This book examines the impact that photography's birth and development had on the classical art form of painting. It provides exploration by genre -- from portraiture and still life to landscapes, tableaux vivantes, and nudes -- of the various issues triggered by the encounter between 19th century pictorial creation and the invention of photography.
Painting isn't just for artists anymore.Photographers nowadays are interested in turning their digital photosinto paintings in Corel Painter and Adobe Photoshop.And now Painting for Photographers, published by Artistry Books, shows both the art lessons and software steps for transforming photos into works of art.Written and illustrated by Karen Sperling, one of the world's foremost Painter authorities, having penned the first several Painter manuals and three previous Painter books, Painting for Photographers is the first art book for photographers.It starts with a look at the art concepts that photographers need to know to paint their photos and describes the materials needed to create art, in this case, the software program tools and features.Next, Painting for Photographers provides step-by-step instructions and four-color illustrations for creating paintings in Corel Painter and Adobe Photoshop from popular photo subjects, including portraits, landscapes, pets and wildlife, covering various styles of art, including oils, watercolors and pastels. There's also a chapter on creating abstract art, Karen Sperling's specialty, having exhibited abstracts in New York art galleries.Additionally, Painting for Photographers shows how to paint with traditional acrylics and oils on top of the digital artwork after it's printed to canvas and includes a chapter by world-renowned artist and photographer Laurence Gartel about how to market the results.Painting for Photographers appeals to both professional photographers who would like to sell paintings to their clients and to hobbyists who are interested in painting photos of their kids and grandkids.
"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.
Throw your preconceptions about light-painting out the window and prepare for a creative journey that will revolutionize your photography. Light painting is a classic photography technique that involves selectively illuminating sections of a dark subject by moving a light source (like a flashlight) over the subject during the course of a seconds- or minutes-long exposure. This results in uniquely nuanced depictions with a high level of technical artistry. As Eric Curry shows, however, today’s hardware and software allow you to produce light-painting images that are anything but traditional! In this book, you’ll learn, step by step, how to plan and execute incredible, nuanced images using simple gear, a whole lot of imagination, and today’s powerful postproduction software. With these techniques, your imagination is the only limit to what you can create!
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Lance Keimig, one of the premier experts on night photography, has put together a comprehensive reference that will show you ways to capture images you never thought possible. This new edition of Night Photography presents the practical techniques of shooting at night alongside theory and history, illustrated with clear, concise examples, and charts and stunning images. From urban night photography to photographing the landscape by starlight or moonlight, from painting your subject with light to creating a subject with light, this book provides a complete guide to digital night photography and light painting.
Master the skills you need to transform everyday scenes into breathtaking works of art Throw your preconceptions about light-painting out the window and prepare for a creative journey that will revolutionize your photography. Light painting is a classic photography technique that involves selectively illuminating sections of a dark subject by moving a light source (like a flashlight) over the subject during the course of a seconds- or minutes-long exposure. This results in uniquely nuanced depictions with a high level of technical artistry. As Eric Curry shows, however, today's hardware and software allow you to produce light-painting images that are anything but traditional! In this book, you'll learn, step by step, how to plan and execute incredible, nuanced images using simple gear, a whole lot of imagination, and today's powerful postproduction software. With these techniques, your imagination is the only limit to what you can create! AUTHOR: Eric Curry earned a BA in photography from the Art Center College of Design in 1980, then moved to Copenhagen, Denmark, where he ran his own advertising photography studio for over ten years. There, he worked with the largest agencies in the country, shooting brands such as Novo, Bang and Olufson, Pfizer, Maersk Line Shipping, LEGO, and Philips Electronics.Upon returning to the U.S. in 1992, Eric gradually transitioned to location industrial photography, because it afforded, as he comments, "a much broader palette of avenues for creativity." After thirty years of shooting as a professional, and an additional five years working on the series "American Pride and Passion," Eric is now sharing the secrets of how some of his most effective shots were made--and how you can make similarly powerful photographs yourself.Currently, Eric creates photographs exclusively on location for select clients and himself, taking full advantage of the depth and possibilities afforded by each and every new challenge. SELLING POINTS: * Learn to choose the best light sources for the shape and texture of the surface you're lighting -- and for the effect you want to create * Devise a detailed plan for lighting each frame and maximize your post-production finishing options * Determine the optimal exposure settings for the scene and light sources you've chosen
"Take digital image files from your camera and transform them into creative works that resemble hand-painted art using Corel Painter!, 11. and other software"--[book cover].
Photography doesn't have to be about gear, shooting modes and computer programs. It can be about expression, vision and heart and the individual pride that comes from making every decision in-camera. In PAINTING WITH A LENS, Rod and Robin Deutschmann show readers how to take a more purposeful approach to shooting each frame carefully and considering what they want to say about their subject, whilst determining the best camera settings, lighting, lens choice and composition to achieve that objective.
