Panoramas, 1787–1900 Vol 4

Panoramas, 1787–1900 Vol 4

Author: Laurie Garrison

Publisher: Taylor & Francis

Published: 2024-05-17

Total Pages: 304

ISBN-13: 1040129110

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The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.


Panoramas, 1787–1900 Vol 5

Panoramas, 1787–1900 Vol 5

Author: Laurie Garrison

Publisher: Taylor & Francis

Published: 2024-05-17

Total Pages: 513

ISBN-13: 1040128971

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The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.


Panoramas, 1787–1900 Vol 1

Panoramas, 1787–1900 Vol 1

Author: Laurie Garrison

Publisher: Taylor & Francis

Published: 2024-05-17

Total Pages: 415

ISBN-13: 1040128963

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The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.


Panoramas, 1787–1900 Vol 2

Panoramas, 1787–1900 Vol 2

Author: Laurie Garrison

Publisher: Taylor & Francis

Published: 2024-05-17

Total Pages: 385

ISBN-13: 1040128807

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The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.


Panoramas, 1787–1900 Vol 3

Panoramas, 1787–1900 Vol 3

Author: Laurie Garrison

Publisher: Taylor & Francis

Published: 2024-05-17

Total Pages: 314

ISBN-13: 1040128629

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The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.


Panoramas and Compilations in Nineteenth-Century Britain

Panoramas and Compilations in Nineteenth-Century Britain

Author: Helen Kingstone

Publisher: Springer Nature

Published: 2023-01-06

Total Pages: 278

ISBN-13: 3031156846

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This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making them crucial lenses through which to view a broad range of genre and forms. It brings together interdisciplinary research materials belonging to different period silos to create new understandings of how nineteenth-century audiences dealt with information overload. It argues for a new politics of distance: one that recognizes the value of immersing oneself in a situation, event or phenomenon, but which also does not chastise us for trying to see the big picture. This book is essential reading for students and scholars of nineteenth-century literature, history, visual culture and information studies.


The challenge of the sublime

The challenge of the sublime

Author: Hélène Ibata

Publisher: Manchester University Press

Published: 2018-02-05

Total Pages: 382

ISBN-13: 1526117428

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This book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.