Presents an annotated bibliography of general and subject reference books covering the humanities, social and behavioral sciences, history, science, technology, and medicine.
Margaret Mead once said, "I have spent most of my life studying the lives of other peoples--faraway peoples--so that Americans might better understand themselves." Continuities in Cultural Evolution is evidence of this devotion. All of Mead's efforts were intended to help others learn about themselves and work toward a more humane and socially responsible society. Scientist, writer, explorer, and teacher, Mead brought the serious work of anthropology into the public consciousness. This volume began as the Terry Lectures, given at Yale in 1957 and was not published until 1964, after extensive reworking. The time she spent on revision is evidence of the importance Mead attached to the subject: the need to develop a truly evolutionary vision of human culture and society. This was desirable in her eyes both in order to reinforce the historical dimension in our ideas about human culture, and to preserve the relevance of historical and cultural diversity to social, economic, and political action. Given the present state of academic and public discourse alike, this volume speaks to us in a language we badly need to recover.
Now updated with new chapters on culture and on populism, this seminal text disputes the view that we are experiencing a “clash of civilizations” as well as the idea that globalization leads to cultural homogenization. Instead, Jan Nederveen Pieterse argues that we are witnessing the formation of a global mélange culture through processes of cultural mixing or hybridization. From this perspective on globalization, conflict may be mitigated and identity preserved, albeit transformed. In a new chapter on China, the author focuses on the key issue of agency and power in hybridization. Throughout, the book offers a comprehensive treatment of hybridization arguments, and in discussing globalization and culture, problematizes the meaning of culture. This historically deep and geographically wide approach to globalization is essential reading as we face the increasing spread of conflicts bred by cultural misunderstanding.
"From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's introduction to Chinese art history is the classic in its field, unsurpassed in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art."—Jerome Silbergeld, Princeton University "I have used Sullivan's Arts of China in my class for thirty years. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."—Richard Barnhart, Yale University, editor of Three Thousand Years of Chinese Painting "After more than forty years since its first publication, Michael Sullivan's Arts of China, now in its fifth edition, remains the most concise yet most comprehensive introduction to the history of Chinese art to students and the public."—Wu Hung, Harrie A. Vanderstappen Distinguished Service Professor, University of Chicago "Michael Sullivan is the acknowledged dean of modern Chinese art studies, and any work bearing his name guarantees both a high level of quality and a wide readership."—Maxwell K. Hearn, Metropolitan Museum of Art