Western Civilization in Biological Perspective

Western Civilization in Biological Perspective

Author: Stephen Vickers Boyden

Publisher: Oxford University Press, USA

Published: 1987

Total Pages: 390

ISBN-13:

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The author explores the patterns of interplay between the biological and cultural processes in human affairs, beginning with the emergence in evolution of "homo sapiens" and carries his survey through the early farming and urban phases of human existence up to the present day.


The Uniqueness of Western Civilization

The Uniqueness of Western Civilization

Author: Ricardo Duchesne

Publisher: BRILL

Published: 2011-02-07

Total Pages: 540

ISBN-13: 9004192484

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After challenging the multicultural effort to “provincialize” the history of Western civilization, this book argues that the roots of the West’s exceptional creativity should be traced back to the uniquely aristocratic warlike culture of Indo-European speakers.


The Decline of the West

The Decline of the West

Author: Oswald Spengler

Publisher: Oxford University Press, USA

Published: 1991

Total Pages: 500

ISBN-13: 9780195066340

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Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.


Civilization

Civilization

Author: Niall Ferguson

Publisher: Penguin

Published: 2011-11-01

Total Pages: 432

ISBN-13: 1101548029

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From the bestselling author of The Ascent of Money and The Square and the Tower “A dazzling history of Western ideas.” —The Economist “Mr. Ferguson tells his story with characteristic verve and an eye for the felicitous phrase.” —Wall Street Journal “[W]ritten with vitality and verve . . . a tour de force.” —Boston Globe Western civilization’s rise to global dominance is the single most important historical phenomenon of the past five centuries. How did the West overtake its Eastern rivals? And has the zenith of Western power now passed? Acclaimed historian Niall Ferguson argues that beginning in the fifteenth century, the West developed six powerful new concepts, or “killer applications”—competition, science, the rule of law, modern medicine, consumerism, and the work ethic—that the Rest lacked, allowing it to surge past all other competitors. Yet now, Ferguson shows how the Rest have downloaded the killer apps the West once monopolized, while the West has literally lost faith in itself. Chronicling the rise and fall of empires alongside clashes (and fusions) of civilizations, Civilization: The West and the Rest recasts world history with force and wit. Boldly argued and teeming with memorable characters, this is Ferguson at his very best.


Inventing Western Civilization

Inventing Western Civilization

Author: Thomas C. Patterson

Publisher: NYU Press

Published: 1997-01-01

Total Pages: 157

ISBN-13: 158367408X

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"In this wonderful book, Thomas Patterson effectively dethrones the concept of 'civilization' as an abstract good, transcending human society." --Martin Bernal Drawing on his extensive knowledge of early societies, Thomas C. Patterson shows how class, sexism, and racism have been integral to the appearance of "civilized" societies in Western Europe. He lays out clearly and simply how civilization, with its designs of "civilizing" and "being civilized," has been closely tied to the rise of capitalism in Western Europe and the development of social classes.


The Female Body in Western Culture

The Female Body in Western Culture

Author: Susan Rubin Suleiman

Publisher: Harvard University Press

Published: 1986

Total Pages: 404

ISBN-13: 9780674298712

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The female body has occupied a central place in the Western imagination, its images pervading poetry and story, mythology and religious doctrine, the visual arts, and scientific treatises. It has inspired both attraction and fear, been perceived as beautiful and unclean, alluring and dangerous, a source of pleasure and nurturing but also a source of evil and destruction. In The Female Body in Western Culture, twenty-three internationally noted scholars and critics, in specially commissioned essays, explore these representations and their consequences for contemporary art and culture. Ranging from Genesis to Gertrude Stein and Angela Carter, from ancient Greek ritual to the Victorian sleeping cure, from images of the Madonna to modern film and Surrealist art, the essays cover a wide spectrum of approaches and subject mailer. They all converge, however, around questions of power and powerlessness, voice and silence, subjecthood and objectification. And they point the way to the new possibilities and displacements of traditional male-female oppositions. Androgyny in a new key? This book demonstrates that a blurring of gender boundaries does not have to deny difference.


Tonality in Western Culture

Tonality in Western Culture

Author: Richard Norton

Publisher: Penn State University Press

Published: 1984

Total Pages: 328

ISBN-13:

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This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.