"In Prelude to Israel's Past, Lemche examines the nature and function of Old Testament historical narrative. Is the biblical narrative a reliable source of historical knowledge? Or does it have a literary and theological life of its own - proclaiming a truth that cannot be contested because it recounts "events" that happened once upon a time? Lemche explores these questions from two directions. First, he analyzes the biblical narratives from Abraham to Moses and demonstrates that these narratives are literature, not documents written by professional historians. Second, he compares the biblical portrait of the patriarchs with what we know about this period from other ancient sources. He urges that the Bible continues to guide and console a believing people not because it is a historically accurate record of past events but because its living stories recount a truth unfettered by time and culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
An unconventional young woman. A haunted young man. A forbidden instrument. Can their love of music bring them together . . . or will it tear them apart? Bath, England 1810 At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician. In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief ’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument … with the help of the dark, brooding Lord Dommick. Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . . Praise for Prelude for a Lord: “A vibrant, page-turning romance sure to delight fans of the Regency Era.” – Sarah E. Ladd, award-winning author of The Headmistress of Rosemere Sweet, full-length Regency romance Will appeal to fans of Bridgerton and Poldark Stand-alone novel
The Road can go Anywhere. The Road can go Anywhen. Almost. Red Dorakeen has been on the Road for a very long time. For all of time, in fact. It stretches infinitely into the future and past, with exits that take him wherever, or whenever, he wants to go. But he can't find the place he wants to be. He's not the only one who can travel the Road, and as people join and leave, they can alter the past, or the future, to suit their whims. Exits close off, become overgrown, and working out what to change back to return to old timelines could take, well . . . forever. Fortunately, Red has all the time he could ever need. Roadmarks is a fantastically mind-bending novel from one of SFF's most influential authors. It weaves together linear and non-linear narratives in a compelling tale full of mystery and magic.
An all-new Quantum Leap adventure, based on the smash hit TV series, gives readers the "beginning" of the story. Dr. Sam Beckett and Admiral Al Calavicci begin an experiment called Project Quantum Leap and discover the secret of time travel via computer. But someone wants to sabotage Quantum Leap before it starts.
Prelude to Berlin: The Red Army's Offensive Operations in Poland and Eastern Germany, 1945, offers a panoramic view of the Soviet strategic offensives north of the Carpathians in the winter of 1945. During the course of this offensive the Red Army broke through the German defenses in Poland and East Prussia and eventually occupied all of Germany east of the Oder River. The book consists primarily of articles that appeared in various military journals during the first decade after the war. The General Staff's directorate charged with studying the war experience published these studies, although there are other sources as well. A particular highlight of these is a personal memoir that offers a rare insight into Soviet strategic planning for the winter-spring 1945 campaign. Also featured are documents relating to the operational-strategic conduct of the various operations, which were compiled and published after the fall of the Soviet Union. The book is divided into several parts, corresponding to the operations conducted. These include the Vistula-Oder operation by the First Belorussian and First Ukrainian Fronts out of their respective Vistula bridgeheads. This gigantic operation, involving over a million men and several thousand tanks, artillery and other weapons sliced through the German defenses and, in a single leap, advanced the front to the Oder River, less than 100 kilometres from Berlin, from which they launched their final assault on the Reich in April. Equally impressive was the Second and Third Belorussian Fronts' offensive into Germany's East Prussian citadel. This operation helped to clear the flank further to the south and exacted a long-awaited revenge for the Russian Army's defeat here in 1914. This effort cut off the German forces in East Prussia and concluded with an effort to clear the flanks in Pomerania and the storming of the East Prussian capital of Konigsberg in April. The study also examines in considerable detail the First Ukrainian Front's Upper and Lower Silesian operations of February-March 1945. These operations cleared the army's flanks in the south and deprived Germany of one of its last major industrial and agricultural areas.
In this absorbing account of the origins of the Asia-Pacific War, historian John Gripentrog argues that competing ideologies of world order—chiefly the rift between liberal internationalism and Pan-Asian regionalism—lay at the heart of the conflict. Drawing from a rich diversity of primary and secondary sources, the author also examines the Japanese government’s vigorous cultural diplomacy in the U.S., which sought to win over American hearts and minds and soft-pedal its imperialist ambitions in Asia. The result is a book that both challenges and amplifies standard interpretations of US-Japan relations in the interwar era, while weaving diplomatic, political, intellectual, and cultural history. Moreover, the author’s wide-angle lens offers readers insights into a fascinating assemblage of historical actors—from Japanese and American diplomats, politicians, and military leaders, to cosmopolitan art enthusiasts and major league baseball players.
While there has been substantial scholarly work done on the development of Christian doctrine in the fourth and fifth centuries, very little corresponding attention has been paid to the writing of church history during this critical period. This work examines how authors began to construct the historical narrative of the “Arian” controversy and focuses on the interplay between theology and worshipping communities. Major figures such as Eusebius and Athanasius are examined, and important but overlooked figures such as an anonymous non-Nicene chronicler and Philostorgius are also included. In the introduction the book surveys recent developments in the study of “Arianism” and discusses the usefulness of the very category of an “Arian controversy.” Subsequent chapters set forth the thesis that church histories are important sources for understanding the development of doctrine. A chapter is devoted to Eusebius’ Ecclesiastical History, especially the oft-overlooked Book X. Further chapters explore the role of Rufinus as the first extant author to write a continuation of Eusebius. The work also consciously includes marginalized non-Nicene sources, and there are chapters which examine an anonymous non-Nicene chronicler and the Ecclesiastical History of the Eunomian Philostorgius of Borissus. The book is particularly useful for persons interested in examining the development of doctrine in the fourth century from fresh perspectives. The work approaches church histories as narrative myths of community origins produced by worshipping communities standing in continuity to local schools of thought.
"Ghost story, love story, and mystery in equal measure, Helene Dunbar's Prelude for Lost Souls is filled with unforgettable characters who reveal the many ways a life can be haunted. Perfect for fans of The Raven Boys."—Lisa Maxwell, New York Times bestselling author of The Last Magician series From acclaimed author Helene Dunbar comes a spellbinding young adult book about a small town filled with spiritualists and one boy who wants out, perfect for readers who want teen ghost books and fans of Maggie Stiefvater, Maureen Johnson, and Nova Ren Suma. In the town of St. Hilaire, most make their living by talking to the dead. In the summer, the town gates open to tourists seeking answers while all activity is controlled by The Guild, a sinister ruling body that sees everything. Dec Hampton has lived there his entire life, but ever since his parents died, he's been done with it. He knows he has to leave before anyone has a chance to stop him. His best friend Russ won't be surprised when Dec leaves—but he will be heartbroken. Russ is a good medium, maybe even a great one. He's made sacrifices for his gift and will do whatever he can to gain entry to The Guild, even embracing dark forces and contacting the most elusive ghost in town. But when the train of Annie Krylova, the piano prodigy whose music has been Dec's main source of solace, breaks down outside of town, it sets off an unexpected chain of events. And in St. Hilaire, there are no such things as coincidences. Perfect for readers looking for: ghost town books young adult lgbt books atmospheric stories Praise for Prelude for Lost Souls: "Dunbar invokes small-town intrigue and plentiful atmosphere with this haunting, romantic tale."—Publishers Weekly "A quietly compelling story."—Kirkus Reviews "Mesmerizing and haunting, Dunbar invites readers into a world of family secrets, anxious ghosts and a society's ruthless grasp for power that will leave you wanting more."—The Nerd Daily Also by Helene Dunbar: We Are Lost and Found
The common theme of their individual essays suggests that the war in Vietnam might have had a much different - and far less tragic - outcome if only U.S. policy makers had listened to experts familiar with Asian cultures and communist revolutionary warfare tactics and pursued a coherent counterinsurgency strategy instead of militarizing and Americanizing the struggle."--BOOK JACKET.
