Painting Harlem Modern

Painting Harlem Modern

Author: Patricia Hills

Publisher: University of California Press

Published: 2019-02-16

Total Pages: 367

ISBN-13: 0520305507

DOWNLOAD EBOOK

Jacob Lawrence was one of the best-known African American artists of the twentieth century. In Painting Harlem Modern, Patricia Hills renders a vivid assessment of Lawrence's long and productive career. She argues that his complex, cubist-based paintings developed out of a vital connection with a modern Harlem that was filled with artists, writers, musicians, and social activists. She also uniquely positions Lawrence alongside such important African American writers as Langston Hughes, Richard Wright, and Ralph Ellison. Drawing from a wide range of archival materials and interviews with artists, Hills interprets Lawrence's art as distilled from a life of struggle and perseverance. She brings insightful analysis to his work, beginning with the 1930s street scenes that provided Harlem with its pictorial image, and follows each decade of Lawrence's work, with accounts that include his impressions of Southern Jim Crow segregation and a groundbreaking discussion of Lawrence's symbolic use of masks and masking during the 1950s Cold War era. Painting Harlem Modern is an absorbing book that highlights Lawrence's heroic efforts to meet his many challenges while remaining true to his humanist values and artistic vision.


Picturing the New Negro

Picturing the New Negro

Author: Caroline Goeser

Publisher:

Published: 2007

Total Pages: 384

ISBN-13:

DOWNLOAD EBOOK

Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance.


African American Art

African American Art

Author: Smithsonian American Art Museum

Publisher:

Published: 2012

Total Pages: 264

ISBN-13:

DOWNLOAD EBOOK

"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.


Harlem on My Mind

Harlem on My Mind

Author: Allon Schoener

Publisher:

Published: 2007

Total Pages: 292

ISBN-13:

DOWNLOAD EBOOK

Long before Harlem became one of the trendiest neighbourhoods in the red-hot property market of Manhattan, it was a metaphor for African American culture at its richest. This is the classic record of Harlem life during some of the most exciting and turbulent years of its history, a beautiful - and poignant - reminder of a powerful moment in African American history. Includes the work of some of Harlem's most treasured photographers, extraordinary images are juxtaposed with articles recording the daily life of one of New York's most memorialised neighbourhoods.


The Harlem Renaissance and Transatlantic Modernism

The Harlem Renaissance and Transatlantic Modernism

Author: Denise Murrell

Publisher: Metropolitan Museum of Art

Published: 2024-02-25

Total Pages: 336

ISBN-13: 1588397734

DOWNLOAD EBOOK

Beginning in the 1920s, Upper Manhattan became the center of an explosion of art, writing, and ideas that has since become legendary. But what we now know as the Harlem Renaissance, the first movement of international modern art led by African Americans, extended far beyond New York City. This volume reexamines the Harlem Renaissance as part of a global flowering of Black creativity, with roots in the New Negro theories and aesthetics of Alain Locke, its founding philosopher, as well as the writings of W. E. B. Du Bois, Langston Hughes, and Zora Neale Hurston. Featuring artists such as Aaron Douglas, Charles Henry Alston, Augusta Savage, and William H. Johnson, who synthesized the expressive figuration of the European avant-garde with the aesthetics of African sculpture and folk art to render all aspects of African American city life, this publication also includes works by lesser known contributors, including Laura Wheeler Waring and Samuel Joseph Brown, Jr., who took a more classical approach to depicting Black subjects with dignity, interiority, and gravitas. The works of New Negro artists active abroad are also examined in juxtaposition with those of their European and international African diasporan peers, from Germaine Casse and Ronald Moody to Henri Matisse, Edvard Munch, and Pablo Picasso. This reframing of a celebrated cultural phenomenon shows how the flow of ideas through Black artistic communities on both sides of the Atlantic contributed to international conversations around art, race, and identity while helping to define our notion of modernism.


Aaron Douglas

Aaron Douglas

Author: Aaron Douglas

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 278

ISBN-13: 9780300135923

DOWNLOAD EBOOK


Jacob Lawrence

Jacob Lawrence

Author: Janet Boris

Publisher:

Published: 2001

Total Pages: 0

ISBN-13: 9780810967786

DOWNLOAD EBOOK

Briefly examines the life and work of the twentieth-century African American painter, describing and giving examples of his art.


Rediscovering the Harlem Renaissance

Rediscovering the Harlem Renaissance

Author: Eloise E. Johnson

Publisher: Taylor & Francis

Published: 1997

Total Pages: 184

ISBN-13: 9780815322788

DOWNLOAD EBOOK

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.