Mythologies

Mythologies

Author: William Butler Yeats

Publisher: Simon and Schuster

Published: 1998-05-26

Total Pages: 384

ISBN-13: 0684826216

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This is the definitive edition of W.B. Yeats's folklore & early prose fiction, edited according to Yeats's final textual instructions. Its extensive annotation makes luminous Yeats's 'fibrous darkness', that 'matrix out of which everything else has come', by dealing with oral & written sources, abandoned & unpublished writings.


Critical Companion to William Butler Yeats

Critical Companion to William Butler Yeats

Author: David A. Ross

Publisher: Infobase Publishing

Published: 2014-05-14

Total Pages: 673

ISBN-13: 1438126921

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Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.


Yeats and Asia

Yeats and Asia

Author: Seán Golden

Publisher:

Published: 2020

Total Pages:

ISBN-13: 9781782054009

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"The association of Yeats with Asia suggests references to Byzantium, Theosophy, the influence of Mohini Chatterjee, Occultism, Rabindranath Tagore or the Upanishads, Nōh theatre, masks or his fugitive use of Zen koans, and the gyres as a version of Yin and Yang. Yeats made explicit references to Asian matters in his works, like the Buddha in 'The Statues,' as well as implicit references that might be evident to Asian readers but otherwise opaque, like the 'polished mirror' in Per Amica Silentia Lunae. There is also the vexed and vexing question of 'Asia' itself'. For the ancient Greeks it was the far shore of the Aegean Sea, the opposite and 'Other' of their own 'Europe,' long before Edward Said called attention to the implications and consequences of 'Orientalism'. Many experts doubt that Yeats 'correctly' understood the Asian cultural references that he cherry-picked for his own purposes. Others doubt that it really mattered, since he turned everything he touched to his own idiosyncratic use anyway. These essays revisit the roles of West, South and East Asia in his work and revise the theoretical bases that have been applied to his use of Asia in the past"--


Stone Cottage

Stone Cottage

Author: James Longenbach

Publisher: Oxford University Press

Published: 1991-01-17

Total Pages: 348

ISBN-13: 0195362012

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Although readers of modern literature have always known about the collaboration of W.B. Yeats and Ezra Pound, the crucial winters these poets spent living together in Stone Cottage in Sussex (1913-1916) have remained a mystery. Working from a large base of previously unpublished material, James Longenbach presents for the first time the untold story of these three winters. Inside the secret world of Stone Cottage, Pound's Imagist poems were inextricably linked to Yeats's studies in spiritualism and magic, and early drafts of The Cantos reveal that the poem began in response to the same esoteric texts that shaped Yeats's visionary system. At the same time, Yeats's autobiographies and Noh-style plays took shape with Pound's assistance. Having retreated to Sussex to escape the flurry of wartime London, both poets tracked the progress of the Great War and in response wrote poems--some unpublished until now--that directly address the poet's political function. More than the story of a literary friendship, Stone Cottage explores the Pound-Yeats connection within the larger context of modern literature and culture, illuminating work that ranks with the greatest achievements of modernism.


Samuel Beckett, W.B. Yeats, and Jack Yeats

Samuel Beckett, W.B. Yeats, and Jack Yeats

Author: Gordon S. Armstrong

Publisher: Bucknell University Press

Published: 1990

Total Pages: 292

ISBN-13: 9780838751411

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In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack.


“Something that I read in a book”: W. B. Yeats’s Annotations at the National Library of Ireland

“Something that I read in a book”: W. B. Yeats’s Annotations at the National Library of Ireland

Author: Wayne K. Chapman

Publisher: Liverpool University Press

Published: 2022-02-12

Total Pages: 304

ISBN-13: 1638040036

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This book is a resource to enable scholars and students in Yeats studies to explore the materials in his library, which, together with his unpublished papers and manuscripts, forms part of the writer’s archive in the National Library. Continuing from the first volume (Reading Notes), Volume II describes copies of books he wrote or edited solely in his name and subsequently revised or marked for other purposes, on occasion aided by his wife and others. This book could not have been written without the generous participation of the Yeats family over many years. Their legacy, now entrusted to the National Library, is robust and endless in potential. This book is about individual cases but also the building of an oeuvre.


Mary Butts and British Neo-Romanticism

Mary Butts and British Neo-Romanticism

Author: Andrew Radford

Publisher: Bloomsbury Publishing

Published: 2014-08-28

Total Pages: 263

ISBN-13: 144110643X

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Mary Butts was an important figure in inter-war modernist circles and one who reviewed and associated with some of the major literary figures of the era, from T.S. Eliot to Gertrude Stein. Despite her importance and the varied nature of her writing, she has been a neglected figure in modernist scholarship. Providing a new analysis of the interwar literary period, Mary Butts and British Neo-Romanticism revisits her work - vividly experimental writings spanning memoir, poetry, polemic and fiction - through the lens of mid-20th-century British neo-Romanticism. The book argues that behind Butts's eco-feminist writings lies an intricate political and philosophical commentary.


The Image of the Feminine in the Poetry of W.B. Yeats and Angelos Sikelianos

The Image of the Feminine in the Poetry of W.B. Yeats and Angelos Sikelianos

Author: Anastasia Psoni

Publisher: Cambridge Scholars Publishing

Published: 2018-12-19

Total Pages: 480

ISBN-13: 1527523802

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Modernism, as a powerful movement, saw the literary and artistic traditions, as well as pure science, starting to evolve radically, creating a crisis, even chaos, in culture and society. Within this chaos, myth offered an ordered picture of that world employing symbolic and poetic images. Both W.B. Yeats and Angelos Sikelianos embraced myth and symbols because they liberate imagination and raise human consciousness, bringing together humans and the cosmos. Being opposed to the rigidity of scientific materialism that inhibits spiritual development, the two poets were waiting for a new age and a new religion, expecting that they, themselves, would inspire their community and usher in the change. In their longing for a new age, archaeology was a magnetic field for Yeats and Sikelianos, as it was for many writers and thinkers. After Sir Arthur Evans’s discovery of the Minoan Civilization where women appeared so peacefully prominent, the dream of re-creating a gynocentric mythology was no longer a fantasy. In Yeats’s and Sikelianos’s gynocentric mythology, the feminine figure appears in various forms and, like in a drama, it plays different roles. Significantly, a gynocentric mythology permeates the work of the two poets and this mythology is of pivotal importance in their poetry, their poetics and even in their life as the intensity of their creative desire brought to them female personalities to inspire and guide them. Indeed, in Yeats’s and Sikelianos’s gynocentric mythology, the image of the feminine holds a place within a historical context taking the reader into a larger social, political and religious space.


Adventures in the Deeps of the Mind

Adventures in the Deeps of the Mind

Author: Barton R. Friedman

Publisher: Princeton University Press

Published: 2019-03-12

Total Pages: 167

ISBN-13: 0691198438

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Barton Freidman demonstrates that, as a cycle, the Cuchulain plays form a paradigm of Yeats's dramatic career. They trace his progress, the author contends, toward finding a genuine dramatic mode, and examination of this process reveals much about a playwright whose work is simultaneously great literature and extaordinarily effective theater. In his interpretation of the Cuchulain cycle the author concentrates upon dramatic method. He examines first the evolution of Yeats's dramatic aesthetic and his attempts to translate it into practice. He then treats each play of the cycle in order of composition, moving from On Baile's Strand, of which the first version was begun in 1901, to The Death of Cuchulain completed in 1939. Deirdre is included, since it demonstrably belongs to the cycle. Professor Freidman discusses not only the plays in their final form but, in crucial instances, Yeats's revisions of them, which frequently illuminate his dramatic designs. In the cases of The Green Helmet and The Only Jealous of Emer, he considers as well as their alternative versions, The Golden Helmet and Fighting the Waves. The analysis draws on Yeats's poetry and his theories of history, mythology, and art, and it shows that Yeats succeeds where his Romantic precursors had failed, in finding ways of staging "the deeps of the mind." Barton R. Friedman is Associate Professor of English at the University of Wisconsin. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.