages: 388

ISBN-13: 900418841X

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At least since the publication of Burckhardt’s seminal study, the Renaissance has commonly been understood in terms of discontinuities. Seen as a radical departure from the intellectual and cultural norms of the ‘Middle Ages’, it has often been associated with the revival of classical Antiquity and the transformation of the arts, and has been viewed primarily as an Italian phenomenon. In keeping with recent revisionist trends, however, the essays in this volume explore moments of profound intellectual, artistic, and geographical continuity which challenge preconceptions of the Renaissance. Examining themes such as Shakespearian tragedy, Michelangelo’s mythologies, Johannes Tinctoris’ view of music, the advent of printing, Burgundian book collections, and Bohemian ‘renovatio’, this volume casts a revealing new light on the Renaissance. Contributors include Klára Benešovská, Robert Black, Stephen Bowd, Matteo Burioni, Ingrid Ciulisová, Johannes Grave, Luke Houghton, Robin Kirkpatrick, Alexander Lee, Diotima Liantini, Andrew Pettegree, Rhys W. Roark, Maria Ruvoldt, Jeffrey Chipps Smith, Robin Sowerby, George Steiris, Rob C. Wegman, and Hanno Wijsman.


Medieval Religion and its Anxieties

Medieval Religion and its Anxieties

Author: Thomas A. Fudgé

Publisher: Springer

Published: 2016-10-20

Total Pages: 310

ISBN-13: 1137566108

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This book examines the broad varieties of religious belief, religious practices, and the influence of religion within medieval society. Religion in the Middle Ages was not monolithic. Medieval religion and the Latin Church are not synonymous. While theology and liturgy are important, an examination of animal trials, gargoyles, last judgments, various aspects of the medieval underworld, and the quest for salvation illuminate lesser known dimensions of religion in the Middle Ages. Several themes run throughout the book including visual culture, heresy and heretics, law and legal procedure, along with sexuality and an awareness of mentalities and anxieties. Although an expanse of 800 years has passed, the remains of those other Middle Ages can be seen today, forcing us to reassess our evaluations of this alluring and often overlooked past.


Lateness and Modernity in Medieval Architecture

Lateness and Modernity in Medieval Architecture

Author: Alice Isabella Sullivan

Publisher: BRILL

Published: 2023

Total Pages: 500

ISBN-13: 9004538461

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This volume engages with notions of lateness and modernity in medieval architecture, broadly conceived geographically, temporally, methodologically, and theoretically. It aims to (re)situate secular and religious buildings from the 14th through the 16th centuries that are indebted to medieval building practices and designs, within the more established narratives of art and architectural history.


Heaven on Earth

Heaven on Earth

Author: Emma J. Wells

Publisher: Bloomsbury Publishing

Published: 2022-09-01

Total Pages: 548

ISBN-13: 1788541936

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A glorious illustrated history of sixteen of the world's greatest cathedrals, interwoven with the extraordinary stories of the people who built them. 'An impeccable guide to the golden age of ecclesiastical architecture' The Times 'Vivid, colourful and absorbing' Dan Jones 'An epic ode to some of our most beautiful and beloved buildings' Helen Carr The emergence of the Gothic in twelfth-century France, an architectural style characterized by pointed arches, rib vaults, flying buttresses, large windows and elaborate tracery, triggered an explosion of cathedral-building across western Europe. It is this remarkable flowering of ecclesiastical architecture that forms the central core of Emma Wells's authoritative but accessible study of the golden age of the cathedral. Prefacing her account with the construction in the sixth century of the Hagia Sophia, the remarkable Christian cathedral of the eastern Roman empire, she goes on to chart the construction of a glittering sequence of iconic structures, including Saint-Denis, Notre-Dame, Canterbury, Chartres, Salisbury, York Minster and Florence's Duomo. More than architectural biographies, these are human stories of triumph and tragedy that take the reader from the chaotic atmosphere of the mason's yard to the cloisters of power. Together, they reveal how 1000 years of cathedral-building shaped modern Europe, and influenced art, culture and society around the world.


Architecture and Interpretation

Architecture and Interpretation

Author: Jill A. Franklin

Publisher: Boydell Press

Published: 2012

Total Pages: 434

ISBN-13: 1843837811

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Essays centred on the methods, pleasures, and pitfalls of architectural interpretation. Architecture affects us on a number of levels. It can control our movements, change our experience of our own scale, create a particular sense of place, focus memory, and act as a statement of power and taste, to name but a few. Yet the ways in which these effects are brought about are not yet well understood. The aim of this book is to move the discussion forward, to encourage and broaden debate about the ways in which architecture is interpreted, with aview to raising levels of intellectual engagement with the issues in terms of the theory and practice of architectural history. The range of material covered extends from houses constructed from mammoth bones around 15,000 years ago in the present-day Ukraine to a surfer's memorial in Carpinteria, California; other subjects include the young Michelangelo seeking to transcend genre boundaries; medieval masons' tombs; and the mythographies of early modern Netherlandish towns. Taking as their point of departure the ways in which architecture has been, is, and can be written about and otherwise represented, the editors' substantial Introduction provides an historiographical framework for, and draws out the themes and ideas presented in, the individual contributors' essays. Contributors: Christine Stevenson, T. A. Heslop, John Mitchell, Malcolm Thurlby, Richard Fawcett, Jill A. Franklin, StephenHeywood, Roger Stalley, Veronica Sekules, John Onians, Frank Woodman, Paul Crossley, David Hemsoll, Kerry Downes, Richard Plant, Jenifer Ní Ghrádraigh, Lindy Grant, Elisabeth de Bièvre, Stefan Muthesius, Robert Hillenbrand, AndrewM. Shanken, Peter Guillery.


The Later Middle Ages

The Later Middle Ages

Author: Isabella Lazzarini

Publisher: Oxford University Press

Published: 2021-04-29

Total Pages: 319

ISBN-13: 0192529331

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Of all the sub-periods in which European medieval history has been divided over time, the later middle ages is possibly the one on which the burden of past and current grand narratives weighs the most. Its chronological and geopolitical boundaries are shaped by a heavy narrative of decline or transition, and consequently this period is often interpreted through the lenses of previous or following developments, becoming in turn the tail-end of the 'feudal', 'communal', 'imperial versus papal' era or the announcement of modernity. The Later Middle Ages addresses the urgent need to revise and rewrite the story of this period, forging new critical and technical vocabularies not derived from the study of other periods. By adopting a conscious approach towards temporal and spatial variety, and by breaking the traditional and unitary narrative of decline and transition into one of many changes and continuities, it charts the principal developments of late medieval Europe while opening up to different political cultures and societies, throwing new light on older concepts, and revealing analogies and differences with other geopolitical contexts. Including maps, illustrations, a detailed chronology and a rich range of reading suggestions, The Later Middle Ages aims at providing a first introduction to a very complex, dynamic, and fascinating period for Europe and beyond.


The Trial of Jan Hus

The Trial of Jan Hus

Author: Thomas A. Fudge

Publisher:

Published: 2013-05-30

Total Pages: 419

ISBN-13: 0199988080

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Six hundred years ago, the Czech priest Jan Hus (1371-1415) traveled out of Bohemia, never to return. After a five-year legal ordeal that took place in Prague, in the papal curia, and finally in southern Germany, the case of Jan Hus was heard by one of the largest and most magnificent church gatherings in medieval history: the Council of Constance. Hus was burned alive as a stubborn and disobedient heretic before a huge audience. His trial sparked intense reactions and opinions ranging from satisfaction to condemnations of judicial murder. Thomas A. Fudge offers the first English-language examination of the indictment, relevant canon law, and questions of procedural legality concerning Jan Hus and the Holy See. In the modern world, there is instinctive sympathy for a man burned alive for his convictions, and it is presumed that any court sanctioning such action must have been irregular. Was Hus guilty of heresy? Were his doctrinal convictions contrary to established ideas espoused by the Latin Church? Was his trial legal? Despite its historical significance and the strong reactions it provoked, the trial of Jan Hus has never before been the subject of a thorough legal analysis or assessed against prevailing canonical legislation and procedural law in the later Middle Ages. The Trial of Jan Hus shows how this popular and successful priest became a criminal suspect and a convicted felon, and why he was publicly executed, providing critical insight into what may be characterized as the most significant heresy trial of the Middle Ages.


Giotto the Painter. Volume 1: Life

Giotto the Painter. Volume 1: Life

Author: Michael Viktor Schwarz

Publisher: Böhlau Wien

Published: 2023-04-17

Total Pages: 427

ISBN-13: 3205216970

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Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist.