Painting, Politics, and the New Front of Cold War Italy
Painting, Politics, and the New Front of Cold War Italy

Author: Adrian R. Duran

Publisher:

Published: 2016

Total Pages: 101

ISBN-13: 9781351555142

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"The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examination's of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy."--Provided by publisher.

"Painting, Politics, and the New Front of Cold War Italy "

Author: Adrian R. Duran

Publisher: Routledge

Published: 2017-07-05

Total Pages: 285

ISBN-13: 1351555154

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The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examinations of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy.

Painting Politics and the New Front of Cold War Italy
Painting Politics and the New Front of Cold War Italy

Author: Adrian R. Duran

Publisher: Routledge

Published: 2018-02-06

Total Pages: 196

ISBN-13: 9781138548268

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The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examinations of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy.

The Rise and Fall of American Art, 1940s–1980s
The Rise and Fall of American Art, 1940s–1980s

Author: Catherine Dossin

Publisher: Routledge

Published: 2016-03-03

Total Pages: 325

ISBN-13: 1317017684

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In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.

The Rise and Fall of American Art, 1940s–1980s
The Rise and Fall of American Art, 1940s–1980s

Author: Assoc Prof Catherine Dossin

Publisher: Ashgate Publishing, Ltd.

Published: 2015-06-28

Total Pages: 329

ISBN-13: 1472471326

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In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.

Italian Humanist Photography from Fascism to the Cold War
Italian Humanist Photography from Fascism to the Cold War

Author: Martina Caruso

Publisher: Routledge

Published: 2020-08-19

Total Pages: 232

ISBN-13: 1000211460

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Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.

Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990

Author: Claudia Hopkins

Publisher: Routledge

Published: 2020-12-21

Total Pages: 836

ISBN-13: 1000061698

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Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.

Art beyond Borders
Art beyond Borders

Author: Jerome Bazin

Publisher: Central European University Press

Published: 2016-03-01

Total Pages: 531

ISBN-13: 9633860830

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This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ

The Cultural Cold War
The Cultural Cold War

Author: Frances Stonor Saunders

Publisher: New Press, The

Published: 2013-11-05

Total Pages: 458

ISBN-13: 1595589147

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During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.

Flashpoint Trieste
Flashpoint Trieste

Author: Christian Jennings

Publisher: University Press of New England

Published: 2017-10-03

Total Pages: 321

ISBN-13: 151260173X

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This is the inside story of how Trieste found itself poised on a knife edge at the end of World War II. Situated near the boundaries of Italy, Austria, and Yugoslavia, this pivotal port city was caught in May 1945 between advancing Allied, Russian, and Yugoslav armies on the strategically vital front lines of the nascent Cold War. Germany lay defeated, and now there were new enemies - Russia and Communism. Told through the stories of twelve men and women from seven different countries, Flashpoint Trieste chronicles, on a human scale, the beginning of the Cold War. A British colonel from the Special Operations Executive, a Maori officer from a New Zealand infantry battalion and a young Yugoslav partisan captain race for the city on May 1, 1945, with the Allies determined to beat Tito's forces and the Russians to the vital port. An American infantry general, decorated in combat in Italy, then holds the line as Trieste is divided between the American and British armies, and the Yugoslav Communist partisans of Marshal Josip Broz Tito. An American intelligence officer tracks wanted Nazis. An Italian woman Communist walks back to her native city from Auschwitz. An Austrian SS chief goes on the run to escape justice for the atrocities he committed in the city. Having survived the war, everyone is now desperate to make it through the liberation. American investigators hunt for priceless artifacts looted by the Germans. British intelligence will stop at nothing to hold the line against encroaching Communism, and Italian partisans hunt down fascist collaborators. Life is fast and violent, as former warring parties make common cause against the Russians. As the postwar world order unfolds, the borders of the new Europe are being hammered out.