The story of a young Irish man following his father to America to fulfill his dreams. However dreams can and often do turn into a nightmare. This one certainly does.
Ireland in the mid-1800s was primarily a population of peasants, forced to live on a single, moderately nutritious crop: potatoes. Suddenly, in 1846, an unknown and uncontrollable disease turned the potato crop to inedible slime, and all Ireland was threatened. Index.
Biofiction is literature that names its protagonist after an actual historical figure, and it has become a dominant literary form over the last 35 years. What has not yet been scholarly acknowledged or documented is that the Irish played a crucial role in the origins, evolution, rise, and now dominance of biofiction. Michael Lackey first examines the groundbreaking biofictions that Oscar Wilde and George Moore authored in the late 19th and early 20th centuries as well as the best biographical novels about Wilde (by Peter Ackroyd and Colm Tóibín). He then focuses on contemporary authors of biofiction (Sabina Murray, Graham Shelby, Anne Enright, and Mario Vargas Llosa, who Lackey has interviewed for this work) who use the lives of prominent Irish figures (Roger Casement and Eliza Lynch) to explore the challenges of seizing and securing a life-promoting form of agency within a colonial and patriarchal context. In conclusion, Lackey briefly analyzes biographical novels by Peter Carey and Mary Morrissy to illustrate why agency is of central importance for the Irish, and why that focus mandated the rise of the biographical novel, a literary form that mirrors the constructed Irish interior.
Outlaw, murderer, self-proclaimed victim, Ned Kelly is an Australian icon. But who was he? Kelly’s extraordinary achievement is to have provided his own answer to that question. The Jerilderie Letter is his remarkable manifesto and a startling record of his voice.
In April 1791 the "Queen" sailed from Cobh in Cork with the first cargo of Irish convicts destined for New South Wales. During the next 76 years, Ireland supplied 40,000 of all the convicts transported to Australia. This book looks at what happened to these exiles.
A bold work of synthetic scholarship, Writing Australian Unsettlement argues that the history of Australian literature contains the rough beginnings of a new literacy. Michael Farrell reads songs, letters and visual poems by Indigenous farmers and stockmen, the unpunctuated journals of early settler women, drover tree-messages and carved clubs, and a meta-commentary on settlement from Moore River (the place escaped from in The Rabbit-Proof Fence) in order to rethink old forms. The book borrows the figure of the assemblage to suggest the active and revisable nature of Australian writing, arguing against the "settling" effects of its prior editors, anthologists, and historians. Avoiding the advancement of a new canon, Farrell offers instead an unsettled space in which to rethink Australian writing.
This book illuminates the neglected history of the Dublin Metropolitan Police – a history that has been long overshadowed by existing historiography, which has traditionally been preoccupied with the more radical aspects of Irish history. It explores the origins of the institution and highlights the Dublin Metropolitan Police’s profound influence on the colonial forces, as its legacy reached some of the furthest outposts of the British Empire. In doing so Anastasia Dukova provides much needed nuance and complexity to our understanding of Ireland as a whole, and Dublin in particular, demonstrating that it was far more than a lawless place ravaged by political and sectarian violence. Simultaneously, the book tells the story of the bobby on the beat, the policeman who made the organisation; his work and day, the conditions of service and how they affected or bettered his lot at home and abroad.