Papers of the Hymn Society of America
Author: Hymn Society of America
Publisher:
Published: 1958
Total Pages: 80
ISBN-13:
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Author: Hymn Society of America
Publisher:
Published: 1958
Total Pages: 80
ISBN-13:
DOWNLOAD EBOOKAuthor: Hymn Society of America
Publisher:
Published:
Total Pages: 0
ISBN-13:
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Publisher:
Published: 1952
Total Pages:
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Publisher:
Published: 1981
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry Wilder Foote
Publisher:
Published: 1940
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Louis FitzGerald Benson
Publisher:
Published: 1930
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Mark A. Lamport
Publisher: BoD – Books on Demand
Published: 2020-01-01
Total Pages: 390
ISBN-13: 0227177223
DOWNLOAD EBOOKHymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.
Author: Tina M. Schneider
Publisher: Scarecrow Press
Published: 2003
Total Pages: 232
ISBN-13: 9780810847064
DOWNLOAD EBOOKAn alphabetic listing with references of collectors and collections, both public and private.
Author: Joyce Borger
Publisher:
Published: 2013-05-02
Total Pages: 1094
ISBN-13: 9781592555598
DOWNLOAD EBOOKThis hymnal supports the full range of actions in worship. It is designed to serve those involved with group singing, worship planning, praise teams and choirs, choral conductors, personal and family devotions, pastoral care, and small groups. In addition to hymns and psalms, the second half of the hymnal includes prayers, litanies and liturgies.
Author: M. Jennifer Bloxam
Publisher: Lexington Books
Published: 2017-06-12
Total Pages: 259
ISBN-13: 1498549918
DOWNLOAD EBOOKThis essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.