Paradise Lost ... The Fourth edition, adorned with Sculptures
Author: John Milton
Publisher:
Published: 1688
Total Pages: 388
ISBN-13:
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Author: John Milton
Publisher:
Published: 1688
Total Pages: 388
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1892
Total Pages: 558
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum (Londen)
Publisher:
Published: 1883
Total Pages: 48
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Dept. of Printed Books
Publisher:
Published: 1892
Total Pages: 34
ISBN-13:
DOWNLOAD EBOOKAuthor: esq. John Dillon
Publisher:
Published: 1869
Total Pages: 64
ISBN-13:
DOWNLOAD EBOOKAuthor: John Milton
Publisher:
Published: 1892
Total Pages: 414
ISBN-13:
DOWNLOAD EBOOKAuthor: John Milton
Publisher:
Published: 1892
Total Pages: 414
ISBN-13:
DOWNLOAD EBOOKAuthor: Gerald Ephraim Hart
Publisher:
Published: 1890
Total Pages: 318
ISBN-13:
DOWNLOAD EBOOKAuthor: N. Katherine Hayles
Publisher: U of Minnesota Press
Published: 2013-12-01
Total Pages: 345
ISBN-13: 1452940584
DOWNLOAD EBOOKFor the past few hundred years, Western cultures have relied on print. When writing was accomplished by a quill pen, inkpot, and paper, it was easy to imagine that writing was nothing more than a means by which writers could transfer their thoughts to readers. The proliferation of technical media in the latter half of the twentieth century has revealed that the relationship between writer and reader is not so simple. From telegraphs and typewriters to wire recorders and a sweeping array of digital computing devices, the complexities of communications technology have made mediality a central concern of the twenty-first century. Despite the attention given to the development of the media landscape, relatively little is being done in our academic institutions to adjust. In Comparative Textual Media, editors N. Katherine Hayles and Jessica Pressman bring together an impressive range of essays from leading scholars to address the issue, among them Matthew Kirschenbaum on archiving in the digital era, Patricia Crain on the connection between a child’s formation of self and the possession of a book, and Mark Marino exploring how to read a digital text not for content but for traces of its underlying code. Primarily arguing for seeing print as a medium along with the scroll, electronic literature, and computer games, this volume examines the potential transformations if academic departments embraced a media framework. Ultimately, Comparative Textual Media offers new insights that allow us to understand more deeply the implications of the choices we, and our institutions, are making. Contributors: Stephanie Boluk, Vassar College; Jessica Brantley, Yale U; Patricia Crain, NYU; Adriana de Souza e Silva, North Carolina State U; Johanna Drucker, UCLA; Thomas Fulton, Rutgers U; Lisa Gitelman, New York U; William A. Johnson, Duke U; Matthew G. Kirschenbaum, U of Maryland; Patrick LeMieux; Mark C. Marino, U of Southern California; Rita Raley, U of California, Santa Barbara; John David Zuern, U of Hawai‘i at Mānoa.