Phenomenology of Perception
Author: Maurice Merleau-Ponty
Publisher: Motilal Banarsidass Publishe
Published: 1996
Total Pages: 494
ISBN-13: 9788120813465
DOWNLOAD EBOOKBuddhist philosophy of Anicca (impermanence), Dukkha (suffering), and
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Author: Maurice Merleau-Ponty
Publisher: Motilal Banarsidass Publishe
Published: 1996
Total Pages: 494
ISBN-13: 9788120813465
DOWNLOAD EBOOKBuddhist philosophy of Anicca (impermanence), Dukkha (suffering), and
Author: Kirsten Jacobson
Publisher: University of Toronto Press
Published: 2017-01-01
Total Pages: 388
ISBN-13: 1487501285
DOWNLOAD EBOOKPerception and Its Development in Merleau-Ponty's Phenomenology brings together essays from fifteen leading Merleau-Ponty scholars to demonstrate the continuing significance of Merleau-Ponty's analysis.
Author: John Russon
Publisher:
Published: 2017
Total Pages: 373
ISBN-13: 9781487512859
DOWNLOAD EBOOKPerception and Its Development in Merleau-Ponty's Phenomenology brings together essays from fifteen leading Merleau-Ponty scholars to demonstrate the continuing significance of Merleau-Ponty's analysis
Author: Thomas Baldwin
Publisher: Psychology Press
Published: 2007
Total Pages: 0
ISBN-13: 9780415399944
DOWNLOAD EBOOKIn this volume leading philosophers examine the nature and extent of Merleau-Ponty's achievement in Phenomenology of Perception and related writings.
Author: Duane H. Davis
Publisher: SUNY Press
Published: 2016-03-01
Total Pages: 337
ISBN-13: 1438459599
DOWNLOAD EBOOKPhilosophers and artists consider the relevance of Maurice Merleau-Pontys philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Pontys aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosophers writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining.
Author: Maurice Merleau-Ponty
Publisher: Psychology Press
Published: 2002
Total Pages: 586
ISBN-13: 9780415278416
DOWNLOAD EBOOKChallenging and rewarding in equal measure, Phenomenology of Perception is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others.
Author: Timothy D. Mooney
Publisher: Cambridge University Press
Published: 2022-11-17
Total Pages: 273
ISBN-13: 1009223445
DOWNLOAD EBOOKThis is an advanced introduction to and original interpretation of Merleau-Ponty's greatest work, Phenomenology of Perception. Timothy Mooney provides a clear and compelling exposition of the theory of our projective being in the world, and demonstrates as never before the centrality of the body schema in the theory. Thanks to the schema's motor intentionality our bodies inhabit and appropriate space: our postures and perceptual fields are organised schematically when we move to realise our projects. Thus our lived bodies are ineliminably expressive in being both animated and outcome oriented through-and-through. Mooney also analyses the place of the work in the modern philosophical world, showing what Merleau-Ponty takes up from the Kantian and Phenomenological traditions and what he contributes to each. Casting a fresh light on his magnum opus, this book is essential reading for all those interested in the philosophy and phenomenology of the body.
Author: Maurice Merleau-Ponty
Publisher: Northwestern University Press
Published: 1964
Total Pages: 252
ISBN-13: 9780810101647
DOWNLOAD EBOOKSelected essays of Maurice Merleau-Ponty published from 1947 to 1961.
Author: Monika M. Langer
Publisher: Springer
Published: 1989-02-10
Total Pages: 199
ISBN-13: 1349197610
DOWNLOAD EBOOKThis book aims to guide its reader through the notorious difficulties of Merleau-Pony's famous "Phenomenology of Perception". The author contextualizes, reconstructs, clarifies and, where necessary, completes Merleau-Ponty's analyses chapter by chapter.
Author: Dimitris Apostolopoulos
Publisher: Rowman & Littlefield
Published: 2019-09-06
Total Pages: 327
ISBN-13: 1786612003
DOWNLOAD EBOOKMerleau-Ponty’s status as a philosopher of perception is well-established, but his distinctive contributions to the philosophy and phenomenology of language have yet to be fully appreciated. Through detailed, clear, and accessible analyses of Merleau-Ponty’s views of linguistic meaning, expression, and understanding, and by tracing the evolution and development of these views throughout the course of his philosophical career, Merleau-Ponty’s Phenomenology of Language offers a global and comprehensive picture of his engagement with the philosophy of language. This book demonstrates that the phenomenology of language is essential for grasping the meaning and motivations behind some of Merleau-Ponty’s most celebrated philosophical contributions. It argues that his philosophy of language should take on a central role in our appraisal of the development and basic goals of his thought. And it suggests that the success of phenomenology’s return to the ‘things themselves’ must be judged not only by the evidence of intuition, but also by the labour of expression.