Performing Artistes in Ancient India

Performing Artistes in Ancient India

Author: Iravati

Publisher:

Published: 2003

Total Pages: 324

ISBN-13:

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The Book Studies The Evolution Of Ancient Indian Theatre: It Deals With The Dramatic Troupes, Abhinaya, The Stage And Auditorium And Visuals Depicting Scenes Etched On Temples And Caves. It Examines The Kinds Of Performing Artistes And Their Contributions.


History of Indian Theatre

History of Indian Theatre

Author: Manohar Laxman Varadpande

Publisher: Abhinav Publications

Published: 1987

Total Pages: 380

ISBN-13: 9788170172215

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This Is The First Volume Of The Six-Volume History Of Indian Theatre. Written By An Eminent Scholar M.L, Varadpande This Veritable Encyclopedia Speaks About An Early Phase Of India S Theatre History, Which Also Is The History Of India S Fine Arts. For The First Time The Origin And Evolution Of Theatrical Arts In India Is Traced In An Elaborate Manner Providing An Insight Into One Of The Oldest Theatrical Traditions Of The World. The Book Draws From The Sources Including Mesolithic Cave Paintings, Ancient Archaeological Finds And Mass Of Literature Belonging To The Vedic And Buddhist Era To Give You The Complete Picture Of India S Theatre History.In A Lucid Style It Tells About Ritualistic Dances And Hunt Dramas Of Aboriginals; Statuettes Of Dancers, Jesters And String Manipulated Puppet Toys Belonging To Earliest Known Urban Civilization Of India The Indus Civilization; Dramatic Rituals Full Of Dancing, Singing And Music; The Dancing Gods And Compositions In Dialogue Form Of Early Aryans; The Troupes Of Actors Moving In The Country Enacting Humorous Plays And Erotic Dances; Efforts Of The State Administration To Impose Entertainment Tax And Strict Code Of Censors And The Flourishing Theatre Of The People. The Book Also Tells About The Advent Of Greeks In India And Their Theatrical Activities, Staging Of A Play Agen In The Military Camp Of Alexander The Great And The Play Written In Greek And Indian Languages Found In Egypt. It Discusses The Problem Of Greek Influence On Indian Theatre In Detail And Speaks About Indian View Of Theatre.This Well-Documented And Profusely Illustrated Work Presents An Enchanting Panorama Of India S Early Theatre History In A Manner At Once Scholarly And Interesting. Known For His Erudition And Profound Scholarship, M.L. Varadpande (B; 1936) Is An Eminent Theatre Historian Of India. His Major Works Published By Abhinav Publications Are Traditions Of Indian Theatre, Ancient Indian And Indo-Greek Theatre, Religion And Theatre And Krishna Theatre In India. His Other Well-Known Works On Indian Theatre Are Invitation To An Indian Theatre And The Critique Of Indian Theatre (Ed.). The Sahita Akademi, India S National Academy Of Letters, Has Published His Book Shripad Krishna Kolhatkar In Marathi (Out Of Print), Hindi (Second Edition) And Punjabi. It Is Now Being Translated Into English. His Forthcoming Works Are The Mahabharata In Performance And Ankia Nat: Vaishnava Opera Of Assam. As A Research Fellow Of The Indian Council Of Historical Research He Is Working On The Research Project Temple Theatre In India.


Ancient Indian And Indo-Greek Theatre

Ancient Indian And Indo-Greek Theatre

Author: M.L. Varadpande

Publisher: Abhinav Publications

Published: 1981

Total Pages: 242

ISBN-13: 8170171474

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In The Year 326 B.C. A Play Agen Was Staged In The Military Camp Of Alexander The Great On The Bank Of River Jhelum In Upper Punjab. A Fragment Of A Vase, With The Painting Depicting A Scene From The Play Antigone , Was Found Near Peshawar. As Amphitheatre Which Betrays Greco-Roman Influence Was Excavated At Nagarjunakonda In Andhra Pradesh. A Papyrus Manuscript Of A Farce Written In Greek And Kannada Languages Was Found In Egypt In The Year 1899 By The Team Of Archaeologists Deployed By The Biblical Archaeological Association. Early Greek Records Speak Of Export Of Flute Girls And Singing Boys To India. A Sanskrit Farce Of Gupta Period Mentions A Yavana Ganika Karpoorturishtha Settled In Ujjayani In Central India. Striking Similarities Are Found In The Theoies Of Aristotle And Bharata About The Origin And Nature Of Dramatic Arts. In This Book M.L. Varadpande, A Distinguished Scholar And Theatre Histoian, Analyses The Data To Explore The Probable Relationship Between Theatrical Arts Of Ancient India And Greece. He Starts This Fascinating Study By Giving Historical Account Of Early Indian Theatre. He Studies Dancing Figures On The Walls Of Mesolithic Cave Shelters Of Bhimbetka, Musical Instruments And Figurines Of Dancers And Jesters Excavated At The Sites Connected With Ancient Indus Valley Civilization And Vedic Rituals, Dialogue Hymns. Here Is A Brilliant Work Which Focuses Attention On The Unexplored Areas Of Indian Theatrical Tradition And Speaks About The Contact Between Theatrical Arts Of Two Great Ancient Civilizations Of The World.


Ancient India

Ancient India

Author: Ramesh Chandra Majumdar

Publisher: Motilal Banarsidass Publ.

Published: 1977

Total Pages: 580

ISBN-13: 9788120804364

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This is a comprehensive, intelligible and interesting portrait of Ancient Indian History and Civilization from a national historical point of view. The work is divided into three broad divisions of the natural course of cultural development in Ancient India: (1) From the prehistoric age to 600 B.C., (2) From 600 B.C. to 300 A.D., (3) From 300 A.D. to 1200 A.D. The work describes the political, economic, religious and cultural conditions of the country, the expansionist activities, the colonisation schemes of her rulers in the Far East. Political theories and administrative organizations are also discussed but more stress has been laid on the religious, literary and cultural aspects of Ancient India. The book is of a more advanced type. It would meet the needs not only of general readers but also of earnest students who require a thorough grasp of the essential facts and features before taking up specialized study in any branch of the subject. It would also fulfil requirements of the candidates for competitive examinations in which Ancient Indian History and culture is a prescribed subject.


The Natyasastra and the Body in Performance

The Natyasastra and the Body in Performance

Author: Sreenath Nair

Publisher: McFarland

Published: 2014-12-24

Total Pages: 467

ISBN-13: 1476612218

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The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.


Classical Indian Dance

Classical Indian Dance

Author: Kapila Vatsyayan

Publisher: DK Printworld (P) Ltd

Published: 2022-10-19

Total Pages: 490

ISBN-13: 8124611823

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This volume is the result of many years of pain staking research in a field, which had been neglected by art historians, and thus presenting an idealistic view of the whole tradition of Indian art and aesthetics. This definitive work on the inherent interrelationship of the Indian arts is a path-breaking endeavour, treading into a domain which no one had explored. For that to happen, the author has delved deep into enormous mass of literature on the subject and has also surveyed the portrayal of dance figures in ancient temples. With Dr Kapila Vatsyayan’s profound knowledge of various dance forms as a performing artist of her own standing and having studied the sculptures and artefacts minutely, the book emerges so scholarly emanating the wisdom and know-how of a persona, endowed with the unique combination of a researcher, an art historian and an aesthetician par excellence. The book vividly presents, analyses and critiques the varied facets of Indian aesthetics, especially the theory and technique of classical Indian dance, while doing a penetrating study of interrelationship that dancing has with literature, sculpture and music. In doing so, it surveys and analyses the contribution of great Sanskrit authors, theoreticians, playwrights of ancient and classical India such as Bharata, Bhāsa, Kālidāsa, Śūdraka, Bhavabhūti, Abhinavagupta, Jayadeva and many more along with numerous Bhāṣā scholars of arts, aesthetics and literature, covering each and every nook and corner of the Indian subcontinent. This highly scholarly work should invoke keen enthusiasm among Sanskritists, art historians, dancers and students of varied art forms alike, and should pave the way for ongoing researches on all the topics covered within its scope.


The Art of Ancient India

The Art of Ancient India

Author: Susan L. Huntington

Publisher: Motilal Banarsidass

Published: 2014-01-01

Total Pages: 786

ISBN-13: 8120836170

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To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.