Travel back in time to the Singapore River!Aloysius and his Grandpa spend a day on the Singapore River in olden day Singapore. As Aloysius is introduced to the ships, the bumboats, the boatmen, the coolies and the warehouses, he realises how awesome life on the river was — how busy, noisy, dirty, and smelly too! — and the very vital role it played in Singapore's early days as a port settlement.Travel into Singapore's past with the Time Travel, Singapore! series. The series showcases the people, places, practices, foods, arts, events and so much more that were an integral part of people's lives then.
Blending social history, geography, economic history and urban studies, Stephen Dobbs sets out the history of the Singapore river and of the people who made it their home and workplace. This text should be of interest to anyone wishing to understand Singapore's numerous transformations.
This book describes the journey of Singapore ́s development and the fundamental role that water has had in shaping it. What makes this case so unique is that the quest for self-sufficiency in terms of water availability in a fast-changing urban context has been crucial to the way development policies and agendas have been planned throughout the years.
Voted Best Indie Book by Kirkus Reviews and awarded a prestigious Blue Star. Ping, an American citizen, returns to Singapore after many years and sees a country transformed by prosperity. Gone are the boatmen and hawkers who once lived along the crowded riverside and in their place rise the gleaming towers of the financial district. Her childhood growing up among the river people had been very different, and leaving her first love Weng, a musician, for America, had been devastating. Now that she is back in Singapore, can she face her former lover and reveal the secret that has separated them for many years? Reviews: “Lim’s affecting, lushly textured historical novel... A fine, deeply felt saga of lives caught up in progress that’s as heartbreaking as it is hopeful.” Kirkus, 5 * Blue Star Review "The River’s Song is a startling work of brilliance that leaves the reader spellbound." kitaab.org “...just as the best novels should be but so rarely are: like immersion in a vivid dream. I couldn’t decide whether to read it slowly in order to savour every word, or to race along, mesmerised by Lim’s dazzling story-telling.” Jill Dawson, British author of The Great Lover, (Richard and Judy’s Bookclub) “...a winning coming of age novel that bridges the years and countries. Here is the buoyancy of sentences and a testimony of resilience.” Krys Lee, award-winning Korean author of The Drifting House “...powerful, deep and moving – draws you in and pulls you along irresistibly. Its heartfelt swell will carry you away to a place of passion and resonant conviction.” Kevin MacNeil, Scottish author of the best-selling The Stornoway Way “A touching story that retrieves Singapore’s fast disappearing past and gives its famous river the depth and colour of a people’s history, and a wonderful rendition of the pipa, on the page, as mother and daughter play their songs from the heart.” Romesh Gunasekera author of Reef, shortlisted for the Booker Prize Singapore Literature Prize Winner and South East Asia Write Award winner Suchen Christine Lim is one of Singapore’s most distinguished writers. In 1992, her third novel, Fistful of Colours, was awarded the Inaugural Singapore Literature Prize. A Bit Of Earth (2000), her fourth novel, and her popular short-story collection, The Lies That Build A Marriage (2007) were later shortlisted for the same prize. Awarded a Fulbright grant in 1997, she is a Fellow of the International Writers Program, University of Iowa, and the first Singapore writer honoured as the university’s International Writer-in-Residence in 2000. A regular guest at Writers' Festivals in Singapore, Malaysia, Philippines, Australia, and UK she has also held writing residencies in Myanmar, the Philippines, South Korea and at the University of Western Australia in Perth. In 2011, she was the Visiting Fellow in Creative Writing at the Nanyang Technological University (NTU), Singapore. In 2012, she won the South East Asia Write Award. In the UK, she has regularly been writer-in- residence at the Arvon Foundation and has tutored at Moniack Mhor in Scotland.
Theorizing the Southeast Asian City as Text examines the ways in which culture, ethnicity, languages, traditions, governance, policies and histories interplay in the creation of the urban experiences in contemporary Southeast Asian cities. It focuses on the ways in which urban spatial forms are textual experiences, subject to interpretative strategies and the influence of other discourses. In addition it also analyzes the experiences of modernization in such cities, but also in terms of the strategies of containment, refurbishment, and loss which this has occasioned.
This book approaches the subject of contemporary art by exploring the social embeddedness and identities of Singaporean artists. Linking artistic processes and production to both personal worlds and wider issues, the book examines how artists negotiate their relationships between self and society and between artistic freedom and social responsibility. It is based on original research into the discourses and artistic practices of local artists, with a special focus on emerging artists and artists whose work and perspectives engage with questions of identity. Reimagining contemporary Singapore and their place within it, artists are asserting their multiple and heterogeneous self-identities and contesting hegemonic norms and notions, as they negotiate and adapt to the world around them. This book is relevant to students and researchers in the fields of cultural studies, media studies, art, sociology of art, arts education, and race and ethnicity studies.
