'No words can express the secret agony of my soul'. Dickens's tantalising hint alluding to his time at Warren's Blacking Factory remains a gnomic statement until Forster's biography after Dickens's death. Such a revelation partly explains the dominance of biography in early Dickens criticism; Dickens's own childhood was understood to provide the material for his writing, particularly his representation of the child and childhood. Yet childhood in Dickens continues to generate a significant level of critical interest. This volume of essays traces the shifting importance given to childhood in Dickens criticism. The essays consider a range of subjects such as the Romantic child, the child and the family, and the child as a vehicle for social criticism, as well as current issues such as empire, race and difference, and death. Written by leading researchers and educators, this selection of previously published articles and book chapters is representative of key developments in this field. Given the perennial importance of the child in Dickens this volume is an indispensable reference work for Dickens specialists and aficionados alike.
This volume of essays provides a selection of leading contemporary scholarship which situates Dickens in a global perspective. The articles address four main areas: Dickens's reception outside Britain and North America; his intertextual relations with and influence upon writers from different parts of the world; Dickens as traveller; and the presence throughout his fiction and journalism of subjects, such as race and empire, that extend beyond the national contexts in which his work is usually considered. Written by leading researchers from diverse countries and cultures, this is an indispensable reference work in the field of Dickens studies.
Dickens and Victorian Psychology: Introspection, First-Person Narration, and the Mind positions Charles Dickens's fiction in the midst of Victorian psychological debate, tracking Dickens's increasing reliance over the course of his career on the introspective mode, those moments--from free indirect discourse to first-person narration--in which Dickens attempts to represent the inner view of his characters' minds. In the middle of the nineteenth century, introspection remained the central investigative method for dualist psychologies, theories that tied the mind's immortality to its immateriality. Because those psychologies found evidence of the mind's ontological difference from the body in the subjective experience of consciousness, this book argues that the moments of inwardness in Dickens's fiction, in both their form and their content, constitute efforts to resist the encroachment of psycho-physiology by making a case for the mind's transcendence of the body. Yet Dickens and Victorian Psychology also shows the consequences of a material psychology's appropriation of such an inward view--as well as the results of the efforts by psycho-physiologists to redefine the terminology of a mainstream dualism--by tracing the ambiguities and contradictions that find their way into Dickens's representations of the mind. In these ways, this book reveals an overlooked context for Dickens's experiments with narrative point of view and broadens our understanding of the strategies that a material psychology used to assuage the anxieties of those who saw psycho-physiology as a threat to immortality.
Dickens's relationship to cities is part of his modernity and his enduring fascination. How he thought about, grasped and conceptualised the rapidly expanding and anonymous urban scene are all fascinating aspects of a critical debate which, starting virtually from Dickens's own time, has become more and more active and questioning of the significance of that new thing, the unknown and unknowable, city. Although Dickens was influenced by several European and American cities, the most significant city for Dickens was London, the city he knew as a boy in the 1820s and which developed in his lifetime to become the finance and imperial capital of the nineteenth-century. His sense of London as monumental and fashionable, modern and anachronistic, has generated a large number of writings and critical approaches: Marxist, sociological, psychoanalytic and deconstructive. Dickens looks at the city from several aspects: as a place bringing together poverty and riches; as the place of the new and of chance and coincidence, and of secret lives exposed by the special figure of the detective. Another crucial area of study is the relationship of the city to women, and women's place in the city, as well as the way Dickens's London matches up with other visual representations. This anthology of criticism surveys the field and is a major contribution to the study of cities, city culture, modernity and Dickens. It brings together key previously published articles and essays and features a comprehensive bibliography of work which scholars can continue to explore.
This book asks why Brontë, Dickens, and Collins saw the narrative act as a series of textual murders and resurrections? Drawing on theorists such as Derrida, Blanchot, and de Man, Zigarovich maintains that narrating death was important to the understanding of absence, separation, and displacement in an industrial and destabilized culture.
Through analysis of eight English novels of the Nineteenth century, this work explores the ways in which the novel contributes to the formation of ideology regarding the family, and, conversely, the ways in which changing attitudes toward the family shape and reshape the novel.
Victorian sensation novels, with their compulsive plots of crime, transgression and mystery, were bestsellers. Deborah Wynne analyses the fascinating relationships between sensation novels and the magazines in which they were serialized. Drawing upon the work of Wilkie Collins, Mary Braddon, Charles Dickens, Ellen Wood, and Charles Reade, and such popular family journals as All The Year Round, The Cornhill, and Once a Week , the author highlights how novels and magazines worked together to engage in the major cultural and social debates of the period.