Valentine, aprendiendo lo desconocido, cae en un mundo paralelo. Allí todo es lo mismo que en la vida real. Solo las personas van desnudas, tienen sexo en cualquier lugar y no sienten ningún inconveniente. Valya se ve arrastrada a un ritmo de vida similar y está satisfecho con todo. El tiempo pasa y el mundo paralelo se convierte en el único real. La memoria del héroe del pasado se borra gradualmente...
LA TIERRA, TAL CUAL LA CONOCEMOS, DEJARÁ DE EXISTIR. El joven y famoso actor Gael Ryan verá cambiar su mundo por completo cuando se enamore de la bella Yseut -proveniente del lejano planeta Éter- y descubra que la Tierra, tal como la conocemos, desaparecerá para siempre. La Savia, una sustancia de origen desconocido capaz de modificar la constitución genética y provocar alteraciones biológicas, está llegando a la Tierra. Dada su condición de líder nato, Gael deberá partir hacia el mundo etéreo durante el punto máximo del próximo eclipse terrestre, pues Yseut le asegura que de ese viaje dependerá el destino de toda la humanidad. Pero Lara, representante artística de Gael y su mejor amiga desde la infancia, sin siquiera sospecharlo, va a jugar un papel fundamental en la inminente invasión.
“Nothing short of riveting...an engrossing first-person account by one of our finest actors” (Huffington Post)—both a coming-of-age story and a meditation on creativity, devotion, and craft—Bryan Cranston, beloved and acclaimed star of one of history’s most successful TV shows, Breaking Bad. Bryan Cranston began his acting career at the age of seven, when his father, a struggling actor and sometime director, cast him in a commercial for United Way. By fifth grade he was starring in the school play, spending hours at the local movie theater, and re-enacting favorite scenes with his brother in their living room. Cranston seemed destined to be an actor. But then his father left. And his family fell apart. Troubled by his father’s missteps, Cranston abandoned his acting aspirations and resolved to pursue a steadier career in law enforcement. Then, on a two-year cross-country motorcycle journey, Cranston re-discovered his talent for acting and found his mission and his calling. In this “must-read memoir” (The Philadelphia Inquirer), Cranston traces the many roles he inhabited throughout his remarkable life, both on and off screen. For the first time he shares the story of his early years as an actor on the soap opera Loving, his recurring spots on Seinfeld, and his time as bumbling father Hal on Malcolm in the Middle, to his tour-de-force, Tony-winning performance as Lyndon Baines Johnson in Broadway’s All the Way, to his most iconic role of all: Breaking Bad’s Walter White. “An illuminating window into the actor’s psyche” (People), Cranston has much to say about creativity, devotion, and craft, as well as innate talent and its challenges and benefits and proper maintenance. “By turns gritty, funny, and sad” (Entertainment Weekly), ultimately A Life in Parts is a story about the joy, the necessity, and the transformative power of simple hard work.
'A novel that is brilliant enough to raise itself effortlessly above and beyond the level of the vices it portrays: strange art and reckless passion, cocaine, excessive exercise and other forms of addiction' - Fabienne Dum, Le Monde Rímini splits up with his girlfriend of twelve years, Sofía. The parting is initially amicable and he moves on, carefree, with a new zest for life. Hungry to make up for lost time and keen to forget the past, he finds a younger girlfriend and starts using cocaine. Sofía, however, finds herself unable to let go, and continues to reappear on Rímini's horizon. Though the apparently idyllic relationship is over, their love has not died, merely taken on a different form. As time passes and their paths continue to cross, the past festers and torments them, like an infection.
The marriage of philosophy and fiction in the first third of Spain's twentieth century was a fertile one. It produced some truly notable offspring—novels that cross genre boundaries to find innovative forms, and treatises that fuse literature and philosophy in new ways. In her illuminating interdisciplinary study of Spanish fiction of the "Silver Age," Roberta Johnson places this important body of Spanish literature in context through a synthesis of social, literary, and philosophical history. Her examination of the work of Miguel de Unamuno, Pio Baroja, Azorin, Ramon Perez de Ayala, Juan Ramon Jimenez, Gabriel Miro, Pedro Salinas, Rosa Chacel, and Benjamin Jarnes brings to light philosophical frictions and debates and opens new interpersonal and intertextual perspectives on many of the period's most canonical novels. Johnson reformulates the traditional discussion of generations and "isms" by viewing the period as an intergenerational complex in which writers with similar philosophical and personal interests constituted dynamic groupings that interacted and constantly defined and redefined one another. Current narratological theories, including those of Todorov, Genette, Bakhtin, and Martinez Bonati, assist in teasing out the intertextual maneuvers and philosophical conflicts embedded in the novels of the period, while the sociological and biographical material bridges the philosophical and literary analyses. The result, solidly grounded in original archival research, is a convincingly complete picture of Spain's intellectual world in the first thirty years of this century. Crossfire should revolutionize thinking about the Generation of '98 and the Generation of '14 by identifying the heterogeneous philosophical sources of each and the writers' reactions to them in fiction.
Written over a seven-year period to Charles V of Spain, Hernan Cortes's letters provide a narrative account of the conquest of Mexico from the founding of the coastal town of Veracruz until Cortes's journey to Honduras in 1525. The two introductions set the letters in context.
