This translation makes available to English readers the only comprehensive and thorough history of Russian culture in any language. Endowed with scholarly authority, it traces in broad outline the long rich story of the development of religion, literature, and the arts from their earliest manifestations to modern times. For the convenience of those only interested in separate sections, the book is issued in three parts as standalone volumes: Part I: Religion and the Church Part II: Literature Part III: Architecture, Painting and Music
For most English-speaking readers, Russian literature consists of a small number of individual writers - nineteenth-century masters such as Dostoevsky, Tolstoy and Turgenev - or a few well-known works - Chekhov's plays, Brodsky's poems, and perhaps Master and Margarita and Doctor Zhivago from the twentieth century. The medieval period, as well as the brilliant tradition of Russian lyric poetry from the eighteenth century to the present, are almost completely terra incognita, as are the complex prose experiments of Nikolai Gogol, Nikolai Leskov, Andrei Belyi, and Andrei Platonov. Furthermore, those writers who have made an impact are generally known outside of the contexts in which they wrote and in which their work has been received. In this engaging book, Andrew Baruch Wachtel and Ilya Vinitsky provide a comprehensive, conceptually challenging history of Russian literature, including prose, poetry and drama. Each of the ten chapters deals with a bounded time period from medieval Russia to the present. In a number of cases, chapters overlap chronologically, thereby allowing a given period to be seen in more than one context. To tell the story of each period, the authors provide an introductory essay touching on the highpoints of its development and then concentrate on one biography, one literary or cultural event, and one literary work, which serve as prisms through which the main outlines of a given period?s development can be discerned. Although the focus is on literature, individual works, lives and events are placed in broad historical context as well as in the framework of parallel developments in Russian art and music.
This unique account of Russia's encounter with Catholicism from the medieval period to the present provides fascinating insights into Catholic-Russian relations. Dennis Dunn analyzes religious politics in the former USSR and in Russia, particularly in areas where relations between the state-backed Orthodox establishment and the Catholic Church have renewed debates about civil rights, religious freedom and Russian national identity under Vladimir Putin's regime. Discussing issues such as the role of Pope John Paul II in helping to bring down the Iron Curtain, Dunn argues provocatively that Catholic-Russian relations are a microcosm of Western-Russian relations and sheds new light on the historical strain between Russia and the West. Showing how Russia's adoption of a secular ideology - a vain attempt to surpass the West - alienated the Russian government not only from the Catholic Church but also from its own Orthodox foundation, this book discusses how Russia sealed its fate while precipitating the Cold War with the West. Students and general readers interested in Russian history, Western-Russian relations, Catholicism, and comparative religion more broadly, will find this an invaluable and accessible account of an important and understudied subject.
This book, based on extensive research including in the Russian and Vatican archives, charts the development of relations between the Catholic Church and the Soviet Union from the Bolshevik Revolution of 1917 to the death of Pope Pius XI in 1939. It provides background information on the animosity between the Orthodox and Catholic churches and moves towards reconciliation between them, discusses Soviet initiatives to eradicate religion in the Soviet Union and spread atheist international communism throughout the world, and explores the Catholic Church’s attempts to survive in the face of persecution within the Soviet Union and extend itself. Throughout the book reveals much new detail on the complex interaction between these two opposing bodies and their respective ideologies.
In Cultural and Political Imaginaries in Putin’s Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Törnquist-Plewa, and Yuliya Yurchuk.
Far from being an inevitably aggressive and destructive force, nationalism is, for Ernst B. Haas, the primary means of bringing coherence to modernizing societies. In the second volume of his magisterial exploration of this topic, Haas emphasizes the benefits of liberal nationalism, which he deems more progressive than other nation-building formulas because it relies on reason to improve citizens' lives. The Dismal Fate of New Nations considers several societies that modernized relatively recently, many of them aroused to nationalism by the imperialism of the "old" nation-states. The book probes the different patterns of development in emerging countries—Iran, Egypt, India, Brazil, Mexico, China, Russia, and Ukraine—for insights into the possibilities and limitations of all nationalisms, especially liberal nationalism. Employing a systematic comparative perspective, Haas organizes the book around the notion of change and its management by political elites in Asia, Eastern Europe, Latin America, and the Middle East. Haas particularly wants to understand how nationalism plays out in the politics of modernization within non-Western cultures, especially those where religions other than Christianity predominate. Where the hold of religion remains formidable, he argues, the mixture of traditional and secular-modernist institutions and beliefs will challenge the victory of liberal nationalism and the very success of nation-state formation.
A political philosophy classic from one of the foremost political thinkers of the twentieth century After Utopia was Judith Shklar’s first book, a harbinger of her renowned career in political philosophy. Throughout the many changes in political thought during the last half century, this important work has withstood the test of time. In After Utopia, Shklar explores the decline of political philosophy, from Enlightenment optimism to modern cultural despair, and she offers a critical, creative analysis of this downward trend. She looks at Romantic and Christian social thought, and she shows that while the present political fatalism may be unavoidable, the prophets of despair have failed to explain the world they so dislike, leaving the possibility of a new and vigorous political philosophy. With a foreword by Samuel Moyn, examining After Utopia’s continued relevance, this current edition introduces a remarkable synthesis of ideas to a new generation of readers.
A characteristic response to the imposition of state power by the conquered, oppressed, and powerless is a pattern that Peter Skalnik calls "out-witting the state." This collection of essays challenges the widespread view that the state is a natural holder of authority in society. Using examples of confrontations between European states and polities outside Europe, the authors show that the power model is not universally applicable. Examples from Africa, Oceania, Asia, and North America support this radically different conception of politics. The authors argue that this less confrontational approach to state power is not only possible but desirable. The new and different approach gives ordinary people a chance to achieve political goals without looking to the state.
This translation makes available to English readers the only comprehensive and thorough history of Russian culture in any language. Endowed with scholarly authority, it traces in broad outline the long rich story of the development of religion, literature, and the arts from their earliest manifestations to modern times. The contrast of Christianity in Russia with the Western Church, the retarded development and then suddenly blooming of literature in the 19th century, the individuality of Russian genius in architecture, painting, and music are described and evaluated, the whole forming a penetrating insight into Russian backgrounds and character. For the convenience of those only interested in separate sections, the book is issued in three parts as standalone volumes: Part I: Religion and the Church Part II: Literature Part III: Architecture, Painting and Music
