Taped interviews, participant observation, sketches, and photographs pertaining to the Plains Cree and Saulteaux Rain Dance and Sweat Bath Feast illustrate the important role played by the social group in the creation of identity, maintenance of stability, and continuity of Native culture.
What constitutes a people? Persistent Peoples draws on enduring groups from around the world to identify and analyze the phenomenon of cultural enclavement. While race, homeland, or language are often considered to be determining factors, the authors of these original articles demonstrate a more basic common denominator: a continuity of common identity in resistance to absorption by a dominant surrounding culture. Contributors: William Y. Adams George Pierre Castile N. Ross Crumrine Timothy Dunnigan Charles J. Erasmus Frederick J. E. Gorman Vera M. Green William B. Griffen Robert C. Harman Mark P. Leone Janet R. Moone John van Willigen Willard Walker
Religious ceremonies were an inseparable part of Aboriginal traditional life, reinforcing social, economic, and political values. However, missionaries and government officials with ethnocentric attitudes of cultural superiority decreed that Native dances and ceremonies were immoral or un-Christian and an impediment to the integration of the Native population into Canadian society. Beginning in 1885, the Department of Indian Affairs implemented a series of amendments to the Canadian Indian Act, designed to eliminate traditional forms of religious expression and customs, such as the Sun Dance, the Midewiwin, the Sweat Lodge, and giveaway ceremonies.However, the amendments were only partially effective. Aboriginal resistance to the laws took many forms; community leaders challenged the legitimacy of the terms and the manner in which the regulations were implemented, and they altered their ceremonies, the times and locations, the practices, in an attempt both to avoid detection and to placate the agents who enforced the law.Katherine Pettipas views the amendments as part of official support for the destruction of indigenous cultural systems. She presents a critical analysis of the administrative policies and considers the effects of government suppression of traditional religious activities on the whole spectrum of Aboriginal life, focussing on the experiences of the Plains Cree from the mid-1880s to 1951, when the regulations pertaining to religious practices were removed from the Act. She shows how the destructive effects of the legislation are still felt in Aboriginal communities today, and offers insight into current issues of Aboriginal spirituality, including access to and use of religious objects held in museum repositories, protection of sacred lands and sites, and the right to indigenous religious practices in prison.
This work outlines the grammatical categories and inflections, both nominal and verbal, of the Montagnais dialect of North-West River, Labrador. The phonological system of the dialect is briefly sketched and, although the present work does not treat the derivational aspects of Montagnais morphology, certain very common derivational forms are included. A survey of the chief sentence types of the North-West River Montagnais is provided.
Once an integral feature of the culture and economy of the St. Francis Abenaki at Odanak, splint basketry has become an activity of the elderly. This volume examines the reasons for this change as indicated by alterations to basketry style and construction between 1880 and the present and the influence of historical events.
This work is a history of the Native people of Fort Resolution, Northwest Territories from the beginning of the fur trade on Great Slave Lake in 1786 to 1972. Aboriginal culture provides a base for the historic changes discussed.
A study of the development of contemporary Inuit literature, in both Inuktitut and English, including a discussion of its themes, structures and roots in oral tradition. The author concludes that a strong continuity persists between the two narrative forms despite apparent differences in subject matter and language.
A description of the phonology, morphonology, morphology, syntax, historical, areal, and typological features of the Salish language of Bella Coola, British Columbia.
During much of the nineteenth century, paintings functioned as the Plains Indians’ equivalent to written records. The majority of their paintings documented warfare, focusing on specific war deeds. These pictorial narratives—appearing on hide robes, war shirts, tipi liners, and tipi covers—were maintained by the several dozen Plains Indians tribes, and they continue to expand historical knowledge of a people and place in transition. War Paintings of the Tsuu T’ina Nation is a study of several important war paintings and artifact collections of the Tsuu T’ina (Sarcee) that provides insight into the changing relations between the Tsuu T’ina, other plains tribes, and non-Native communities during the nineteenth and twentieth centuries. Arni Brownstone has meticulously created renderings of the paintings that invite readers to explore them more fully. All known Tsuu T’ina paintings are considered in the study, as are several important collections of Tsuu T’ina artifacts, with particular emphasis on five key works. Brownstone’s analysis furthers our understanding of Tsuu T’ina pictographic war paintings in relation to the social, historical, and artistic forces that influenced them and provides a broader understanding of pictographic painting, one of the richest and most important Native American artistic and literary genres.
Abstracts of Master’s and Doctoral thesis completed at Canadian universities between 1970-1982 dealing with ethnographic, archaeological, linguistic, and physical anthropological topics relevant to Canada’s Native peoples.