The Conspiracy is the last and most acclaimed novel by French writer and activist Paul Nizan, who died two years after its publication fighting the Germans at the Battle of Dunkirk. Hailed by Jean-Paul Sartre as Nizan’s masterpiece, the book centers upon the figure of Bertrand Rosenthal, a misguided philosophy student studying in pre-war Paris. Eager to foment a revolution and having little grasp of his own motives, Rosenthal draws a small group of disciples into a conspiracy both fatuous and deadly. Simultaneously, he plunges into a forbidden—and ultimately tragic—love affair as the intertwined plots move inexorably toward their twin destinations of betrayal and death. The Conspiracy won the coveted Prix Interallié in 1938. This new edition includes Walter Benjamin’s critique of the book, available here for the first time in English.
Aden, Arabie is the story of a man who attempts to flee bourgeois life in France by seeking exoticism in the Middle East. His trip is a failure; the freedom of travel is exposed as an illusion. This account is based on Nizan's own trip to Arabia and has been resurrected through the efforts of Jean-Paul Sartre. In Aden, Arabie, Nizan came to understand that everywhere-in Arabia as in France-oppressive forces drain us of our humanity.
Why do artists, poets, philosophers, writers, and others who are usually classified as intellectuals leave the ivory tower to "dirty their hands" in the political arena? In an effort to illuminate the intellectual's struggle to come to grips with the issues raised by political involvement, David Schalk examines the life and thought of five intellectuels engagés in France during the period between 1920 and 1945. From communist to fascist, these figures—Paul Nizan, Jean-Paul Sartre, Emmanuel Mounier, Julien Benda, and Robert Brasillach—cover the full political spectrum, and Professor Schalk studies their diverse reactions to the social, political, and economic tensions of the interwar period. Broadly defining "engagement" as political involvement that is voluntary, conscious, and freely chosen, usually by intellectuals, the author poses the intellectual's dilemma in the following terms: "When we are engagé," he writes, "we fear that we are debasing our highest values; when we are not, we worry that we have become, in Paul Nizan's trenchant phrase, mere chiens de garde [watchdogs]." He then investigates the origins and the popularization of the concept of engagement in the early 1930s, the arguments used to denounce it and to defend it, its different manifestations, and finally its effects on the socio-political actuality of the world. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Simone de Beauvoir developed her philosophy of lived experience as she actually wrote fiction. Hence Beauvoir should be placed among major philosophical novelists of the twentieth-century like Toni Morrison and Nadine Gordimer, and Beauvoir's theory of the metaphysical novel acknowledges multicultural traditions of story-telling and song which are not locked into the theoretical abstractions of the Greek philosophical tradition. In Simone de Beauvoir's Philosophy of Lived Experience, Eleanore Holveck presents Simone de Beauvoir's theory of literature and metaphysics, including its relationship to the philosophers Edmund Husserl, Martin Heidegger, Immanuel Kant, Maurice Merleau-Ponty and Jean-Paul Sartre, with references to the literary tradition of Goethe, Maurice Barr s, Arthur Rimbaud, Andr Breton, and Paul Nizan. The book provides a detailed philosophical analysis of Beauvoir's early short stories and several major novels, including The Mandarins and L'invit e, from the point of view of "other" women who appear on the fringes of Beauvoir's fiction: shop girls, seamstresses, and prostitutes. Holveck applies Beauvoir's philosophy to her own lived experience as a working-class teenager who grew up in jazz clubs similar to those Beauvoir herself visited in New York and Chicago.
"Portraits (Situations IV) brings together Sartre's most important writings on literature and artists in one of his most productive periods. It includes his preface to Sarraute's Portrait of a Man Unknown and his homages to Andre Cide, Maurice Merleau-Ponry and Albert Camus. The Merleau-Ponty essay casts considerable light on the recent history of French philosophy, particularly with regard to dominant post-war political conceptions, and the lengthy studies of Sartre's close friend Paul Nizan and of the young Andre Gorz are no less revealing. This volume also contains Sartre's 'Reply to Albert Camus', which confirmed the break between the two writers on its publication in 1952." "Alongside these major writings are fascinating articles on Tintoretto and a number of contemporary painters, including Ciacornerti and Masson, and two highly readable accounts of Sartre's travels in Italy." --Book Jacket.
