Pavement wrapped up at Easley Recording in Memphis. They mixed the tracks and recorded overdubs in New York. They took a step back and assessed the material. It was a wild scene. They had fully fleshed-out songs and whispers and rumors of half-formed ones. They had songs that followed a hard-to-gauge internal logic. They had punk tunes and country tunes and sad tunes and funny ones. They had fuzzy pop and angular new wave. They had raunchy guitar solos and stoner blues. They had pristine jangle and pedal steel. The final track list ran to eighteen songs and filled three sides of vinyl. Released in 1995, on the heels of two instant classics, Wowee Zowee confounded Pavement's audience. Yet the record has grown in stature and many diehard fans now consider it Pavement's best. Weaving personal history and reporting-including extensive new interviews with the band-Bryan Charles goes searching for the story behind the record and finds a piece of art as elusive, anarchic and transportive now as it was then.
Steve Keene is the most prolific American painter of all time. He has produced more than 300,000 hand-painted works via his studio/chainlink fence cage where he paints more than 50 paintings at a time. Lovingly known for making affordable art, as well as being the indie rock cover art maker to Pavement, The Apples in Stereo, and Silver Jews, Keene has long been under appreciated for his importance to the 90s indie art and music scenes. The Steve Keene Art Book--originally conceived during his sold out show at Shepard Fairey's LA Gallery Subliminal Projects in 2016--is the first art book dedicated exclusively to his work.
John Darnielle describesMaster of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric center in southern California in 1985. The narrator explains Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
The first biography of Yo La Tengo, the massively influential band who all but defined indie music. Yo La Tengo has lit up the indie scene for three decades, part of an underground revolution that defied corporate music conglomerates, eschewed pop radio, and found a third way. Going behind the scenes of one of the most remarkable eras in American music history, Big Day Coming traces the patient rise of husband-and-wife team Ira Kaplan and Georgia Hubley, who—over three decades—helped forge a spandex-and-hairspray-free path to the global stage, selling millions of records along the way and influencing countless bands. Using the continuously vital Yo La Tengo as a springboard, Big Day Coming uncovers the history of the legendary clubs, bands, zines, labels, record stores, college radio stations, fans, and pivotal figures that built the infrastructure of the now-prevalent indie rock world. Journalist and freeform radio DJ Jesse Jarnow draws on all-access interviews and archives for mesmerizing trip through contemporary music history told through one of its most creative and singular acts.
There's a Road to Everywhere Except Where You Came From is the memoir of a young Midwestern man struggling to carve out a life as a writer, and to find meaning, or at least a job, in his new and alien landscape of New York City. In a voice at once coolly detached and utterly confident, we follow Bryan Charles's journey navigating love, work, and family, from the streets of Manhattan to the upper floors of corporate America. This is a gripping meditation on the self, ricocheting between the multitudes and solitude, and between the industrial-turned-residential spaces of Brooklyn and the towers of the World Trade Center, where his life takes an unexpected turn. Charles's story is a spare, honest, and often hilarious narrative of expectation and loss, and of the ordinary becoming the extraordinary.