Studies the relationship between Palladian villas in the Veneto and the landscape, demonstrating how each was sited to enhance the drama of the overall architectural ensemble.
In 1726, Richard Boyle, 3rd Earl of Burlington, built an addition to his modest country house on the river Thames at Chiswick. The structure was a free standing villa, which is the subject of this book. The author explores the villa's architectural inspiration and the evolution of its design.
This collection of an important architectural theorist's essays considers and compares designs by Palladio and Le Corbusier, discusses mannerism and modern architecture, architectural vocabulary in the 19th century, the architecture of Chicago, neoclassicism and modern architecture, and the architecture of utopia.
Featuring more than 300 new analytic drawings and models, this study explores the evolution of Palladio's villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape.
An analysis of trends in landscape design and architecture in Italy, France and Great Britain throughout the past 500 years. 384 pp., 300 line drawings, 100 photographs and 16 pages of color illus.
De Re Aedificatoria, by Leon Battista Alberti (1404-1472), was the first modern treatise on the theory and practice of architecture. Its importance for the subsequent history of architecture is incalculable, yet this is the first English translation based on the original, exceptionally eloquent Latin text on which Alberti's reputation as a theorist is founded.
The classical Roman revivalist No other architect in the history of Western art has had an influence so spontaneous and yet so enduring as Andrea Palladio. Palladianism broke through all cultural stylistic barriers. It spread not only throughout the Neo-Latin nations but held Germany, the Netherlands, Scandinavia and the countries of Eastern Europe in its sway and formed the lineaments of English architecture of the 17th and 18th centuries. Palladio lived in an age which was extremely exciting for the historical development of architecture and his work was an important factor in the evolution from Renaissance to Baroque. This volume offers a thorough introduction to the architecture of Palladio and includes all works which researchers have attributed to him."
Architectural form reconsidered in light of a unitary conception of architecture and the city. In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of “pure,” but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an “archipelago” of site-specific interventions.