Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits ‘canonical’ forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image—either actual or thematic—and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.
VOLUME 12 (2022): COMMENTING AND COMMENTARY AS AN INTERPRETIVE MODE IN MEDIEVAL AND EARLY MODERN EUROPE Edited by Christina Lechtermann and Markus Stock Introduction: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe Christina Lechtermann & Markus Stock The Pro-Active Scribe: Preparing the Margins of Annotated Manuscripts Erik Kwakkel Thinking from the Margins: Opening and Closing Illuminations and their Commentary Functions around 1000 Kristin Böse Reading Texts within Texts: The Special Case of Lemmata Andrew Hicks The In-/Coherences of Narrative Commentary: Commentarial Forms in the Anegenge Christina Lechtermann Dante’s Self-Commentary and the Call for Interpretation Elisa Brilli Spiritualizing Petrarchism, “Poeticizing” the Bible: Two Counter-Reformation Self-Commentaries Christine Ott and Philip Stockbrugger The Power of Glosses: Francesco Fulvio Frugoni’s Self-Commentary and Literary Criticism in the Tribunal della Critica Andrea Baldan Commenting on a Purged Model: The M. Valerii Martialis Epigrammaton libri omnes novis commentariis illustrati of the Jesuit Matthäus Rader (1602) Magnus Ulrich Ferber
This ninth Orality and Literacy volume considers oral composition, performance, reception, and the mutual interplay between oral performance and written text. Authors under consideration are Homer, Hesiod, Plato, Isocrates, orators of the Second Sophistic, and Proclus. Cross-cultural studies are included.
By way of essays and a selection of primary sources in parallel text, Biography, Historiography, and Modes of Philosophizing provides an introduction to a vast, significant, but neglected corpus of early modern literature: collective biography. It focuses especially on the various related strands of political, philosophical, and intellectual and cultural biography as well as on the intersection between biography, historiography, and philosophy. Individual texts from the fifteenth to the eighteenth century are presented as examples of how the ancient collective biographical tradition – as represented above all by Plutarch, Suetonius, Diogenes Laertius, and Jerome – was received and transformed in the Renaissance and beyond in accordance with the needs of humanism, religious controversy, politics, and the development of modern philosophy and science.
"Translations and commentary on Plethon's complete system of Neopagan theology and religious practice focused on the Hellenic pantheon and deeply rooted in ancient Greek Paganism. Includes rituals, prayers, invocations, and hymns for holiday and daily use along with Plethon's complete sacred calendar"--
Uberto Decembrio’s Four Books on the Commonwealth (De re publica libri IV, ca. 1420), edited and translated by Paolo Ponzù Donato, is one of the earliest examples of the reception of Plato’s Republic in the fifteenth century. The humanistic dialogue provides an illuminating insight into such themes as justice, the best government, the morals of the prince and citizen, education, and religion. Decembrio’s dialogue is dedicated to Filippo Maria Visconti, duke of Milan, the ‘worst enemy’ of Florence. Making use of literary and documentary sources, Ponzù Donato convincingly proves that Decembrio’s thought, which shares many points with the Florentine humanist Leonardo Bruni, belongs to the same world of Civic Humanism.
With this translation, all 12 volumes of translation of Simplicius' commentary on Aristotle's Physics have been published (full list below). In Physics 1.1–2, Aristotle raises the question of the number and character of the first principles of nature and feels the need to oppose the challenge of the paradoxical Eleatic philosophers who had denied that there could be more than one unchanging thing. This volume, part of the groundbreaking Ancient Commentators on Aristotle series, translates into English for the first time Simplicius' commentary on this selected text, and includes a brief introduction, extensive explanatory notes, indexes and a bibliography. Previous published volumes translating Simplicius' commentary on Aristotle's Physics can all be found in Bloomsbury's series: - On Aristotle Physics 1.3–4, tr. P. Huby and C. C. W. Taylor, 2011 - On Aristotle Physics 1.5–9, tr. H. Baltussen, M. Atkinson, M. Share and I. Mueller, 2012 - On Aristotle Physics 2, tr. B. Fleet, 1997 - On Aristotle Physics 3, tr. J. O. Urmson with P. Lautner, 2001 - On Aristotle Physics 4.1–5 and 10–14, tr. J. O. Urmson, 1992 - On Aristotle on the Void, tr. J. O. Urmson, 1994 (=Physics 4.6–9; published with Philoponus, On Aristotle Physics 5–8, tr. P. Lettinck) - On Aristotle Physics 5, tr. J. O. Urmson, 1997 - On Aristotle Physics 6, tr. D. Konstan, 1989 - On Aristotle Physics 7, tr. C. Hagen, 1994 - On Aristotle Physics 8.1–5, tr. I. Bodnar, M. Chase and M. Share, 2012 - On Aristotle Physics 8.6–10, tr. R. McKirahan, 2001
This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features – annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles – are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.