The English were punished in many different ways in the five centuries after 1500. This collection stretches from whipping to the gallows, and from the first houses of correction to penitentiaries. Punishment provides a striking way to examine the development of culture and society through time. These studies of penal practice explore violence, cruelty and shame, while offering challenging new perspectives on the timing of the decline of public punishment, the rise of imprisonment and reforms of the capital code.
This book explores the relationship between crime, law and popular culture in Europe from the sixteenth century onwards. How was crime understood and dealt with by ordinary people and to what degree did they resort to or reject the official law and criminal justice system as a means of dealing with different forms of criminal activity? Overall, the volume will serve to illuminate how experiences of and attitudes to crime and the law may have corresponded or differed in different locations and contexts as well as contributing to a wider understanding of popular culture and consciousness in early modern and modern Europe.
In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders – highwaymen, housebreakers, murderers, pickpockets and the like – than ever before or since. Print Culture, Crime and Justice in 18th-Century London provides the first detailed study of crime reporting across this range of publications to explore the influence of print upon contemporary perceptions of crime and upon the making of the law and its administration in the metropolis. This historical perspective helps us to rethink the relationship between media, the public sphere and criminal justice policy in the present.
Through its rich foray into popular literary culture and medical history, this book investigates representations of regular and irregular medical practice in early modern England. Focusing on the prolific figures of the barber, surgeon and barber-surgeon, the author explores what it meant to the early modern population for a group of practitioners to be associated with both the trade guilds and an emerging professional medical world. The book uncovers the differences and cross-pollinations between barbers and surgeons' practices which play out across the literature: we learn not only about their cultural, civic, medical and occupational histories but also about how we should interpret patterns in language, name choice, performance, materiality, acoustics and semiology in the period. The investigations prompt new readings of Shakespeare, Jonson, Middleton and Beaumont, among others. And with chapters delving into early modern representations of medical instruments, hairiness, bloodletting procedures, waxy or infected ears, wart removals and skeletons, readers will find much of the contribution of this book is in its detail, which brings its subject to life.
How does the state, as a public authority, relate to those under its jurisdiction through the criminal law? Connecting the ways in which criminal lawyers, legal theorists, public lawyers and criminologists address questions of the criminal law's legitimacy, contributors to this collection explore issues such as criminal law-making and jurisdiction; the political-ethical underpinnings of legitimate criminal law enforcement; the offence of treason; the importance of doctrinal guidance in the application of criminal law; the interface between tort and crime; and the purposes and mechanisms of state punishment. Overall, the collection aims to enhance and deepen our understanding of criminal law by conceiving of the practices of criminal justice as explicitly and distinctly embedded in the project of liberal self-governance.
This four volume collection looks at the essential issues concerning crime and punishment in the long nineteenth-century. Through the presentation of primary source documents, it explores the development of a modern pattern of crime and a modern system of penal policy and practice, illustrating the shift from eighteenth century patterns of crime (including the clash between rural custom and law) and punishment (unsystematic, selective, public, and body-centred) to nineteenth century patterns of crime (urban, increasing, and a metaphor for social instability and moral decay, before a remarkable late-century crime decline) and punishment (reform-minded, soul-centred, penetrative, uniform and private in application). The first two volumes focus on crime itself and illustrate the role of the criminal courts, the rise and fall of crime, the causes of crime as understood by contemporary investigators, the police ways of ‘knowing the criminal,’ the role of ‘moral panics,’ and the definition of the ‘criminal classes’ and ‘habitual offenders’. The final two volumes explore means of punishment and look at the shift from public and bodily punishments to transportation, the rise of the penitentiary, the convict prison system, and the late-century decline in the prison population and loss of faith in the prison.
This book offers an insight into the social relationships and topographies that fashioned both city life and landscape and serves as a useful counterpoise in a field that has largely focused on London. This is a book about seventeenth-century Norwich and its inhabitants. At its core are the interconnected themes of social topographies and the relationships between urban inhabitants and their environment. Cityscapes were, and are, shaped and given meaning during the practice of people's lived experiences. In return, those same urban places lend human interactions depth and quality. Social Relations and Urban Space uncovers manifold possible landscapes, including those belonging to the rich and to the poor, to men, to women, to 'strangers and foreigners', to political actors of both formal and informal means. Norwich's inhabitants witnessed the tumultuous seventeenth centuryat first hand, and their experiences were written into the landscape and immortalised in its exemplary surviving records. This book offers an insight into the social relationships and topographies that fashioned both city life and landscape and serves as a useful counterpoise in a field that has largely focused on London. FIONA WILLIAMSON is currently Senior Lecturer in History at the National University of Malaysia.
Now in its second edition, Stories of True Crime in Tudor and Stuart England has been updated to include more texts about witchcraft, murder, and sexual deviance and discussions about the historical climate within which crimes occurred; voice and print culture; and types of crime and criminals. This volume contains modernized and annotated chapbooks related to crimes such as murder, theft, infanticide, rape, and witchcraft with accompanying illustrations that depict the acts and punishments of criminals in Tudor and Stuart England. In this edition, special attention has been paid to demonstrating significant overlaps and encouraging students to question authors’ reasonings behind including multiple crimes in a single work. Alongside this, further useful prompts have been included to stimulate discussion about why parables were used to open chapbooks, the historical context underpinning certain criminal acts, the value of these sources to scholars, and how certain texts compare and contrast with others. With five new chapters and an updated introduction and bibliography, the second edition of Stories of True Crime in Tudor and Stuart England is an essential resource for all students of crime and punishment in early modern England.
'Imagining Sex' examines a variety of material from 17th century England to argue that, unlike today, pornography was not a discrete genre, nor was it usually subject to suppression. The book explores contemporary thinking on these issues and wider cultural concerns.
This book is open access under a CC BY 4.0 licence. This book analyses the different types of post-execution punishments and other aggravated execution practices, the reasons why they were advocated, and the decision, enshrined in the Murder Act of 1752, to make two post-execution punishments, dissection and gibbeting, an integral part of sentences for murder. It traces the origins of the Act, and then explores the ways in which Act was actually put into practice. After identifying the dominance of penal dissection throughout the period, it looks at the abandonment of burning at the stake in the 1790s, the rapid decline of hanging in chains just after 1800, and the final abandonment of both dissection and gibbeting in 1832 and 1834. It concludes that the Act, by creating differentiation in levels of penalty, played an important role within the broader capital punishment system well into the nineteenth century. While eighteenth- and early nineteenth-century historians have extensively studied the ‘Bloody Code’ and the resulting interactions around the ‘Hanging Tree’, they have largely ignored an important dimension of the capital punishment system – the courts extensive use of aggravated and post-execution punishments. With this book, Peter King aims to rectify this neglected historical phenomenon.
