Photographer Rosamond Purcell\'s new book, Owls Head, is abouther 20-year friendship with William Buckminster, an eccentriccollector whose dilapidated antiques shop and 11-acre junkyard inMaine became something of a tourist attraction. Buckminster soldmany of his items to Purcell, who took them home and photographedthem in large-format Polaroid\'s. Purcell, who\'s been called the"doyenne of decay," has also collaborated three times on books withthe late paleontologist and science historian Stephen JayGould.
Curators make many decisions when they build collections or design exhibitions, plotting a passage of discovery that also tells an essential story. Collecting captures the past in a way useful to the present and the future. Exhibits play to our senses and orchestrate our impressions, balancing presentation and preservation, information and emotion. Curators consider visitors’ interactions with objects and with one another, how our bodies move through displays, how our eyes grasp objects, how we learn and how we feel. Inside the Lost Museum documents the work museums do and suggests ways these institutions can enrich the educational and aesthetic experience of their visitors. Woven throughout Inside the Lost Museum is the story of the Jenks Museum at Brown University, a nineteenth-century display of natural history, anthropology, and curiosities that disappeared a century ago. The Jenks Museum’s past, and a recent effort by artist Mark Dion, Steven Lubar, and their students to reimagine it as art and history, serve as a framework for exploring the long record of museums’ usefulness and service. Museum lovers know that energy and mystery run through every collection and exhibition. Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples. Inside the Lost Museum speaks to the hunt, the find, and the reveal that make curating and visiting exhibitions and using collections such a rewarding and vital pursuit.
Purcell captures the diverse beauty, quirkiness and allure of eggs and the remarkable resourcefulness of birds, focusing on the intricacy of nests and the aesthetic perfection of bird eggs.--Kurt Shaw, "Pittsburgh Tribune Review."
Photographs of animal exhibits from natural history museums show the various textures of nature, and are accompanied by brief discussions of the significance of each display
Books are man-made artifacts designed to convey information. When they are inevitably invaded by forces of nature and decay, they become suggestive of an alternative literary universe. Noted photographer and collage artist Rosamond Purcell has been exploring this universe for the past thirty years, and in this extraordinarily beautiful collection, the first retrospective of her work, her images teach us to read in a new way. Here are two conjoined volumes transformed by a nesting mouse into a heap of disrupted plot and straw; a 19th century French economics text re-interpreted by foraging termites, and many other oddities from a fertile imagination. "Bookworm"'s 125 color reproductions are imaginative evidence of those processes that render literal meaning irrelevant.
The indispensable guide to everything we knew and loved before modern life got in the way. This gorgeous and beautifully illustrated countryside miscellany is the perfect purchase for anyone wanting to go back to their roots and rediscover a lost world... 'Beautiful book' -- ***** Reader review 'A delightful book with some lovely illustrations' -- ***** Reader review 'A heart-warming read, I love this book' -- ***** Reader review 'Magical' -- ***** Reader review 'Lovely book to just DELVE into' -- ***** Reader review 'A little gem!' -- ***** Reader review 'Sheer delight!' -- ***** Reader review **************************************************************************************************** Ever wondered how to predict the weather just by looking at the sky? Or wanted to attract butterflies to your garden? Is there a knack to building the perfect bonfire? And how exactly do you race a ferret? In this world of traffic tailbacks, supermarket shopping and 24-hour internet access, it's easy to feel disconnected from the beauty and rhythms of the natural world. If you have ever gazed in awe at stars in the night's sky, tried to catch a perfect snowflake or longed for the comfort of a roaring log fire, then this is the book for you. From spotting Britain's five kinds of owl to gardening by the phases of the moon, from curing a cold to brewing your own ale, and from navigating by the stars to making sloe gin, Red Sky at Night is packed with instructions and lists, ancient customs and old wives tales, making it an indispensable guide to countryside lore.
A controversial, timely reassessment of the environmentalist agenda by outstanding historians, scientists, and critics. In a lead essay that powerfully states the broad argument of the book, William Cronon writes that the environmentalist goal of wilderness preservation is conceptually and politically wrongheaded. Among the ironies and entanglements resulting from this goal are the sale of nature in our malls through the Nature Company, and the disputes between working people and environmentalists over spotted owls and other objects of species preservation. The problem is that we haven't learned to live responsibly in nature. The environmentalist aim of legislating humans out of the wilderness is no solution. People, Cronon argues, are inextricably tied to nature, whether they live in cities or countryside. Rather than attempt to exclude humans, environmental advocates should help us learn to live in some sustainable relationship with nature. It is our home.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
