Getz-Gentle (an independent scholar) has seen many of the examples that exist in the course of her career studying Cycladic sculpture. She presents in this volume a catalog of Cycladic sculpture which she has organized into stylistic categories based on formal analysis. The methods she used to arrive at her conclusions, as well as her theory of how the sculptures were produced are discussed at length. Annotation copyrighted by Book News Inc., Portland, OR
Annotation "Personal Styles in Early Cycladic Sculpture represents the culmination of thirty-five years of study. Pat Getz-Gentle offers here much new material and many fresh insights into a tradition, rooted in the Neolithic period, that spanned most of the third millennium B.C. She begins with a review of this tradition, placing particular emphasis on the stages leading to the reclining figure with folded arms that is the unique and quintessential icon of the early Bronze Age culture at the center of the Aegean. She then focuses on the styles of fifteen sculptors, several of whom are identified and discussed for the first time in this volume. By introducing little-known pieces attributable to these sculptors, she illuminates various phases of their artistic development."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
First published in 1985, this ground-breaking book surveys the development of Cycladic sculpture produced by unidentified artists who worked in the Aegean islands forty-five hundred years ago. Illustrated with numerous objects from American collections—with particular emphasis on some two dozen pieces in the Getty Museum—this volume surveys the typological development of Early Cycladic sculpture and identifies, where possible, the work of individual sculptors. Newly revised and updated, this book is a concise introduction to the field.
The sculpture of the early bronze age Cyclades has been systematically studied since the time of Christos Tsountas at the end of the 19th century. But that study has been hampered by the circumstance that so many of the subsequent finds come from unauthorized excavations, where the archaeological context was irretrievably lost. Largely for that reason there are still many problems surrounding the chronology, the function and the meaning of Early Cycladic sculpture. This lavishly illustrated and comprehensive reassessment sets out to rectify that situation by publishing finds which have been recovered in controlled excavations in recent years, as well as earlier finds for which better documentation can now be provided. Using the material from recent excavation projects, and drawing on the papers presented at a symposium held in Athens in 2014, it is possible now to undertake a fresh overview of the entire body of sculpture from the Cycladic islands which has been found in secure archaeological contexts. Beginning with early examples from Neolithic settlement sites and extending into a consideration of material found in later contexts, the 35 chapters are divided into sections which examine sculpture from settlements, cemeteries and the sanctuary at Kavos, concluding with a discussion of material, techniques and aspects of manufacture.
This second volume on Early Cycladic (and Cycladicising) sculptures found in the Aegean, examines finds from mainland Greece, along with the rarer items from the north and east Aegean, with the exception of those discovered in the Cyclades (covered in the preceding volume), and of those found in Crete. The significance of these finds is that these are the principal testimonies of the influence of the Early Bronze Age Cycladic cultures in the wider Aegean. This influence is shown both by the export of sculptures produced in the Cyclades (and made of Cycladic marble), and of their imitations, produced elsewhere in the Aegean, usually of local marble. They hold the key, therefore, to the cultural interactions developing at this time, the so-called ‘international spirit’ manifest particularly during the Aegean Early Bronze II period.This was the time when the foundations of early Aegean civilisation were being laid, and the material documented is thus of considerable significance. The volume is divided into sections wherein contributions examine finds and their archaeological, social, and economic contexts from specific regions. It concludes with an overview of the significance and role of these objects in Early Bronze Age societies of the Aegean and eastern Mediterranean region. This will be the first time that this material has been systematically gathered together. Highly illustrated, it follows and builds on the successful preceding volume, Early Cycladic Sculpture in Context (Oxbow 2016).
Keros is a small, mountainous, and now-deserted island situated between Naxos, Amorgos, and Ios in the southeast Cyclades. Keros became widely known after a series of extensive and clandestine excavations in the 1950s and early 1960s, which concentrated on a particularly rich deposit of material at the site of Kavos, situated at its barren western extremity. These major lootings resulted in the illegal export from Greece of a large number of Early Cycladic objects - mostly fragmentary marble figurines - that flooded the international antiquities market under the general name the Keros Hoard. The cache was said to have included at least 350 Cycladic objects and is now widely dispersed. This study features a review of the archaeological investigations on Keros; a discussion of the so-called Keros Hoard; an extensive account of the various aspects of Cycladic figurines; and a catalogue of the objects identified as coming from the Hoard. Also included are an analysis of the data derived form the Hoard, the results of the study comparing the fragments in the Museum of Cycladic Art with those discovered at Kavos during official archaeological investigations; an interpretation of the Ho
Figurines dating from prehistory have been found across the world but have never before been considered globally. The Oxford Handbook of Prehistoric Figurines is the first book to offer a comparative survey of this kind, bringing together approaches from across the landscape of contemporary research into a definitive resource in the field. The volume is comprehensive, authoritative, and accessible, with dedicated and fully illustrated chapters covering figurines from the Americas, Europe, Africa, Asia, and Australasia and the Pacific laid out by geographical location and written by the foremost scholars in figurine studies; wherever prehistoric figurines are found they have been expertly described and examined in relation to their subject matter, form, function, context, chronology, meaning, and interpretation. Specific themes that are discussed by contributors include, for example, theories of figurine interpretation, meaning in processes and contexts of figurine production, use, destruction and disposal, and the cognitive and social implications of representation. Chronologically, the coverage ranges from the Middle Palaeolithic through to areas and periods where an absence of historical sources renders figurines 'prehistoric' even though they might have been produced in the mid-2nd millennium AD, as in parts of sub-Saharan Africa. The result is a synthesis of invaluable insights into past thinking on the human body, gender, identity, and how the figurines might have been used, either practically, ritually, or even playfully.
Recent excavations and new theoretical approaches are changing our view of the Cyclades. This volume aims to share these recent developments with a broader, international audience. Essays have been carefully selected as representing some of the most important recent work and include significant previously-unpublished material.
The editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory. It touches on concerns that are crucial to the history of art and visual culture, as well as those media and institutions that produce and disseminate the visual arts in our society. Featuring contributors from a wide range of disciplines, Editing the Image considers editing in the context of academic journals, art-historical texts, illustrated books, museum displays, and exhibitions. It is an inclusive analysis of visual forms commonly associated with the process of editing - photography, film, and video - as well as some that are not intrinsically linked to editing - painting, sculpture, and architecture. In addition to wide-ranging academic considerations, this collection includes discussions of moving picture media and studio art by practitioners, giving the study a practical focus. For anyone who has considered the implications of the editorial process, this work will be of significant interest.
"At the dawn of European history, in the third millennium BC, the small Greek islands in the southern Aegean known as the Cyclades were home to a remarkable and distinctive culture. Among its most characteristic products were vessels and sculpted figures fashioned from the local marble, and today these Cycladic figurines are admired around the world. This concise introduction to Cycladic art puts the figurines and other objects into the context provided by current knowledge of early life in the islands."--Jacket.
