Gothic Regency Romance: Against her will, Arabella is gambled by her stepfather in a card game and won by the fiercely scarred Lord Darth Peregrine. A man who believes that no woman could desire him. Lord Peregrine holds Arabella captive to his desires. He is the lord and master and she is naked to his control. In the end Lord Peregrine saves Arabella's young brother ... and he saves himself. HEA Keywords: regency romance, gothic romance, gothic, regency, historical romance, captive
Updated edition of the beloved classic by the Queen of Regency romance herself, Georgette Heyer, featuring a new Foreword by New York Times bestselling author Eloisa James. Arabella's one little while lie has spread through the ton like wildfire... Arabella Tallant, modest daughter of a country clergyman, is on her way to her first London Season when her carriage breaks down outside the estate of the wealthy and bored Mr. Robert Beaumaris. Beau assumes she's simply another young lady throwing herself in his path, which goads the impetuous Arabella into pretending she's an heiress. Much to Arabella's dismay, rather than being brutally set-down, as she intended, Beaumaris is deeply amused. He counters by launching her into high society, which Arabella would enjoy very much if it wasn't for the fortune hunters. Arabella's unpredictable and innocent ways force Beaumaris to start helping others, including a stray dog, an unfortunate urchin, and eventually Arabella's reckless young brother. Along the way, Arabella and Beaumaris become more and more intrigued with each other—which neither will admit, of course, until under extreme duress. "Absolutely delicious tales of Regency heroes... Utter, immersive escapism."—SOPHIE KINSELLA "No one has ever matched Georgette Heyer for charm and wit." —LISA KLEYPAS "Utterly timeless charm... The dialogue sparkles with wit." —NORA ROBERTS, #1 New York Times bestselling author "Romance, adventure, side-splitting humor—no one writes like Georgette Heyer!" —LAUREN WILLIG, New York Times bestselling author
Only a creature of the night can save her. Four brothers. All turned vampires by the same evil Sire. They are the Lords of Blacknall, in this century. Trinity is the second oldest and while starting to investigate the murder of women on London's east side, he suddenly feels a woman in danger. Why her? And why does this one woman's blood set his thirst on fire. Can Trinity save Lady Beth from the monster that hunts her? Can he even protect her from his own wicked urges, wanting to devour her? Lady Beth Winslow never stays home in the evenings. She fears her despicable stepbrother. Then a monster stalks her in the dark woods and she cannot tell beast from savior. Gothic undertones fill this vampire regency romance novel. If you've read Shirl Anders before you will be surprised. This is a novel length story with all of Shirl Anders style, but much more satisfying and lengthy romance.
In an engaging book that sweeps from the Gilded Age to the 1960s, award-winning author Laura Claridge presents the first authoritative biography of Emily Post, who changed the mindset of millions of Americans with Etiquette, a perennial bestseller and touchstone of proper behavior. A daughter of high society and one of Manhattan’s most sought-after debutantes, Emily Price married financier Edwin Post. It was a hopeful union that ended in scandalous divorce. But the trauma forced Emily Post to become her own person. After writing novels for fifteen years, Emily took on a different sort of project. When it debuted in 1922, Etiquette represented a fifty-year-old woman at her wisest–and a country at its wildest. Claridge addresses the secret of Etiquette’s tremendous success and gives us a panoramic view of the culture from which it took its shape, as its author meticulously updated her book twice a decade to keep it consistent with America’s constantly changing social landscape. Now, nearly fifty years after Emily Post’s death, we still feel her enormous influence on how we think Best Society should behave.
Follow the nineteenth-century interplanetary adventures of a fearless steampunk space warrior in this full-trilogy collection. A teenage girl enters the fray of the Napoleonic Wars in space in this enthralling series “for young and young-at-heart readers who will enjoy a retro-flavored science fiction read” (Fantasy Literature). This complete collection includes: Arabella of Mars Forced by her mother to enter London society on Earth, sixteen-year-old Arabella must disguise herself as a boy to gain passage on an airship and foil a deadly plot against her brother back on her home planet of Mars. Arabella and the Battle of Venus When her fiancé is taken as a prisoner of war on Venus—the very planet where the exiled Napoleon has fled—Arabella embarks on a spacefaring rescue mission filled with pirates, espionage, and cosmic combat. Arabella the Traitor of Mars Arabella and her husband are lauded as heroes in England, having defeated Napoleon at the Battle of Venus. But a new mission will pit Arabella’s love and loyalty for her home planet of Mars against the most powerful realm in the universe. Praise for the Adventures of Arabella Ashby trilogy “If Edgar Rice Burroughs, Jules Verne, and Patrick O’Brien had sat down together to compose a tale to amuse Jane Austen, the result might be Arabella of Mars. So. Much. Fun!” —Madeleine E. Robins, author of the Sarah Tolerance Regency mysteries “A fanciful romp through a cosmic 1812 . . . A treat for steampunk fantasy fans.” —Library Journal (starred review)
Over the course of the long eighteenth century, a network of some fifty women writers, working in French, English, Dutch, and German, staked out a lasting position in the European literary field. These writers were multilingual and lived for many years outside of their countries of origin, translated and borrowed from each others' works, attended literary circles and salons, and fashioned a transnational women's literature characterized by highly recognizable codes. Drawing on a literary geography of national types, women writers across Western Europe read, translated, wrote, and rewrote stories about exceptional young women, literary heroines who transcend the gendered destiny of their distinctive cultural and national contexts. These transcultural heroines struggle against the cultural constraints determining the sexualized fates of local girls. In Heroines and Local Girls, Pamela L. Cheek explores the rise of women's writing as a distinct, transnational category in Britain and Europe between 1650 and 1810. Starting with an account of a remarkable tea party that brought together Frances Burney, Sophie von La Roche, and Marie Elisabeth de La Fite in conversation about Stéphanie de Genlis, she excavates a complex community of European and British women authors. In chapters that incorporate history, network theory, and feminist literary history, she examines the century-and-a-half literary lineage connecting Madame de Maintenon to Mary Wollstonecraft, including Charlotte Lennox and Françoise de Graffigny and their radical responses to sexual violence. Neither simply a reaction to, nor collusion with, patriarchal and national literary forms but, rather, both, women's writing offered an invitation to group membership through a literary project of self-transformation. In so doing, argues Cheek, women's writing was the first modern literary category to capitalize transnationally on the virtue of identity, anticipating the global literary marketplace's segmentation of affinity-based reading publics, and continuing to define women's writing to this day.
"English crafts a lively battle-of-wills romance."—RT Book Reviews on How to Tame a Willful Wife How to Avoid an Unwanted Marriage: 1. Track down his first love 2. Slap his face when he propositions you to become his mistress 3. Flee the countryside with aforementioned scoundrel 4. Join a traveling troupe of Shakespearean actors 5. Don't fall under the enchantment of a magical midsummer moon... To escape the scheming, pawing clutches of her late husband's nephew, Arabella Darlington turns to Raymond Olivier, the only man she ever loved, for help. But the sweet Raymond she knew as a girl is now the dissolute Earl of Pembroke—the most notorious rake in London. When the situation turns deadly, Arabella and Raymond are forced to hide in the country. As she finds herself succumbing to Raymond's puckish charm, Arabella starts formulating a new plan: how to persuade a rake to propose.
Book 2 of Edmond and Arabella's Story Trapped in a world of a corrupted and cruel king, Arabella is forced to endure his wrath and manipulation. Lord Peter Evanston has given up everything to do all he can to be of some comfort to her during this dark time in her life, while keeping King Eric from killing her with his fits of anger. Meanwhile, Edmond has returned home to Arminia and has done as Arabella wanted. He is now engaged to the Countess D'Winter, even though the only one he can ever love is the one woman he can never have. Yet he loves her so much that he is willing to do this to make her happy, despite the misery it leaves in his heart. However, a small glimmer of hope comes when King Eric brings Arabella back to Arminia for the King's Tournament. It is the hope of helping her to leave such a cruel and dark world behind. But can he do this when she is so well guarded and now that she is too afraid to leave the prison of malice that Eric has her in? Or will Eric suceed in using Arabella to bring down King Kendrick and Edmond both by using her to seduce them into his plans?
