Rabid's nothing like the other vicious thugs in the Grizzlies Motorcycle Club. When Christa sees the dark ink dancing on his stunning body, she almost believe he's there to save her, instead of just seduce her. But she won't be fooled again. Sure, Rabid saved her once. Doesn't mean she'll get closer, no matter how nice his rough hands would feel locked around her waist ... Rabid doesn't care if his patch makes her flip, or even if she keeps breathing fire his way every second they're together. He's the best thing that ever walked into her life, and he's not walking out ...
Get the Summary of Joshua Hammer's The Falcon Thief in 20 minutes. Please note: This is a summary & not the original book. "The Falcon Thief" by Joshua Hammer is a gripping narrative that follows the story of Jeffrey Lendrum, a notorious wildlife smuggler specializing in the theft of rare bird eggs, particularly those of falcons. The book details Lendrum's meticulous schemes to steal and smuggle eggs from various parts of the world to satisfy the demands of a clandestine market driven by wealthy buyers in the Middle East. His criminal activities span continents, from the cliffs of Wales to the remote wilderness of Canada and the national parks of Zimbabwe...
The Newbery Medal–winning author of The Hero and the Crown brings the Robin Hood legend to vivid life. Young Robin Longbow, subapprentice forester in the King’s Forest of Nottingham, must contend with the dislike of the Chief Forester, who bullies Robin in memory of his popular father. But Robin does not want to leave Nottingham or lose the title to his father’s small tenancy, because he is in love with a young lady named Marian—and keeps remembering that his mother too was gentry and married a common forester. Robin has been granted a rare holiday to go to the Nottingham Fair, where he will spend the day with his friends Much and Marian. But he is ambushed by a group of the Chief Forester’s cronies, who challenge him to an archery contest . . . and he accidentally kills one of them in self-defense. He knows his own life is forfeit. But Much and Marian convince him that perhaps his personal catastrophe is also an opportunity: an opportunity for a few stubborn Saxons to gather together in the secret heart of Sherwood Forest and strike back against the arrogance and injustice of the Norman overlords.
Lance Bangor, an incredibly talented but troubled pitcher, catches the eye of the New York Yankees and is sent to play for the most notorious minor league team in baseball, The New Paltz Outlaws. The Outlaws are a team full of talented but disturbed baseball players, from the first baseman with split personalities (one plays for the Negro Leagues, the other is an aspiring musician), a trio of Canadian criminals under town arrest, a barefooted outfielder that lives amongst animals in the forest, etc. When the present leader is taken off to jail, Lance becomes the new leader of the Outlaws and takes them to new heights of popularity and debauchery. Eventually becoming too big for the small town, Lance joins the New York Yankees but folds under big league pressure and finds himself banned from the game for life. Too embarrassed to return to New Paltz, Lance travels from the Caribbean to Hollywood and goes through a variety of professions from being a stuntman for an egotistical soap opera star to hitting rock bottom and becoming an exotic dancer and actor in amateur adult films. It's a story of one man who had to lose everything he ever wanted to get everything he ever needed.
This collection of scholarly essays presents new work from an emerging line of inquiry: modern outlaw narratives and the textual and cultural relevance of food and feasting. Food, its preparation and its consumption, is presented in outlaw narratives as central points of human interaction, community, conflict, and fellowship. Feast scenes perform a wide variety of functions, serving as cultural repositories of manners and behaviors, catalysts for adventure, or moments of regrouping and redirecting narratives. The book argues that modern outlaw narratives illuminate a potent cross-cultural need for freedom, solidarity, and justice, and it examines ways in which food and feasting are often used to legitimate difference, create discord, and manipulate power dynamics.
First published in 1987. This volume collects together writings of Teresa Billington-Greig, suffragette, activist and political theorist. One of the first organizers for the Women's Social and Political Union, she was a founder-member of the Women's freedom League. She was also the first suffragette to be sent to Holloway Gaol. This volume provides new insights into this exceptional women's lifelong efforts in the woman's movement
This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.
With the collapse of the bipolar system of global rivalry that dominated world politics after the Second World War, and in an age that is seeing the return of “ethnic cleansing” and “identity politics,” the question of violence, in all of its multiple ramifications, imposes itself with renewed urgency. Rather than concentrating on the socioeconomic or political backgrounds of these historical changes, the contributors to this volume rethink the concept of violence, both in itself and in relation to the formation and transformation of identities, whether individual or collective, political or cultural, religious or secular. In particular, they subject the notion of self-determination to stringent scrutiny: is it to be understood as a value that excludes violence, in principle if not always in practice? Or is its relation to violence more complex and, perhaps, more sinister? Reconsideration of the concepts, the practice, and even the critique of violence requires an exploration of the implications and limitations of the more familiar interpretations of the terms that have dominated in the history of Western thought. To this end, the nineteen contributors address the concept of violence from a variety of perspectives in relation to different forms of cultural representation, and not in Western culture alone; in literature and the arts, as well as in society and politics; in philosophical discourse, psychoanalytic theory, and so-called juridical ideology, as well as in colonial and post-colonial practices and power relations. The contributors are Giorgio Agamben, Ali Behdad, Cathy Caruth, Jacques Derrida, Michael Dillon, Peter Fenves, Stathis Gourgouris, Werner Hamacher, Beatrice Hanssen, Anselm Haverkamp, Marian Hobson, Peggy Kamuf, M. B. Pranger, Susan M. Shell, Peter van der Veer, Hent de Vries, Cornelia Vismann, and Samuel Weber.
The Old West was coming to an end. Two legendary outlaws refused to go with it. As leaders of the Wild Bunch, Butch Cassidy and the Sundance Kid executed the most daring bank and train robberies of their day. For several years at the end of the 1890s, the two friends, along with a revolving band of thieves, eluded law enforcement while stealing from the rich bankers and Eastern railroad corporations who exploited Western land…until they rode headlong into the twentieth century. In The Last Outlaws, Thom Hatch brings these memorable characters to life like never before. From their early holdup attempts to that fateful day in Bolivia, Hatch draws on a wealth of fresh research to go beyond the myth and provide a compelling new look at these legends of the Wild West. Includes Photographs
